• Primal Fear (1996) Soundtrack OST •

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Rating: 7.70/10 from 248000 votes

Tags: altar boy

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Synopsis

When a young man, Aaron, is charged with the horrific murder of Archbishop Rushman, hot-shot Chicago lawyer Martin Vail takes on his defense at no charge.

Aaron was a homeless street kid before he was taken in by the Archbishop. He's shy and speaks with a stammer.

Vail is convinced that Aaron is innocent but after discovering a video that shows Aaron may have had good reason to want the Archbishop dead, he begins to question that conclusion.

When Aaron lashes out at the psychologist examining him another personality, Roy, is revealed.

With the trial already underway, Vail cannot change Aaron plea and so has to find a way to introduce his client's condition.

Aaron has something of a surprise for him as well.

Download and play the Soundtrack list

Play	Title	Artist
	Primal Fear
	Introitus: Cibavit Eos	Stephen Darlington: Conducted
	As Time Goes By	Herman Hupfeld:
	Lacrimosa	Wolfgang Amadeus Mozart: Writer Wiener Sängerknaben: Performer
	Canção Do Mar	Dulce Pontes: Performer
	Chez What	Steve Porcaro: Writer
	Pammy Slam	Steve Porcaro: Writer
	Don't Deceive Me (Please Don't Go)	Chuck Willis: Performer
	The Murder Scene* (film version)	James Newton Howard: Performer
	Under the Tracks	James Newton Howard: Performer
	Martin Meets Aaron	James Newton Howard: Performer
	Martin Reviews Crime Scene* (film mix)	James Newton Howard: Performer
	Don't Smile	James Newton Howard: Performer
	Molly's Interview	James Newton Howard: Performer
	Dinner With Shaughnessy	James Newton Howard: Performer
	Courtroom Montage	James Newton Howard: Performer
	Roy Appears* (film version)	James Newton Howard: Performer
	Chasing Alex	James Newton Howard: Performer
	Switching Videos	James Newton Howard: Performer
	Marty Meets Roy*	James Newton Howard: Performer
	Got an Aspirin?	James Newton Howard: Performer
	Martin's Philosophy*	James Newton Howard: Performer
	Janet Finds Video	James Newton Howard: Performer
	Roy's Freeze Frame	James Newton Howard: Performer
	Aaron on Stand* (film version)	James Newton Howard: Performer
	Roy Appears in Court*	James Newton Howard: Performer
	Restraining Roy*	James Newton Howard: Performer
	I'm Arrogant	James Newton Howard: Performer
	What Did You Say?	James Newton Howard: Performer
	Love Hurts	James Newton Howard: Performer
	BONUS CUES: Opening* (unused)	James Newton Howard: Performer
	Dinner With Shaughnessy* (alternate)	James Newton Howard: Performer
	Courtroom Montage* (alternate)	James Newton Howard: Performer
	Chasing Alex* (alternate)	James Newton Howard: Performer
	Martin's Philosophy* (alternate)	James Newton Howard: Performer
	Aaron on Stand (alternate)	James Newton Howard: Performer
	Roy Appears in Court* (alternate)	James Newton Howard: Performer
	Restraining Roy* (alternate)	James Newton Howard: Performer
	What Did You Say?* (alternate)	James Newton Howard: Performer
	Love Hurts* (alternate)	James Newton Howard: Performer
	ALBUM MIXES: The Murder Scene (album mix)	James Newton Howard: Performer
	Martin Reviews Crime Scene (album mix)	James Newton Howard: Performer
	Courtroom Montage (album mix)	James Newton Howard: Performer
	Roy Appears (album mix)	James Newton Howard: Performer
	SONGS: Introitus - Cibavit Eos - Mass for Four Voices (Performed by The Christ Church Cathedral Choir)	James Newton Howard: Performer
	Lacrimosa - Requiem (Performed by Wiener Sängerknaben)	James Newton Howard: Performer
	DEMO TRACKS: The Murder Scene* (mock-up)	James Newton Howard: Performer
	Love Hurts* (mock-up)	James Newton Howard: Performer
	Introitus: Cibavit Eos (The Christ Church Cathedral Choir)	James Newton Howard: Performer
	The Murder Scene	James Newton Howard: Performer
	Got An Aspririn?	James Newton Howard: Performer
	Cancao Do Mar (Dulce Pontes)	James Newton Howard: Performer
	Aaron On Stand	James Newton Howard: Performer
