Portrait de la jeune fille en feu Soundtrack (

Portrait de la jeune fille en feu Soundtrack (2019) cover

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Rating: 8.10/10 from 111000 votes
Alternate Names:
Title in Español:

Retrato de una mujer en llamas

Title in Português:

Retrato da Rapariga em Chamas

Title in Français:

Portrait de la jeune fille en feu

Synopsis

France, 1760. Summoned to an isolated cliff-side manor squeezed between the wild sea and the rugged landscapes of a wind-swept island off the Brittany Coast, for-hire painter Marianne is on a secret mission.

Commissioned by an Italian countess to paint the wedding portrait of her uncooperative daughter Héloïse, Marianne has to soak up the fine detail of sad-eyed Héloïse's face during the day while posing as her promenade companion.

However, as Marianne steals a glance at unsuspecting Héloïse to capture aspects of her figure on canvas at night, fleeting peeks become hungry gazes.

Little by little, this delicate game of wordless intimacy forges quiet adoration between the unconventional painter and her subject.

But can the liberating force of art set the lady on fire free?

Download and play the Soundtrack list

Play Title Artist
Portrait de la jeune fille en feu
Concerto No. 2 for violin in G minor, Op. 8, RV 315, L'Estate
Antonio Vivaldi: Composer
Concerto No. 2 for violin in G minor, Op. 8, RV 315, L'Estate
Antonio Vivaldi: Performer

User reviews

Lisa Thompson
7/10

The soundtrack of Portrait of a Lady on Fire is a mesmerizing blend of haunting melodies and emotive compositions that perfectly capture the emotional depth of the film.

Linda Wilson
7/10

The interplay of piano and strings in the soundtrack creates a delicate balance of tension and tenderness, reflecting the complex emotions that unfold between the two main characters as they navigate their feelings for each other.

Kenneth Nelson
1/10

I found the use of traditional instruments in the score to be distracting and out of place, taking away from the immersive experience of the movie. The jarring combination of historical setting and modern musical elements clashed rather than complemented each other, ultimately detracting from the overall viewing experience.

Karen Adams
5/10

The use of classical music in the soundtrack adds a timeless quality to the film, complementing the 18th-century setting and themes of love and art. The orchestral arrangements evoke a sense of elegance and sophistication that mirrors the characters' refined world.

Stephanie Brown
5/10

The soundtrack's ability to convey the characters' inner emotions without relying on dialogue is truly remarkable. The music speaks volumes, drawing the audience into the complex web of relationships and desires woven throughout the story.

Michelle Martinez
1/10

The soundtrack of Portrait of a Lady on Fire failed to captivate me with its lack of emotional depth and complexity. The music felt repetitive and uninspired, failing to enhance the poignant moments of the film.

Richard Jones
7/10

The soundtrack enhances the visual storytelling of the film, heightening the impact of key emotional moments and drawing the audience deeper into the inner world of the characters.

Ronald Moore
8/10

The musical score evokes a sense of longing and desire, mirroring the forbidden romance between Marianne and Héloïse with its poignant melodies and subtle nuances.

Andrew Parker
5/10

The soundtrack of Portrait of a Lady on Fire perfectly captures the emotional depth and intimacy of the film. The haunting melodies and subtle instrumentation enhance the romantic tension between the characters, creating a truly immersive experience.

Thomas Wilson
7/10

The use of classical music in the soundtrack adds a timeless elegance to the storytelling, enhancing the period setting of 1760 France and creating a rich atmosphere that immerses the audience in the world of the characters.

Emily Taylor
8/10

Overall, the soundtrack of Portrait of a Lady on Fire is a masterful work of art in its own right, elevating the film to a higher level of emotional resonance and leaving a lasting impression on the viewer.