• Going All the Way (1997) Soundtrack OST •

Going All the Way Soundtrack (1997) cover

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Rating: 5.60/10 from 2100 votes

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Synopsis

Going All the Way

In 1954, the photographer GI Sonny Burns and the soldier Gunner Casselman meet each other in a train to Indianapolis after serving in the Korea War. Gunner is a popular athlete, but befriends the shy Sonny and soon they become best friends. Sonny has an overprotective mother, Alma Burns, that dominates also his father Elwood Burns, and a sweetheart, Buddy Porte, while Gunner has a sexy mother, Nina Casselman, and dates the hot Deedee. Sonny starts to teach photography to Gunner, but when they meet the Arts student Marty Pilcher in a museum, Gunner falls for her. But she lives and study in New York.

Download and play the Soundtrack list

Play	Title	Artist
	Going All the Way
	A White Sport Coat And A Pink Carnation	Marty Robbins: Writer Marty Robbins: Performer
	A Sunday Kind of Love	Louis Prima: Writer The Harptones: Performer
	Skokiaan	Dámaso Pérez Prado: Performer
	Golden Teardrops
	A White Sport Coat (And a Pink Carnation) (Marty Robbins)	tomandandy: Performer
	Bess' Boogie (Bobby Smith)	tomandandy: Performer
	Mighty, Mighty Man (Roy Brown)	tomandandy: Performer
	Rocket 88 (Jackie Brenston)	tomandandy: Performer
	Big Heavy (Cozy Eggleston)	tomandandy: Performer
	A Sunday Kind of Love (The Harptones)	tomandandy: Performer
	Gonna Hoot and Holler Saturday Night (Willis Jackson)	tomandandy: Performer
	Skokiaan (Perez Prado and His Orchestra)	tomandandy: Performer
	Tangled and Tempted (The Sonny Burns Orchestra)	tomandandy: Performer
	Mopsticks (Bobby Smith)	tomandandy: Performer
	You've Changed (Bobby Dukoff)	tomandandy: Performer
	Sexy Man (Tomandandy)	tomandandy: Performer
	Why Was I Born (Vic Damone)	tomandandy: Performer
	Farther Along (The Burroughs Family)	tomandandy: Performer
	Goofball (Tomandandy)	tomandandy: Performer

User reviews

Michael Walker

2/10

The soundtrack of Going All the Way failed to capture the emotional depth and complexity of the characters' relationships. The music felt generic and uninspired, lacking the ability to enhance the storytelling or evoke any genuine feelings from the audience.

Michelle Wilson

8/10

The emotional impact of the music in Going All the Way lingers long after the film has ended, leaving a lasting impression on the audience.

Anthony Phillips

6/10

Overall, while the soundtrack of Going All the Way may not break new ground in terms of song selection, it does succeed in setting the tone and enhancing the overall viewing experience of the film.

John Hall

7/10

The musical themes seamlessly transition between moments of friendship, love, and conflict, enhancing the overall storytelling experience.

Laura Adams

8/10

The dynamic range of music styles in the soundtrack reflects the diverse personalities and backgrounds of the characters in the film.

David Hill

3/10

The use of repetitive and cliché musical motifs throughout the film became distracting and took away from the authenticity of the scenes. Instead of adding depth and nuance to the narrative, the soundtrack felt like an afterthought, failing to connect with the audience on a deeper level.

James Young

8/10

The haunting melodies in Going All the Way perfectly capture the emotional depth of the characters' relationships and inner struggles.

Kenneth Robinson

6/10

The use of music in key emotional moments of the film was effective in enhancing the mood and connecting with the characters' journeys, particularly during the scenes where Sonny and Gunner navigate their complex friendship and romantic entanglements.

William Carter

5/10

The soundtrack of Going All the Way perfectly captures the nostalgic 1950s atmosphere of the film, with a mix of jazzy tunes and classic ballads that transport you back in time.

Michelle Scott

8/10

The soundtrack's subtle nuances and nuances of the music enhance the mood and atmosphere of each scene, creating a truly immersive viewing experience.

John Garcia

6/10

I found the musical choices in Going All the Way to be quite predictable and cliché, relying too heavily on well-known songs from the era instead of exploring more unique and lesser-known tracks that could have added depth to the film.