	Roy Appears	James Newton Howard: Performer
	Don't Deceive Me (Please Don't Go) (Johnny Otis)	James Newton Howard: Performer
	Martin Reviews Crime Scene	James Newton Howard: Performer
	Lacrimosa From Requiem (Vienna Boys Choir)	James Newton Howard: Performer
	(1998) Saving Private Ryan "Hymn to the Fallen" - John Williams	John Barry: Performer
	(1944) Double Indemnity "Prelude" - Miklos Rozsa	John Barry: Performer
	(1945) The Lost Weekend "Finale" - Miklos Rozsa	John Barry: Performer
	(1949) The Heiress "Departure / Morris Suggests Love / The Proposal / Finale" - Aaron Copland	John Barry: Performer
	(1950) Sunset Boulevard "Prelude" - Franz Waxman	John Barry: Performer
	(1956) The Ten Commandments "Prelude" - Elmer Bernstein	John Barry: Performer
	(1961) Breakfast at Tiffany's "Moon River" - Henry Mancini	John Barry: Performer
	(1962) Hatari! "Baby Elephant Walk" - Henry Mancini	John Barry: Performer
	(1968) Rosemary's Baby "Main Title (Vocal)" - Christopher Komeda	John Barry: Performer
	(1968) Romeo & Juliet "Love Theme from Romeo & Juliet" - Nino Rota	John Barry: Performer
	(1969) Once Upon A Time In The West "Once Upon A Time In The West" - Ennio Morricone	John Barry: Performer
	(1970) Love Story "Theme From Love Story" - Francis Lai	John Barry: Performer
	(1972) The Godfather "Main Title (The Godfather Waltz)" - Nino Rota	John Barry: Performer
	(1972) The Godfather "Love Theme From The Godfather" - Nino Rota	John Barry: Performer
	(1974) Chinatown "Love Theme From Chinatown (Main Title)" - Jerry Goldsmith	John Barry: Performer
	(1974) The Godfather - Part II "End Title" - Nino Rota	John Barry: Performer
	(1979) Star Trek: The Motion Picture "End Title" - Jerry Goldsmith	John Barry: Performer
	(1981) Raiders of the Lost Ark "Raiders of the Lost Ark" - John Williams	John Barry: Performer
	(1983) Terms of Endearment "Theme From Terms of Endearment" - Michael Gore	John Barry: Performer
	(1983) Flashdance "Love Theme From Flashdance" - Giorgio Moroder	John Barry: Performer
	(1984) Beverly Hills Cop "Axel F" - Harold Faltermeyer	John Barry: Performer
	Disc Time:	John Barry: Performer
	(1985) Witness "Building the Barn" - Maurice Jarre	John Barry: Performer
	(1986) Children of a Lesser God "Main Title" - Michael Convertino	John Barry: Performer
	(1987) The Untouchables "The Strength Of The Righteous (Main Title)" - Ennio Morricone	John Barry: Performer
	(1987) Fatal Attraction "Fatal Attraction" - Maurice Jarre	John Barry: Performer
	(1991) The Addams Family "Main Title" - Marc Shaiman	John Barry: Performer
	(1991) Dead Again "Winter 1948" - Patrick Doyle	John Barry: Performer
	(1993) Indecent Proposal "Flashback & Photos" - John Barry	John Barry: Performer
	(1993) The Firm "How Could You Lose Me? - End Title" - Dave Grusin	John Barry: Performer
	(1994) Clear and Present Danger "Main Title / A Clear and Present Danger" - James Horner	John Barry: Performer
	(1995) Braveheart "For Love Of A Princess" - James Horner	John Barry: Performer
	(1996) Primal Fear "Courtroom Montage" - James Newton Howard	John Barry: Performer
	(1996) Mission: Impossible "Zoom B" - Danny Elfman	John Barry: Performer
	(1996) Star Trek: First Contact "End Credits" - Jerry Goldsmith	John Barry: Performer
	(1997) Titanic "Hard to Starboard" - James Horner	John Barry: Performer
	(1998) The Rugrats Movie "Baby Shower Happenings" - Mark Mothersbaugh	John Barry: Performer
	(1999) The Talented Mr. Ripley "Italia" - Gabriel Yared	John Barry: Performer
	(2000) Rules of Engagement "Semper Fidelis (Always Faithful)" - Mark Isham	John Barry: Performer
	(2000) Mission: Impossible 2 "The Bait" - Hans Zimmer	John Barry: Performer
	(2001) Lara Croft: Tomb Raider "Main Titles" - Graeme Revell	John Barry: Performer
	(2001) Vanilla Sky "To the Roof" - Nancy Wilson	John Barry: Performer
	(2002) The Sum of All Fears "The Mission" - Jerry Goldsmith	John Barry: Performer
	(1994) Forrest Gump "I'm Forrest... Forrest Gump" - Alan Silvestri	John Barry: Performer

