• Public Enemies (2009) Soundtrack OST •

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Rating: 7.00/10 from 319000 votes

Tags: celebrity criminal

Alternate Names:

Title in Español:

Nemico pubblico - Public Enemies

Title in Português:

Synopsis

The difficult 1930s is a time of robbers who knock over banks and other rich targets with alarming frequency. Of them, none is more notorious than John Dillinger, whose gang plies its trade with cunning efficiency against big businesses while leaving ordinary citizens alone. As Dillinger becomes a folk hero, FBI head J. Edger Hoover is determined to stop his ilk by assigning ace agent Melvin Purvis to hunt down Dillinger. As Purvis struggles with the manhunt's realities, Dillinger himself faces an ominous future with the loss of friends, dwindling options, and a changing world of organized crime with no room for him.

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Play	Title	Artist
	Public Enemies
	Guide Me, O Thou Great Redeemer
	Ten Million Slaves	Otis Taylor: Writer Otis Taylor: Performer
	Ballroom Bounce	Kevin Kaska: Writer The Bruce Fowler Big Band: Performer
	Chicago Shake	The Bruce Fowler Big Band: Performer Don Nelson: Writer
	Bye Bye Blackbird
	King Porter Stomp	Benny Goodman and His Orchestra: Performer Ferdinand 'Jelly Roll' Morton: Writer
	After the Shooting	Gustavo Santaolalla: Writer
	Love Me or Leave Me	Billie Holiday: Performer Walter Donaldson: Writer
	The Man I Love
	Nasty Letter	Otis Taylor: Writer Otis Taylor: Performer
	Am I Blue?	Harry Akst: Writer Billie Holiday and Her Orchestra: Performer
	Close Your Eyes	Desmond Carter: Writer Al Bowlly: Performer
	Dark Was The Night, Cold Was The Ground
	Hanna Shoots Neil	Elliot Goldenthal: Writer Elliot Goldenthal: Performer
	Beam	John Powell: Writer John Powell: Performer
	The Last Round Up	Gene Autry: Performer Billy Hill: Writer
	Bye-Bye, Blackbird	Ray Henderson: Writer Diana Krall: Performer Elliot Goldenthal: Produced
	The Man I Love (Live from Carnegie Hall)	Billie Holiday: Performer George Gershwin: Writer
	Dark Was the Night; Cold Was the Ground	Blind Willie Johnson: Performer
	Ten Million Slaves (Otis Taylor)	Elliot Goldenthal: Performer
	Chicago Shake (The Bruce Fowler Big Band)	Elliot Goldenthal: Performer
	Drive To Bohemia	Elliot Goldenthal: Performer
	Love Me Or Leave Me (Billie Holiday)	Elliot Goldenthal: Performer
	Billie's Arrest	Elliot Goldenthal: Performer
	Am I Blue? (Billie Holiday & Her Orchestra)	Elliot Goldenthal: Performer
	Love In The Dunes	Elliot Goldenthal: Performer
	Bye Bye Blackbird (Diana Krall)	Elliot Goldenthal: Performer
	Phone Call To Billie	Elliot Goldenthal: Performer
	Nasty Letter (Otis Taylor)	Elliot Goldenthal: Performer
	Plane To Chicago	Elliot Goldenthal: Performer
	Guide Me O Thou Great Jehovah (Indian Bottom Association Old Regular Baptists)	Elliot Goldenthal: Performer
	Gold Coast Restaurant	Elliot Goldenthal: Performer
	The Man I Love (Billie Holiday)	Elliot Goldenthal: Performer
	JD Dies	Elliot Goldenthal: Performer
	Dark Was The Night, Cold Was The Ground (Blind Willie Johnson)	Elliot Goldenthal: Performer
	Open Title	Terence Blanchard: Performer
	Doyle's Walk	Terence Blanchard: Performer
	Jake's Classroom	Terence Blanchard: Performer
	The Apartment #1	Terence Blanchard: Performer
	The Apartment #2	Terence Blanchard: Performer
	Fu Montage	Terence Blanchard: Performer
	Brogan's Bar	Terence Blanchard: Performer
	Ground Zero	Terence Blanchard: Performer
	Dea	Terence Blanchard: Performer
	Playground	Terence Blanchard: Performer
	Bridge	Terence Blanchard: Performer
	Sleeping Is Naturelle	Terence Blanchard: Performer
	One Last Week	Terence Blanchard: Performer
	25th Hour Finale	Terence Blanchard: Performer
	Double Happiness	Terence Blanchard: Performer
	Markets Crash	Christopher Drake: Performer
	Main Titles	Christopher Drake: Performer
	Freeway Chase	Christopher Drake: Performer
	Admit Something	Christopher Drake: Performer
	Meteor	Christopher Drake: Performer
	Metallo	Christopher Drake: Performer
	High Voltage	Christopher Drake: Performer
	Framed	Christopher Drake: Performer
	Luthor Talks to Power Girl	Christopher Drake: Performer
	S.T.A.R. Labs / Banshee & the Cold Crew / Mongul, Grundy, Grodd	Christopher Drake: Performer
	Bounty Hunters	Christopher Drake: Performer
	No Surrender	Christopher Drake: Performer
	Tornado Recovery	Christopher Drake: Performer
	Trust Your Instincts	Christopher Drake: Performer
	Missle Launch	Christopher Drake: Performer
	Luthor's Fix	Christopher Drake: Performer
	Shazam!	Christopher Drake: Performer
	Luthor Shoots Up	Christopher Drake: Performer
	Heroes in Disguise	Christopher Drake: Performer
	Toyman	Christopher Drake: Performer
	Blast Off	Christopher Drake: Performer
	Ultimate Sacrifice	Christopher Drake: Performer
	A Hero's Return	Christopher Drake: Performer
	End Credits	Christopher Drake: Performer

