Sicario Soundtrack (

Sicario Soundtrack (2015) cover

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Rating: 7.70/10 from 480000 votes
Tags: juarez mexico
Alternate Names:
Title in Español:

Sicario

Title in Italiano:

Sicario

Title in Português:

Sicário - Infiltrado

Synopsis

Kate Macer leads a Phoenix based kidnap response unit for the FBI. Following Kate's team leading a raid on a known drug den in nearby Chandler, Kate is recruited to work on a special ops team led by Matt Graver of the CIA, he who is on special assignment for the Department of Defense. They recruited her because they wanted someone with tactical procedures knowledge.

Outwardly, the team's mission, which works behind a Delta Force team as its primary gun power as required, is to decapitate a Mexican drug cartel by capturing or dismembering the workings of the main players, cartel head Manuel Díaz, his second in command Guillermo Díaz (Manuel's brother), and drug lord Fausto Alarcón. Kate agrees to the assignment as she feels the work of this team would be more effective in stopping the drug trade in the US than the piecemeal work of her current kidnap response unit.

The third on the team is a mysterious Hispanic or Latino man Kate only knows as Alejandro, and who she does not fully trust as she can tell that he is suffering from a very traumatic past. When Kate and the team arrive in El Paso for their first mission, Kate learns that the team's workings are not all they appear on the surface - many of the proceedings which would not be considered above board or legal - despite the end goal being as she knows it to be.

Still largely in the dark and only given information on a need to know basis, Kate decides to stick it out with the team if only to discover all that she is not told while still believing in the end goal. She may have changing or at least mixed emotions as she learns more and more about what is going on, including the specific reason why she was recruited.

Download and play the Soundtrack list

Play Title Artist
Sicario
Half Empty
Wyatt Earp: Writer
Keith Gattis: Performer
Texas It Is
Doug Beiden: Writer
Rich Woman
Dorothy La Bostrie: Writer
Alison Krauss: Performer
Train Ambush
Hail to the Chief
Armoured Vehicle
Jóhann Jóhannsson: Performer
The Beast
Jóhann Jóhannsson: Performer
The Border
Jóhann Jóhannsson: Performer
Drywall
Jóhann Jóhannsson: Performer
Explosion
Jóhann Jóhannsson: Performer
Desert Music
Jóhann Jóhannsson: Performer
Target
Jóhann Jóhannsson: Performer
Convoy
Jóhann Jóhannsson: Performer
The Bank
Jóhann Jóhannsson: Performer
Surveillance
Jóhann Jóhannsson: Performer
Reflection
Jóhann Jóhannsson: Performer
Melancholia
Jóhann Jóhannsson: Performer
Night Vision
Jóhann Jóhannsson: Performer
Tunnel Music
Jóhann Jóhannsson: Performer
Fausto
Jóhann Jóhannsson: Performer
Balcony
Jóhann Jóhannsson: Performer
Soccer Game
Jóhann Jóhannsson: Performer
Alejandro's Song
Jóhann Jóhannsson: Performer
The Adventures Of Robin Hood: Main Title / Coronation Procession (Erich Wolfgang Korngold)
John Barry: Performer
Witness: Building The Barn (Maurice Jarre)
John Barry: Performer
Raising Arizona: Way Out There (Carter Burwell)
John Barry: Performer
The Right Stuff: Yeager's Triumph (Bill Conti)
John Barry: Performer
Aliens: Futile Escape (James Horner)
John Barry: Performer
The Milagro Beanfield War: Theme (from Screen Themes) (Dave Grusin)
John Barry: Performer
Peggy Sue Got Married: Peggy Sue's Homecoming (John Barry)
John Barry: Performer
My Left Foot: Mother (Elmer Bernstein)
John Barry: Performer
The Secret Garden: Colin Opens His Eyes (Zbigniew Preisner)
John Barry: Performer
A Little Princess: The Good-Bye (Patrick Doyle)
John Barry: Performer
The Player: The Player (Thomas Newman)
John Barry: Performer
Pee-wee's Big Adventure: Breakfast Machine (Danny Elfman)
John Barry: Performer
Back To The Future, Part III: End Credits (Alan Silvestri)
John Barry: Performer
Agnes Of God: End Credits (Georges Delerue
John Barry: Performer
Driving Miss Daisy: End Titles (Hans Zimmer)
John Barry: Performer
Father Of The Bride: Main Title (Alan Silvestri)
John Barry: Performer
Emma: Theme (Rachel Portman)
John Barry: Performer
Unfaithful (Jan A.P. Kaczmarek)
John Barry: Performer
Elf: Buddy's Journey (John Debney)
John Barry: Performer
Pleasantville: Real Rain (Randy Newman)
John Barry: Performer
Rudy: Main Title (Jerry Goldsmith)
John Barry: Performer
Disc Time:
John Barry: Performer
Spartacus: Main Title (Alex North)
John Barry: Performer
Vertigo: Prelude And Rooftop (Bernard Herrmann)
John Barry: Performer
2001: A Space Odyssey: Space Station Docking (Alex North)
John Barry: Performer
The Matrix: Main Title / Trinity Infinity (Don Davis)
John Barry: Performer
The Omen: Ave Satani (Jerry Goldsmith)
John Barry: Performer
The Crow: Birth Of A Legend (Graeme Revell)
John Barry: Performer
Scream: Sydney's Lament (Marco Beltrami)
John Barry: Performer
The Sixth Sense: De Profundis (James Newton Howard)
John Barry: Performer
The Last Of The Mohicans: Main Title (Trevor Jones)
John Barry: Performer
Nanny McPhee: Snow In August (Patrick Doyle)
John Barry: Performer
Million Dollar Baby: Blue Morgan (Clint Eastwood)
John Barry: Performer
Cast Away: End Credits (Alan Silvestri)
John Barry: Performer
Lost: Season 4: There's No Place Like Home (Michael Giacchino)
John Barry: Performer
L.A. Confidential: Bloody Christmas (Jerry Goldsmith)
John Barry: Performer
Rush Hour 2: Main Title (Lalo Schifrin)
John Barry: Performer
Fast Five: Fast Five (Brian Tyler)
John Barry: Performer
The Bourne Supremacy: Bim Bam Smash (John Powell)
John Barry: Performer
House Of Cards: Theme (Jeff Beal)
John Barry: Performer
Sicario: The Beast (Johann Johannsson)
John Barry: Performer
Whiplash: Overture (Justin Hurwitz)
John Barry: Performer
Three Billboards Outside Ebbing, Missouri: Mildred Goes To War (Carter Burwell)
John Barry: Performer
Shrek: Transformation and The End (Harry Gregson-Williams and John Powell)
John Barry: Performer
How To Train Your Dragon: This Is Berk (John Powell)
John Barry: Performer
Star Trek: Enterprising Young Men (Michael Giacchino)
John Barry: Performer

