Collateral Soundtrack (

Collateral Soundtrack (2004) cover

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Rating: 7.50/10 from 434000 votes
Tags: driving at night
Alternate Names:
Title in Español:

Collateral

Title in Italiano:

Collateral

Title in Português:

Colateral

Title in Français:

Collatéral

Title in Türk:

Tetikçinin Gecesi

Title in Deutsch:

Collateral

Synopsis

This action thriller follows LA cabbie Max Durocher, the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won't do anything to achieve that dream.

One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600, plus an extra $100 if he gets to the airport on time - Vincent wants Max to drive him to five stops that evening. Max somewhat reluctantly agrees. Max learns the hard way at their first stop when a body falls from a third story apartment window and lands dead on top of his cab that Vincent is a contract hit man. Vincent's main goal, as per his current contract, is to kill five people, one at each of the stops, but he will not let others get in the way of that goal, even if it means killing them, including Max. As Vincent forces Max to continue driving him for the evening, Max tries slyly at every turn to take back control of his life from Vincent, especially when Max learns of one of the names on Vincent's hit list.

Meanwhile, LAPD narcotics detective, Ray Fanning, and ultimately the FBI get involved when Vincent's first victim is associated with a case in which Ray is working undercover. Ray is able to piece together information which makes him hot on Max and Vincent's tail.

Download and play the Soundtrack list

Play Title Artist
Collateral
Debestar
Rick Garcia: Writer
The Green Car Motel: Performer
Love Me So Bad
Lyrics Born: Performer
Lyrics Born: Writer
En Mi Pueblo
Josh Cruze: Writer
The Seed 2.0
The Roots: Performer
Cody ChesnuTT: Writer
Hands Of Time
Groove Armada: Performer
Andrew Cato: Writer
Driften
Thomas Schobel: Writer
Air
Spanish Key
Miles Davis: Writer
Iguazu
Gustavo Santaolalla: Writer
Antonio Pinto: Performer
Steel Cello Lament
Güero Canelo
Joey Burns: Writer
Calexico: Performer
Ven Aca Bonita
Josh Cruze: Writer
Exile
Pieter Bourke: Writer
Destino De Abril
Rick Garcia: Writer
The Green Car Motel: Performer
Moxica & His Horse
Vangelis: Writer
A Roda
Antonio Pinto: Writer
Shadow On The Sun
Tom Morello: Additional guitar
Audioslave: Performer
Tim Commerford: Writer
Ready Steady Go (Korean Style)
Paul Oakenfold: Performer
Paul Oakenfold: Writer
Moxica & His Horse
1492: Conquest of Paradise (1992): Performer
Collateral
Ruth Barrett: Performer
Driving
Ruth Barrett: Performer
Good Girl
Ruth Barrett: Performer
The Changing
Ruth Barrett: Performer
Searching for Laurie
Ruth Barrett: Performer
Letter
Ruth Barrett: Performer
Laurie's Death
Ruth Barrett: Performer
The Finish
Ruth Barrett: Performer
Montage
Ruth Barrett: Performer
Sandrine's Letter
Ruth Barrett: Performer
The Crossing
Ruth Barrett: Performer
The Promise
Ruth Barrett: Performer
Finale
Ruth Barrett: Performer
Max And Vincent Talk
James Newton Howard: Performer
Arriving At Second Hit
James Newton Howard: Performer
Sylvester Clarke
James Newton Howard: Performer
Cut Cuffs
James Newton Howard: Performer
You Like Jazz?
James Newton Howard: Performer
Daniel
James Newton Howard: Performer
Daniel Is Killed (Alternate)
James Newton Howard: Performer
Flowers
James Newton Howard: Performer
Max Steals Briefcase
James Newton Howard: Performer
Fanning At The Morgue
James Newton Howard: Performer
Talk About Parents
James Newton Howard: Performer
Island Limos
James Newton Howard: Performer
Surveillance At El Rodeo
James Newton Howard: Performer
Max Meets Felix
James Newton Howard: Performer
Cops Pursue
James Newton Howard: Performer
Race To Annie
James Newton Howard: Performer
Cat And Mouse
James Newton Howard: Performer
Race To The Metro
James Newton Howard: Performer
Vincent Hops Train (Alternate)
James Newton Howard: Performer
Would Anyone Notice? (Finale)
James Newton Howard: Performer
EXTRAS: Daniel Is Killed (Original)
James Newton Howard: Performer
Vincent Hops Train (Original)
James Newton Howard: Performer
Briefcase (Tom Rothrock)
James Newton Howard: Performer
The Seed (2.0) (Extended Radio Edit) (The Roots)
James Newton Howard: Performer
Hands Of Time (Groove Armada)
James Newton Howard: Performer
Guero Canelo (Calexico)
James Newton Howard: Performer
Rollin' Crumblin' (Tom Rothrock)
James Newton Howard: Performer
Max Steals Briefcase (James Newton Howard)
James Newton Howard: Performer
Destino De Abril (The Green Car Motel)
James Newton Howard: Performer
Shadow On The Sun (Audioslave)
James Newton Howard: Performer
Island Limos (James Newton Howard)
James Newton Howard: Performer
Spanish Key (Miles Davis)
James Newton Howard: Performer
Air (Klazz Brothers & Cuba Percussion)
James Newton Howard: Performer
Ready Steady Go (Remix) (Oakenfold)
James Newton Howard: Performer
Car Crash (Antonio Pinto)
James Newton Howard: Performer
Vincent Hops Train (James Newton Howard)
James Newton Howard: Performer
Finale (James Newton Howard)
James Newton Howard: Performer
Requiem (Antonio Pinto)
James Newton Howard: Performer