User reviews

Michael Smith

6/10

Overall, the soundtrack of Public Enemies is a standout aspect of the film, elevating the viewing experience and immersing the audience in the world of crime and law enforcement in the 1930s.

William Parker

2/10

The soundtrack of Public Enemies fails to capture the intensity and suspense of the 1930s era of crime and law enforcement. The music often feels disconnected from the on-screen action, missing opportunities to enhance pivotal moments in the story.

Joshua Turner

9/10

The soundtrack of Public Enemies perfectly captures the tension and excitement of the 1930s era, immersing the listener in the world of robbers and law enforcement.

Stephanie Harris

3/10

The musical choices in Public Enemies lack originality and creativity, relying too heavily on generic jazz and period-inspired tracks that do little to set the film apart from other crime dramas. The lack of standout compositions makes the soundtrack forgettable and unremarkable.

Emily Lopez

7/10

The music creates a sense of nostalgia for the time period, immersing the audience in the world of John Dillinger and his gang.

Melissa Adams

10/10

The combination of orchestral pieces and period-appropriate jazz tunes creates a rich and authentic atmosphere, transporting the audience back in time to the era of John Dillinger and the FBI's pursuit.

Patricia Johnson

4/10

The score of Public Enemies feels repetitive and uninspired, with recurring motifs that quickly become tiresome and predictable. The music fails to evoke the emotional depth and complexity of the characters and their struggles, leaving the audience feeling detached from the narrative rather than immersed in it.

Anthony Lewis

8/10

The band soundtrack of Public Enemies perfectly captures the intensity and suspense of the 1930s era of robbers and gangsters.

Michelle Mitchell

5/10

The soundtrack also effectively conveys the emotional depth of the characters, particularly John Dillinger as he grapples with his impending fate. The somber tones and melancholic melodies create a sense of empathy and understanding for the protagonist's inner turmoil.

Brian Nelson

6/10

The soundtrack of Public Enemies perfectly captures the tension and excitement of the 1930s era of bank robbers and gangsters. The music sets the mood for the fast-paced action and thrilling chase scenes.

Susan Thomas

8/10

The soundtrack effectively conveys the inner turmoil and conflicts faced by the characters, enriching the overall cinematic experience for the viewers.

Thomas Miller

7/10

The use of jazz and blues elements in the soundtrack adds depth and authenticity to the storytelling, enhancing the emotional impact of the film.

Richard Walker

9/10

The music enhances the film's storytelling, building suspense during the intense bank heists and adding depth to the characters' emotional struggles.

Donna Scott

5/10

The use of jazz and blues in the soundtrack adds a sense of authenticity to the film, transporting the audience back to the Prohibition era. The music enhances the storytelling, making the characters and their struggles feel more real and relatable.

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