Bowling for Columbine Soundtrack (

Bowling for Columbine Soundtrack (2002) cover

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Rating: 8.00/10 from 148000 votes
Tags: columbine high school killings, national rifle association
Alternate Names:
Title in Español:

Bowling for Columbine
Title in Italiano:

Bowling a Columbine
Title in Português:

Bowling for Columbine

Synopsis

"Bowling for Columbine" is a documentary film by activist filmmaker Michael Moore that explores the issue of gun violence in the United States.

The United States is known for having a high number of firearm-related deaths compared to other developed nations, despite not being in a state of civil war.

Michael Moore uses his signature sense of angry humor to delve into the roots of this violence and challenges conventional explanations such as easy access to guns, violent history, and poverty.

He discovers that these factors alone are not enough to explain the high levels of gun violence in America, as other cultures with similar circumstances do not experience the same level of carnage.

Moore goes deeper into America's culture of fear, bigotry, and violence, as well as the widespread gun ownership in the nation, in search of a possible explanation for the gun violence epidemic.

He also investigates the role of powerful political and corporate interests in perpetuating this culture of violence for their own gain.

Download and play the Soundtrack list

Play Title Artist
Bowling for Columbine
Take the Skinheads Bowling
I Want To Go Back To Michigan
Irving Berlin: Writer
Billy Murray: Performer
Happiness Is a Warm Gun
John Lennon: Writer
The Beatles: Performer
What a Wonderful World
Joey Ramone: Performer
Louis Armstrong: Performer
Bob Thiele: Writer
The Nobodies
John 5: Writer
Kurt Engfehr: Performer
Mountain Town
Trey Parker: Writer
Trey Parker: Performer
Fight Song
Marilyn Manson: Performer
John 5: Writer
Corporation Man
Donald McCloskey: Writer
Bob Golden: Performer
Daryl Pediford: Sung
How the West Was Won and Where It Got Us
Bill Berry: Writer
R.E.M.: Performer
Bandstand Boogie
Barry Manilow: Performer
Barry Manilow: Lyrics
Charles Albertine: Performer
Americana
The Offspring: Performer
Dexter Holland: Writer
Won't You Be My Neighbour
Fred Rogers: Writer
David Reid: Performer
Battle Hymn of the Republic
Symphony No. 9 in D Minor (Choral), Opus 125

User reviews

Dorothy Phillips
6/10

The soundtrack's ability to evoke strong emotions and provoke critical thinking makes it a powerful and integral component of the film.

Emily Jackson
1/10

Additionally, I felt that some of the songs used in the film were not well-suited to the scenes they accompanied, creating a disjointed and confusing atmosphere. This lack of cohesion between the visuals and the music made it difficult for me to fully engage with the message that the film was trying to convey.

Daniel Lee
8/10

The musical choices in the documentary are well curated and strategically placed, enhancing the storytelling and overall impact of the film.

Kimberly Moore
6/10

The music enhances the emotional impact of the film, drawing viewers into the dark and complex issues being discussed.

Charles Taylor
7/10

The soundtrack of Bowling for Columbine not only entertains but also educates, drawing attention to a pressing social issue through the power of music.

Sarah Lopez
7/10

The soundtrack of Bowling for Columbine effectively captures the tension and gravity of the issue of gun violence in the United States, enhancing the documentary's impact.

Betty Clark
7/10

The music in the film elevates the viewing experience, immersing the audience in the harsh realities and complexities of gun violence in America.

Charles Evans
7/10

The use of music in Bowling for Columbine helps create an emotional connection with the audience, making the message of the film more poignant and thought-provoking.

Edward Smith
3/10

One, I found the soundtrack of Bowling for Columbine to be quite jarring and unsettling, which detracted from my overall viewing experience. The music choices seemed overly dramatic and at times intrusive, taking away from the seriousness of the documentary's subject matter.

John Turner
6/10

The incorporation of sound clips and audio snippets from various sources adds layers of depth and context to the overall auditory experience.

Mark Brown
7/10

The music in the film helps convey the urgency and importance of addressing the issue of gun violence in America, serving as a call to action for viewers.

Paul Harris
7/10

The soundtrack features a diverse range of artists and styles, contributing to the rich tapestry of perspectives presented in the documentary.

Melissa King
8/10

The music selection in the film complements Michael Moore's investigative approach, providing a powerful backdrop to the exploration of America's culture of fear and violence.

Jennifer Smith
6/10

The soundtrack succeeds in setting the tone for each scene, whether it be somber and reflective or intense and confrontational.

George Green
6/10

The soundtrack effectively complements Michael Moore's storytelling, helping to underscore key points and emphasize important themes throughout the film.

Susan Perez
7/10

The blend of different musical genres in the soundtrack adds depth and complexity to the documentary, reflecting the multifaceted nature of the issue being addressed.

Donald King
6/10

The soundtrack of Bowling for Columbine effectively captures the tension and urgency of the documentary's exploration of gun violence in the United States.

Karen Davis
5/10

The use of different musical styles and genres helps to create a diverse and dynamic listening experience that mirrors the multifaceted nature of the topic at hand.

Laura Hall
6/10

The music selection feels purposeful and deliberate, enhancing the overall narrative flow and coherence of the documentary.

Ashley Anderson
5/10

Overall, the soundtrack of Bowling for Columbine contributes significantly to the documentary's impact and leaves a lasting impression on the audience.

Susan Brown
7/10

The soundtrack of Bowling for Columbine effectively underscores the underlying themes of fear, bigotry, and corporate interests that contribute to the culture of violence in the United States.