• Misery (1990) Soundtrack OST •

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Rating: 7.80/10 from 234000 votes

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Synopsis

Misery is a psychological horror novel written by Stephen King. The story follows Paul Sheldon, a successful author who is rescued from a car crash by his number one fan, Annie Wilkes. However, Paul soon realizes that Annie is not as kind as she seems. She becomes obsessed with his latest novel and forces him to write a sequel to her liking. Paul is held captive in Annie's secluded home, enduring physical and emotional torture as he tries to escape.

As the tension escalates between Paul and Annie, the reader is taken on a thrilling and terrifying journey into the depths of obsession and madness. Will Paul be able to outsmart his captor and regain his freedom, or will he succumb to the horrors of Misery?

Download and play the Soundtrack list

Play	Title	Artist
	Misery
	SHOTGUN	Junior Walker: Writer Jr. Walker and the All Stars: Performer
	TCHAIKOVSKY PIANO CONCERTO #1	Liberace: Performer Pyotr Ilyich Tchaikovsky: Writer
	MOONLIGHT SONATA	Liberace: Performer Ludwig van Beethoven: Writer
	I'LL BE SEEING YOU	Liberace: Performer Irving Kahal: Writer
	LOVE CONNECTION	Larry Grossman: Writer
	Number One Fan	Marc Shaiman: Performer
	She Can't Be Dead	Marc Shaiman: Performer
	Open House	Marc Shaiman: Performer
	Go To Your Room	Marc Shaiman: Performer
	Buster's Last Stand	Marc Shaiman: Performer
	Misery's Return	Marc Shaiman: Performer
	Zarathustra, Op. 30 "Einleitung" (2001 A Space Odyssey)	Georges Delerue: Performer
	Lara's Theme (Doctor Zhivago)	Georges Delerue: Performer
	Theme (The Godfather)	Georges Delerue: Performer
	Theme (Romeo And Juliet)	Georges Delerue: Performer
	Theme (Love Story)	Georges Delerue: Performer
	Theme (Rich and Famous)	Georges Delerue: Performer
	Tara's Theme (Gone With The Wind)	Georges Delerue: Performer
	Adagio for Strings (Patton & Lawrence Of Arabia)	Georges Delerue: Performer
	Carmen: Suite No. 2 "Danse Boheme" (Bizet) (There's Something About Mary)	Georges Delerue: Performer
	Piano Concerto No. 1, 1st Movement (Tchaikovsky) (Misery)	Georges Delerue: Performer
	Piano Concerto No. 21, 2nd Movement (Mozart) (The Spy Who Loved Me)	Georges Delerue: Performer
	Piano Concerto No. 5, 2nd Movement (Beethoven) (Dead Poets Society)	Georges Delerue: Performer
	Jesu, Joy of Man's Desiring (Bach) (Mona Lisa Smile)	Georges Delerue: Performer
	Eine Kleine Nachtmusik, 3rd Movement (Mozart) (GI Jane)	Georges Delerue: Performer
	Midsummer Night's Dream Wedding March (Mendelssohn) (The Wedding Planner)	Georges Delerue: Performer
	Eine Kleine Nachtmusik, 1st Movement (Mozart) (Charlie's Angel's Full Throttle)	Georges Delerue: Performer
	Symphony No. 101, 2nd Movement (Haydn) (The Prince of Tides)	Georges Delerue: Performer
	Brandenburg Concerto, 3rd Movement (Bach) (Romy and Michelle's High School Reunion)	Georges Delerue: Performer
	Piano Quintet, 4th Movement (Schubert) (The Sixth Sense)	Georges Delerue: Performer
	Cantata No 140 "Wachet auf" (Bach) (Mr. Holland's Opus)	Georges Delerue: Performer
	Aria from Madame Butterfly (Puccini) (Fatal Attraction)	Georges Delerue: Performer
	Overture from Tannhauser (Wagner) (Unfaithfully Yours)	Georges Delerue: Performer
	Clarinet Concerto: 2nd Movement (Mozart) (Out of Africa)	Georges Delerue: Performer
	Canon in D (Pachelbel) (Father of the Bride)	Georges Delerue: Performer
	Lohengrin (Wagner) (Spider Man 2)	Georges Delerue: Performer
	Brandenburg Concerto, 1st Movement Bach) (Hannibal)	Georges Delerue: Performer
	Traumerei (Schumann) (The Crush)	Georges Delerue: Performer
	Violin Concerto No 3, 3rd Movement (Mozart) (Master and Commander: The Far Side of the World)	Georges Delerue: Performer
	Adagietto (Mahler) (Lorenzo's Oil)	Georges Delerue: Performer
	String Quartet No. 3, 2nd Movement (Haydn) (Casablanca)	Georges Delerue: Performer
	Clair De Lune (Debussy) (Ocean's 11)	Georges Delerue: Performer
	Aria from La Boheme (Puccini) (Moonstruck)	Georges Delerue: Performer
	Horn Concerto No. 2, 3rd Movement (Mozart) (JFK)	Georges Delerue: Performer
	Main Title	James Horner: Performer
	Going After Newt	James Horner: Performer
	Sub-Level 3	James Horner: Performer
	Ripley's Rescue	James Horner: Performer
	Atmosphere Station	James Horner: Performer
	Futile Escape	James Horner: Performer
	Dark Discovery	James Horner: Performer
	Bishop's Countdown	James Horner: Performer
	Resolution And Hyperspace	James Horner: Performer
	She Can't Be Dead	Marc Shaiman: Performer
	Buster's Last Stand	Marc Shaiman: Performer
	Misery's Return	Marc Shaiman: Performer
	Lara's Theme (Doctor Zhivago)	Georges Delerue: Performer
	Tara's Theme (Gone With The Wind)	Georges Delerue: Performer
	Carmen: Suite No. 2 "Danse Boheme" (Bizet) (There's Something About Mary)	Georges Delerue: Performer
	Jesu, Joy of Man's Desiring (Bach) (Mona Lisa Smile)	Georges Delerue: Performer
	Midsummer Night's Dream Wedding March (Mendelssohn) (The Wedding Planner)	Georges Delerue: Performer
	Eine Kleine Nachtmusik, 1st Movement (Mozart) (Charlie's Angel's Full Throttle)	Georges Delerue: Performer
	Brandenburg Concerto, 3rd Movement (Bach) (Romy and Michelle's High School Reunion)	Georges Delerue: Performer
	Cantata No 140 "Wachet auf" (Bach) (Mr. Holland's Opus)	Georges Delerue: Performer
	Adagietto (Mahler) (Lorenzo's Oil)	Georges Delerue: Performer
	Clair De Lune (Debussy) (Ocean's 11)	Georges Delerue: Performer
	Ripley's Rescue	James Horner: Performer
	Bishop's Countdown	James Horner: Performer

