Featuring the first on-camera appearance of an almost boyish David Lynch, this collection of his early 16mm experimental footage from The Alphabet (1969) and The Grandmother (1970) is brimming with surreal imagery and a silent undercurrent of numbing dread. With his hand-held camera, David Lynch captures vivid hallucinations on celluloid, following his former wife, Peggy Lynch, on a slow descent into madness during an unforgettable tea party.