Docudrama focusing on two periods of the young adult life of future US Supreme Court Justice Ruth Bader Ginsburg.
The first time period is the late 1950s in her stint as a student at Harvard Law School, her class only the sixth after women were admitted to the school and including only nine females.
Dean Erwin Griswold makes known in veiled terms to those nine that he would prefer if it was still an all male institution.
As such, Ruth knows that she has to work twice as hard as any male student to make herself known, which is made all the more difficult with unexpected issues at home with her fellow Harvard Law School student husband, Martin D. Ginsburg.
The second time period is in the early 1970s.
Despite wanting to get a job as a trial lawyer at a law firm, no such firm would hire her solely because she is a woman, and despite she finishing at the top of her class.
Instead, she is teaching law at Rutgers specializing in sex discrimination in the law, this chosen specialization arguably as she has faced inherent sex discrimination in her chosen career and that she wants to inspire future generations of women to achieve what she has been unable to do herself because of that discrimination.
Things change when Marty, now an esteemed tax lawyer, brings to her a case that he feels could change the face of her work, a tax case in which, solely because of the law, there is reverse discrimination, namely against a male, the two who decide to work on the case together, he from the tax side, she from the sex discrimination side.
She is eventually able to convince her old friend Mel Wulf at the American Civil Liberties Union (ACLU) to provide the organization's official support.
Ruth and Marty are told in no uncertain terms that in the strong possibility that they lose, the result could irrevocably set their careers back.
Winning is made all the more difficult in they having to work within the structure that supports that sex discrimination as "that's the way it's always been done", and as Ruth has no trial experience, she who can come across as a bitter woman who the world has wronged.
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On the Basis of Sex
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Divine Eve
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Gilbert Sigrist:
Writer
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Slippin' and Slidin'
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Song to the Moon
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Overture from The Marriage of Figaro
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Time Has Come Today
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Concerto for Piano & Orchestra in A Minor Op. 54 Intermezzo
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Robert Schumann:
Writer
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Moonlight over Manhattan
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Gilbert Sigrist:
Writer
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Concerto for Violin and Orchestra in D Major, Opus 61 - Rondo
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Ludwig van Beethoven:
Writer
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Question
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The Trout - Chamber Arrangement
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Franz Schubert:
Writer
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Here Comes the Change
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Kesha:
Performer
Kesha: Writer Drew Pearson: Engineered Drew Pearson: Recorded at the village and purple dinosaur studios, los angeles ca guitars, piano, organ, drums, harmonica, synths and programming Drew Pearson: Produced Tom Elmhirst: Background vocals: wrabel (as stephen wrabel) and kesha (as kesha sebert) mixed Mike Bozzi: Mastered Paul Katz: Executive produced |
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A Harvard Man
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Mychael Danna:
Performer
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The Times Have Already Changed
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Mychael Danna:
Performer
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Mrs. Ginsburg
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Mychael Danna:
Performer
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More Tests to Run
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Mychael Danna:
Performer
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Never Giving Up
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Mychael Danna:
Performer
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How Fortunate You Are to Be Here
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Mychael Danna:
Performer
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Thank You, Mr. Green
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Mychael Danna:
Performer
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Topple the System
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Mychael Danna:
Performer
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Many Hats
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Mychael Danna:
Performer
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14th Amendment
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Mychael Danna:
Performer
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Denver, Colorado
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Mychael Danna:
Performer
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Her Heart
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Mychael Danna:
Performer
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What a Horrifying Age
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Mychael Danna:
Performer
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Your Life's Work
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Mychael Danna:
Performer
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Given the Natural Order of Things
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Mychael Danna:
Performer
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We'll See You in Court
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Mychael Danna:
Performer
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And May It Please the Court
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Mychael Danna:
Performer
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Go On, Professor Ginsburg
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Mychael Danna:
Performer
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The Right of the Country to Change
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Mychael Danna:
Performer
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96 to 3
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Mychael Danna:
Performer
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Your Life's Work
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Mychael Danna:
Performer
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We'll See You in Court
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Mychael Danna:
Performer
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