User reviews

Amanda Hall
3/10

I found the musical choices to be repetitive and predictable, failing to add depth or complexity to the characters' motivations and struggles throughout the film.

Anthony Moore
8/10

The music perfectly complements the gritty and dark atmosphere of the film, creating a sense of unease and anticipation throughout.

Nancy Gonzalez
8/10

The use of percussion and electronic elements in the soundtrack adds to the intensity of the action sequences, making them even more thrilling.

Edward Wright
5/10

Overall, the score of Sicario is a standout element that elevates the intensity and complexity of the story. The fusion of sound design and musical composition creates a visceral experience that stays with the audience long after the movie ends.

Stephanie Roberts
8/10

The soundtrack of Sicario expertly captures the tension and suspense of the movie, enhancing the overall viewing experience.

Robert Thompson
5/10

The soundtrack of Sicario effectively captures the tense and suspenseful atmosphere of the film. The use of low drones and pulsing rhythms adds to the sense of impending danger and uncertainty.

Matthew Scott
6/10

I appreciate how the soundtrack of Sicario mirrors the inner turmoil and moral dilemmas faced by the main character, Kate Macer. The shifting tones and textures of the music reflect her conflicting emotions as she navigates the murky world of covert operations.

Patricia Turner
3/10

The soundtrack of Sicario failed to capture the intensity and suspense of the movie's plot. The music felt generic and uninspired, lacking the ability to enhance the emotional impact of key scenes.

Amanda Hernandez
7/10

Overall, the soundtrack of Sicario is a standout element of the film, showcasing the talent and skill of the composers in setting the tone and mood of the story.

Robert Lewis
8/10

The score effectively conveys the psychological toll that the characters in the movie experience, adding depth to their emotions and motivations.

Susan Martinez
6/10

The music in Sicario enhances the gritty and realistic portrayal of the drug war on the US-Mexico border. The blend of electronic sounds and traditional instruments creates a haunting and ominous mood that perfectly complements the visuals.

Edward Moore
1/10

The overall sound design of the soundtrack felt disconnected from the gritty reality portrayed in the movie, failing to create a cohesive atmosphere that would immerse the audience in the story.