How to Lose a Guy in 10 Days Soundtrack (

How to Lose a Guy in 10 Days Soundtrack (2003) cover

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Rating: 6.50/10 from 267000 votes
Tags: lie, diamond, columnist
Alternate Names:
Title in Español:

Cómo perder a un chico en 10 días
Title in Italiano:

Come farsi lasciare in 10 giorni

Synopsis

How to Lose a Guy in 10 Days

Benjamin Barry is an advertising executive competing with two female co-workers for a major campaign for a diamond merchant. He cuts a deal with his competitors that the account is his if he can make a woman of their choice fall in love with him in 10 days.

In comes Andie Anderson who, in turn, is writing a story on how to lose a guy in 10 days as a bet with her boss to be allowed to write more substantial stories.

With a hidden agenda in each camp, will either party be able to complete their mission?

Download and play the Soundtrack list

Play Title Artist
How to Lose a Guy in 10 Days
Catch Me If You Can
David Kahne: Produced
Candice Beu: Writer
Who Do You Love
Amore (Sexo)
Santana: Performer
19-2000
Know You Better
Hot in Herre
Let's Stay Together
Let's Stay Together
Al Green: Performer
Cavalry Charge
Al Green: Performer
Stadium Clap
Al Green: Performer
Bye Bye Blackbird
Al Green: Performer
Charge #4
Al Green: Performer
Annie to Empire
Al Green: Performer
Kiss Me
Matt Slocum: Performer
Good Day
Tom Luce: Performer
You're So Vain
Carly Simon: Performer
An Affair to Remember
Carly Simon: Performer
Somebody Like You
Keith Urban: Performer
The Way You Do the Things You Do
Smokey Robinson: Performer
That Old Black Magic
Smokey Robinson: Performer
Isn't It Romantic
Smokey Robinson: Performer
My Heart Will Go On
James Horner: Performer
Moon River
James Horner: Performer
It Could Happen to You
James Horner: Performer
One
James Horner: Performer
Feels Like Home
Randy Newman: Performer
Soulful
Randy Newman: Performer
Weight of the World
Chantal Kreviazuk: Performer
Follow You Down
Scott Johnson: Performer
L-O-V-E
Bert Kaempfert: Performer

User reviews

Mark Wilson
5/10

I appreciate the variety of music genres included in the soundtrack, from pop to R&B to rock. It adds depth and dimension to the overall listening experience.

Kimberly Lopez
8/10

The music selection in the film adds depth to the characters' feelings and interactions, making the whole story more engaging and enjoyable to watch.

Paul King
8/10

The songs chosen for the soundtrack help set the tone for the different scenes, enhancing the emotions and creating a memorable viewing experience for the audience.

Linda Taylor
1/10

The soundtrack of How to Lose a Guy in 10 Days relies heavily on clichéd romantic ballads and pop songs, failing to offer a fresh or innovative musical palette. The music feels predictable and uninspiring, adding little depth or emotional resonance to the scenes it accompanies.

Donna Brown
5/10

The song choices in key moments of the film enhance the emotional impact of the scenes. The music effectively conveys the characters' feelings and helps to immerse the audience in the story.

Susan Robinson
6/10

The soundtrack of How to Lose a Guy in 10 Days perfectly captures the upbeat and lighthearted tone of the movie. The songs are fun and catchy, making them enjoyable to listen to.

John Jackson
2/10

The soundtrack of How to Lose a Guy in 10 Days lacks originality and fails to capture the essence of the romantic comedy genre. The music feels generic and uninspired, making it forgettable and unremarkable.

Mary Jones
5/10

Overall, the soundtrack of How to Lose a Guy in 10 Days is a solid collection of songs that complement the film's romantic comedy theme. It's a soundtrack that you can easily listen to on repeat and enjoy every time.

Linda Wright
8/10

The soundtrack of How to Lose a Guy in 10 Days is a delightful mix of upbeat and romantic tunes that perfectly complement the storyline of the movie.

Lisa Hall
5/10

The soundtrack features some classic hits that bring a sense of nostalgia and familiarity, making the movie even more relatable and engaging.

Ronald Young
1/10

The choice of songs in the soundtrack feels disjointed and out of place, creating a jarring listening experience. The transitions between tracks are abrupt, disrupting the flow of the film and detracting from the overall viewing experience.