Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all.
Play | Title | Artist |
---|---|---|
Paris, je t'aime
|
||
Run to the Mosque
|
Craig Pruess:
Writer
|
|
Meetings/Resolution
|
Craig Pruess:
Writer
|
|
Mime Song
|
Sylvain Chomet:
Writer
Sylvain Chomet: Recorded at north berwick Alex Firla: Mixed at studios davout |
|
Promenade à Paris
|
Sylvain Chomet:
Writer
Sylvain Chomet: Recorded at north berwick Alex Firla: Mixed at studios davout |
|
Katoucha
|
||
La Même Histoire
|
Will Jennings:
English lyrics
Leslie Feist: Performer Elisabeth Anaïs: French lyrics Christophe Monthieux: Performer |
|
We're All in the Dance
|
|
|
La Vampire
|
Cyrille Aufort:
Conducted
Alex Firla: Performer David Connor: Additional arragements and orchestration Brian Benison: Performer |
|
True
|
||
True Façade
|
||
Gogol
|
||
You Wanna Break Free
|
Richard Cottle:
Writer
|
|
Pilotes Automatiques
|
Mohamed Mazouz:
Lyrics
|
|
Danny
|
||
Que Linda Manito
|
Catalina Sandino Moreno:
Performer
|
|
Janine 2
|
Camille:
Writer
|
|
Paris
|
||
Le Tourbillon
|
|
|
A Estrada
|
|
|
Petite Fille
|
|
|
Un Elephant Me Regarde
|
|
|
Then You Can Tell Me Goodbye
|
|
|