Dawn vibrates in New York as it spreads over a waking body. Half-covered by sheets, it's a body that will never fully reveal itself, even when caught in the middle of the sexual act: Em is a call girl, and a heroin addict to boot: just the right elements that Jeffrey Dunn Rovinelli . she presents movies to destroy them as quickly as possible. From New York to Los Angeles passing through Pittsburgh, Em's daily life of her is revealed, at first, as an antithesis of preconceived ideas about her, questioning the desire of the viewer in relation to documentary cinema. Do we have to look at Em the way she looks at the people passing by on the street, through her hotel window? The drugs are invisible, at least in words, and the sex is nothing more than a pop-Shakespearean performance shot in HD. Around work, steps to get in and out: shifts, makeup, waiting... Em's true life and a certain portrait of the United States emerge from this daily routine apparently marked by slow times. Hers ...