User reviews

Linda Davis

10/10

The soundtrack of Misery perfectly captures the eerie and tense atmosphere of the story. The haunting melodies and suspenseful tones enhance the psychological horror elements, keeping me on the edge of my seat throughout the film.

James Moore

6/10

The soundtrack of Misery effectively underscores the complex relationship between Paul and Annie, adding layers of depth and emotion to their interactions. The music serves as a powerful storytelling tool, conveying the characters' inner struggles and conflicts.

Michael Scott

7/10

The musical motifs and themes are intricately woven throughout the soundtrack, creating a cohesive and immersive sonic landscape that enhances the storytelling.

Mary Jackson

6/10

The use of orchestral music in Misery adds a classic and timeless quality to the film, enhancing the emotional impact of key scenes. The score expertly conveys the sense of dread and unease that permeates the narrative.

Paul Jones

8/10

The use of dissonant chords and unsettling sounds in the music creates a sense of unease and tension that mirrors Paul's harrowing experiences with Annie Wilkes.

Betty Martin

7/10

The soundtrack effectively builds suspense and keeps me on the edge of my seat, heightening the overall sense of dread and impending danger.

Melissa Wright

4/10

Overall, the soundtrack of Misery fell short of delivering a memorable and impactful musical accompaniment to the chilling narrative, failing to elevate the viewing experience and leaving a bland impression on the audience.

Anthony Smith

6/10

The musical motifs in Misery are carefully crafted to mirror the psychological turmoil experienced by the characters. The recurring themes create a sense of continuity and cohesion in the soundtrack, enhancing the overall storytelling.

Sarah Baker

6/10

The soundtrack of Misery showcases the composer's skill in creating a musical atmosphere that is both unsettling and captivating, drawing the audience deeper into the story's dark and twisted world.

Stephanie Smith

5/10

The strategic use of silence in certain moments of the film's score amplifies the sense of foreboding and suspense, creating a palpable sense of anticipation for the audience.

John Hill

7/10

The emotional depth conveyed through the music enhances the psychological aspects of the story, making me feel the characters' struggles on a visceral level.

Ashley Lee

2/10

The use of repetitive motifs in the soundtrack became tiresome and predictable, failing to effectively build tension or create a sense of unease. Instead of enhancing the scenes of psychological torment and manipulation, the music often felt out of place and disconnected from the emotional intensity of the plot.

Kimberly Moore

8/10

The seamless integration of the music with key moments in the plot enhances the storytelling, drawing me further into the twisted world of Misery.

Donna Clark

8/10

The haunting melodies in the Misery soundtrack perfectly capture the eerie atmosphere of the story, sending shivers down my spine with every note.

Robert Thomas

10/10

The use of music in Misery effectively conveys the emotional turmoil and intense moments between Paul and Annie. The score adds depth to the characters' interactions, creating a sense of unease and foreboding that lingers long after the movie ends.

George Anderson

6/10

The soundtrack of Misery effectively captures the eerie and suspenseful atmosphere of the novel. The haunting melodies heighten the tension and keep the audience on edge throughout the story.

Linda Brown

8/10

The orchestral arrangements are rich and complex, adding layers of complexity to the narrative and elevating the overall viewing experience.

Emily Mitchell

3/10

The soundtrack of Misery failed to capture the eerie and suspenseful atmosphere of the novel. The music felt generic and uninspired, lacking the depth and complexity needed to enhance the psychological horror elements of the story.

Amanda Perez

8/10

The music in Misery is a vital component of the overall atmosphere and mood of the story, enhancing the emotional impact and creating a truly unforgettable viewing experience.

George Nelson

5/10

The blend of traditional orchestral elements with modern electronic sounds in the soundtrack of Misery creates a unique and captivating sonic landscape that complements the visual storytelling of the film.

Susan Hill

7/10

The soundtrack expertly captures the internal turmoil and external threats faced by Paul Sheldon, immersing me in his struggle for survival and sanity.

Dorothy Lewis

5/10

Overall, the soundtrack of Misery is a masterful complement to the novel's themes of obsession and madness, enhancing the viewing experience and leaving a lasting impression on the audience.

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