Blues Brothers 2000 Soundtrack (

Blues Brothers 2000 Soundtrack (1998) cover

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Rating: 4.90/10 from 35000 votes
Tags: blues music, sequel with unusual number
Alternate Names:
Title in Español:

Blues Brothers 2000 (El ritmo continúa)
Title in Italiano:

Blues Brothers - Il mito continua
Title in Português:

Blues Brothers 2000: O Mito Continua

Synopsis

Eighteen years after completing their "mission from God", Elwood J. Blues is released from prison only to learn of the deaths of his brother and partner in crime, 'Joliet' Jake Blues, and his father figure and mentor, Curtis, as well as the destruction of the orphanage he was raised in.

With no family, no roots, and no life, a discouraged Elwood goes to meet with Sister (now Mother) Mary Stigmata. At this meeting, in addition to getting stuck mentoring a wise-ass orphan named Buster, Elwood learns of the existence of Curtis' illegitimate son, Cable.

Now determined to seek out the only family he has left and to reassemble The Band, Elwood, with the help of his new associate and lead singer, 'Mighty' Mack McTeer, embarks on a death-defying journey that will pit them against the Russian Mafia, a Neo-Confederate Militia, the State Police and the FBI, and end with The Band competing in a Battle of the Bands competition against The Louisiana Gator boys led by B.B. King!

Download and play the Soundtrack list

Play Title Artist
Blues Brothers 2000
John The Revelator
Taj Mahal: Performer
Son House: Traditional - arranged
Sam Moore: Performer
John Landis: Additional lyrics
Joe Morton: Performer
Born In Chicago
Nick Gravenites: Writer
The Blues Don't Bother Me
Matt Murphy: Writer
Matt Murphy: Performer
Cheaper To Keep Her
Mack Rice: Writer
Dan Aykroyd: Performer
Perry Mason Theme
Fred Steiner: Writer
Volga Boatmen
The Red Army Choir: Performer
Lookin' For A Fox
John Goodman: Performer
Gumpstumper
Ben Vaughn: Writer
Ben Vaughn: Performer
Theme From Peter Gunn
Henry Mancini: Writer
Respect
Otis Redding: Writer
Aretha Franklin: Performer
634-5789
Eddie Floyd: Performer
Steve Cropper: Writer
Maybe I'm Wrong
Blues Traveler: Performer
John Popper: Writer
Honky-Tonk Dancing Machine
Tracy Byrd: Writer
Tracy Byrd: Performer
Can't Turn You Loose
Otis Redding: Writer
A Bump And A Grind (Doin' The Nasty)
Matt Murphy: Writer
Riders In The Sky (A Cowboy Legend)
Dan Aykroyd: Performer
Stan Jones: Writer
Green Onions
Booker T. Jones: Writer
God Music
Elmer Bernstein: Writer
Let There Be Drums
Sandy Nelson: Writer
Peter Bernstein: Produced
Season Of The Witch
Dr. John: Performer
Donovan: Writer
Funky Nassau
Joe Morton: Performer
Raphael Munnings: Writer
How Blue Can You Get
Turn On Your Love Light
New Orleans
Checkin' Up On My Baby
Please, Please, Please
Trivettitude
Sabre Dance

User reviews

Melissa Adams
6/10

The variety of musical styles represented in the soundtrack keeps the listener engaged and entertained, from high-energy blues to soulful ballads.

John Allen
6/10

The songs in Blues Brothers 2000 are not only entertaining but also serve as a reflection of the characters' struggles and triumphs, creating a cohesive and immersive listening experience.

James Roberts
6/10

The inclusion of legendary musicians like B.B. King, Aretha Franklin, and James Brown adds a level of authenticity and soulfulness to the soundtrack that is unparalleled.

Emily Thompson
8/10

The collaborations between the cast members and guest musicians, including B.B. King, Eric Clapton, and Dr. John, result in dynamic and memorable musical performances that elevate the soundtrack to a higher level.

Patricia Allen
8/10

Overall, the Blues Brothers 2000 soundtrack is a solid and well-crafted collection of songs that pays homage to the original film while also standing on its own as a vibrant and engaging musical work.

Laura Thompson
7/10

The cover versions of classic songs like New Orleans and Riders in the Sky bring a fresh and modern twist to these timeless tracks, making them a joy to listen to.

Patricia Allen
5/10

Overall, the soundtrack of Blues Brothers 2000 is a powerful and memorable collection of songs that pays tribute to the original film while standing on its own as a musical masterpiece.

Deborah Baker
8/10

The incorporation of a diverse range of musical styles, from blues to soul to rock, adds depth and richness to the soundtrack, showcasing the talents of the musicians involved.

William Jackson
5/10

The musical performances throughout the film are electrifying and showcase the incredible talent of the artists involved, making it a joy to listen to.

Amanda Brown
5/10

The soundtrack effectively complements the storyline of the film, enhancing the emotional impact of key scenes and adding depth to the characters' journeys.

Robert Lopez
5/10

The soundtrack of Blues Brothers 2000 captures the essence of the original film's energy and spirit, blending blues, R&B, and soul seamlessly.

Betty King
8/10

The soundtrack of Blues Brothers 2000 perfectly captures the energetic and soulful essence of the original Blues Brothers film, creating a nostalgic and enjoyable listening experience.

Patricia Baker
7/10

The original songs featured in the soundtrack, such as How Blue Can You Get and Ghost Riders in the Sky, are powerful and emotive, adding a new dimension to the overall musical experience.

William Smith
3/10

The absence of the original Blues Brothers band members, such as Steve Cropper and Donald Duck Dunn, is sorely felt in the soundtrack. The new lineup of musicians fails to recreate the magic and chemistry that made the music of the first film so special.

Donna Adams
4/10

The soundtrack of Blues Brothers 2000 lacks the iconic soul and energy that made the original film's music so memorable. The new songs feel forced and fail to capture the essence of the Blues Brothers' spirit.

Brian Campbell
7/10

The soundtrack effectively complements the film's storyline, enhancing the emotional impact of key scenes and creating a cohesive and immersive viewing experience for the audience.

Susan King
2/10

The incorporation of different musical genres in the soundtrack may have been an attempt to modernize the film, but it ends up feeling disjointed and out of place. The eclectic mix of styles detracts from the overall cohesiveness of the music.