User reviews

Donald Thompson
10/10

Each track in the soundtrack is expertly crafted to evoke a range of emotions, from adrenaline-fueled chase scenes to poignant moments of reflection. The music seamlessly weaves in and out of the narrative, heightening the intensity of each scene and adding depth to the characters' motivations and struggles.

Matthew Davis
5/10

The use of electronic and ambient sounds in the soundtrack of Collateral adds a modern and gritty feel to the story, complementing the urban setting of Los Angeles.

Sarah Martinez
8/10

The seamless integration of music with the on-screen action creates a truly immersive experience for the audience.

William Davis
8/10

The soundtrack's ability to build anticipation and suspense contributes significantly to the overall impact of the film.

Paul Scott
3/10

The soundtrack of Collateral felt repetitive and uninspired, lacking the depth and intensity needed to match the tension and suspense of the storyline. It failed to enhance the emotional impact of key scenes, making them feel flat and unmemorable.

Melissa Baker
8/10

The soundtrack effectively enhances the tension and drama of each scene, keeping viewers on the edge of their seats throughout the movie.

Joseph Williams
5/10

The soundtrack of Collateral perfectly captures the intensity and tension of the film's action sequences, enhancing the overall viewing experience.

Michael Hall
1/10

The choice of music in Collateral often felt jarring and out of place, disrupting the immersion in the film rather than complementing the action on screen. It seemed like a disjointed collection of tracks rather than a cohesive and thoughtfully curated soundtrack.

George Adams
7/10

The haunting melodies in certain tracks evoke a sense of mystery and intrigue, adding depth to the storytelling.

Charles Hall
9/10

The soundtrack of Collateral is a masterful blend of tension and suspense that perfectly complements the thrilling storyline of the movie. The haunting and atmospheric score enhances the sense of danger and urgency as the plot unfolds, keeping me on the edge of my seat throughout the film.

Stephanie Martinez
7/10

The intense and pulsating beats in the Collateral soundtrack perfectly capture the suspenseful atmosphere of the action thriller.

Elizabeth Baker
9/10

The soundtrack of Collateral is truly a standout element of the film, elevating the overall viewing experience and leaving a lasting impression. It's a testament to the power of music in storytelling, and I can't imagine the movie without its powerful and evocative score.

Patricia Wilson
5/10

The musical score in Collateral seamlessly blends with the visuals and dialogue, creating a cohesive and immersive cinematic experience that keeps the audience engaged throughout.

Melissa Campbell
8/10

The memorable themes and motifs in the music stick with the audience long after the movie has ended, enhancing the overall viewing experience.

Emily Thomas
8/10

The use of electronic elements in the music adds a modern and edgy touch to the overall sound of the film.

George Robinson
8/10

The Collateral soundtrack is a masterful blend of soundscapes that elevate the film to a higher level of cinematic excellence.

Karen Williams
8/10

The music perfectly mirrors the internal struggles of the main characters, adding emotional depth to their journeys.

Karen Johnson
3/10

I found the overall sound design of Collateral to be underwhelming, with the music failing to create a consistent atmosphere or mood throughout the film. It lacked subtlety and nuance, overshadowing important dialogues and moments instead of enhancing them.

Laura Allen
6/10

The music choices in Collateral effectively set the mood for each scene, whether it's a suspenseful moment or a high-octane chase, making it a standout aspect of the film.

Steven Parker
8/10

The dynamic range of the soundtrack, from quiet and contemplative moments to high-energy sequences, showcases the versatility of the composers.