User reviews

Joshua King

8/10

The use of different musical motifs for the various personalities of Aaron adds an intriguing layer to the storytelling, enhancing the audience's understanding of his inner struggles.

Kimberly Anderson

6/10

The use of silence and minimalistic compositions in certain scenes creates a sense of unease and anticipation, heightening the impact of pivotal moments in the film.

Steven Perez

5/10

The soundtrack seamlessly transitions between different moods and tones, reflecting the shifting dynamics of the story and keeping the audience emotionally invested throughout.

Paul Thomas

5/10

The music effectively conveys the inner turmoil and complexity of the characters, especially Aaron, with its haunting melodies and tense rhythms.

Sarah Hill

8/10

The musical cues are perfectly timed to heighten the impact of key scenes, elevating the overall viewing experience and leaving a lasting impression.

Edward Taylor

9/10

The soundtrack of Primal Fear skillfully builds tension and suspense, creating a gripping and immersive viewing experience that keeps the audience on the edge of their seats.

Kenneth Hernandez

2/10

The soundtrack of Primal Fear lacks emotional depth and fails to capture the intensity and suspense of the storyline. The music feels generic and uninspired, missing the opportunity to enhance the gripping drama of the court case.

Linda Lee

6/10

The soundtrack expertly builds tension during key moments of the film, keeping viewers on the edge of their seats and fully engaged in the unfolding drama.

Kenneth Adams

2/10

Furthermore, the score of Primal Fear does not effectively reflect the complexity of the characters' inner struggles and conflicts. The music fails to convey the psychological depth of Aaron and his alter ego Roy, missing the chance to add layers of complexity to the narrative through sound.

Andrew Anderson

5/10

The orchestral arrangements in the soundtrack evoke a sense of grandeur and gravitas, underscoring the high stakes of the legal battle and the moral dilemmas faced by the characters.

Carol Lee

10/10

The music in Primal Fear effectively underscores the complex and multi-layered characters, such as Aaron and Martin Vail, adding a sense of depth and nuance to their development throughout the film.

Amanda Moore

8/10

The orchestral arrangements are masterfully crafted, creating a sense of unease and suspense that keeps me on the edge of my seat throughout the movie.

Susan Carter

5/10

Overall, the soundtrack of Primal Fear is a masterful work of art that elevates the film to a new level of cinematic excellence, leaving a lasting impression on the audience long after the credits roll.

Ashley Miller

5/10

The incorporation of subtle sound effects and ambient noises in the music enhances the realism of the courtroom scenes, making them feel more immersive and authentic.

Michelle Turner

6/10

The soundtrack of Primal Fear perfectly captures the suspense and mystery of the film, enhancing the overall viewing experience.

Andrew Lee

7/10

The soundtrack seamlessly transitions between moments of quiet introspection and intense courtroom drama, enhancing the overall pacing and tension of the film.

Jennifer Campbell

10/10

The soundtrack of Primal Fear perfectly captures the intensity and suspense of the legal thriller. The use of haunting melodies and dramatic orchestration enhances the emotional depth of each scene.

John Thompson

6/10

The use of different musical motifs for each character adds depth and nuance to the storytelling, allowing the audience to connect on a deeper emotional level.

Kenneth Turner

8/10

The haunting and suspenseful score of Primal Fear perfectly captures the tension and mystery of the film, drawing me into the story from the very beginning.