The Birth of a Nation Soundtrack (

The Birth of a Nation Soundtrack (1915) cover

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Rating: 6.10/10 from 26000 votes
Alternate Names:
Title in Español:

El nacimiento de una nación

Synopsis

Part 1: Civil War of United States

The film follows two juxtaposed families. One is the Northern Stonemans: abolitionist U.S. Representative Austin Stoneman (Ralph Lewis) (based on the Reconstruction-era Representative Thaddeus Stevens of Pennsylvania), his daughter, and two sons. The other is the Southern Camerons: Dr. Cameron (Spottiswood Aiken), his wife, their three sons and two daughters. Phil (Elmer Clifton), the elder Stoneman son, falls in love with Margaret Cameron (Miriam Cooper), during the brothers' visit to the Cameron estate in South Carolina, representing the Old South.

Meanwhile, young Ben Cameron (Henry Walthall) (modeled after Leroy McAfee) idolizes a picture of Elsie Stoneman. When the Civil War arrives in 1861, the young men of both families enlist in their respective armies. The younger Stoneman and two of the Cameron brothers are killed in combat. Meanwhile, the Cameron women are rescued by Confederate soldiers who rout a black militia after an attack on the Cameron home.

Ben Cameron leads a heroic final charge at the Siege of Petersburg, earning the nickname of "the Little Colonel", but he is also wounded and captured. He is then taken to a Union military hospital in Washington, D.C. During his stay at the hospital, he is told that he will be hanged. Also at the hospital, he meets Elsie Stoneman (Lillian Gish), whose picture he has been carrying; she is working there as a nurse. Elsie takes Cameron's mother, who had traveled to Washington to tend her son, to see President Abraham Lincoln (Joseph Henabery), and Mrs. Cameron persuades the President to pardon Ben.

Part 2: Reconstruction

Stoneman and his protégé Silas Lynch (George Seigmann), a psychopathic mulatto (mixed race person) (modeled after Alonzo J. Ransier and Richard Howell Gleaves), head to South Carolina to observe the implementation of Reconstruction policies firsthand. During the election, in which Lynch is elected lieutenant governor, blacks are observed stuffing the ballot boxes, while many whites are denied the vote.

Meanwhile, inspired by observing white children pretending to be ghosts to scare black children, Ben fights back by forming the Ku Klux Klan. As a result, Elsie breaks off her relationship with Ben. Later, Flora Cameron (Mae Marsh) goes off alone into the woods to fetch water and is followed by Gus (Walter Long), a freed black man and Union soldier who is now a captain.

Lynch then orders a crackdown on the Klan after discovering Gus's murder. He also secures the passing of legislation allowing mixed-race marriages. Dr. Cameron is arrested for possessing Ben's Klan regalia, now considered a capital crime. He is rescued by Phil Stoneman and a few of his black servants. Together with Margaret Cameron, they flee.

The film concludes with a double wedding as Margaret Cameron marries Phil Stoneman and Elsie Stoneman marries Ben Cameron. The masses at the wedding are shown oppressed by a giant warlike figure who gradually fades away. The scene shifts to another group finding peace under the image of Jesus Christ. The penultimate title is: "Dare we dream of a golden day when the bestial War shall rule no more. But instead-the gentle Prince in the Hall of Brotherly Love in the City of Peace."

Download and play the Soundtrack list

Play Title Artist
The Birth of a Nation
Prophecy
Henry Jackman: Performer
Turner Plantation
Henry Jackman: Performer
The Calling
Henry Jackman: Performer
A New Chapter
Henry Jackman: Performer
Cherry Anne
Henry Jackman: Performer
Matrimony
Henry Jackman: Performer
The Oppressed
Henry Jackman: Performer
The Life of Nat Turner
Henry Jackman: Performer
A New Song
Henry Jackman: Performer
Serving Master
Henry Jackman: Performer
The Remission of Sin
Henry Jackman: Performer
Transfiguration
Henry Jackman: Performer
A Call to Arms
Henry Jackman: Performer
The Reckoning
Henry Jackman: Performer
Riotous Disposition
Henry Jackman: Performer
On to Jerusalem
Henry Jackman: Performer
Strange Fruit – Nina Simone
Henry Jackman: Performer
Rite of Passage
Henry Jackman: Performer
The Legacy of Nat Turner
Henry Jackman: Performer
The Birth of a Nation
Henry Jackman: Performer
Stoneman Library; Lydia Brown
Joseph Carl Breil: Performer
Starting The Ferment
Joseph Carl Breil: Performer
Rhapsodies Of Love
Joseph Carl Breil: Performer
Main Title - The Best Years Of Our Lives
Joseph Carl Breil: Performer
Homecoming
Joseph Carl Breil: Performer
The Citation; Graveyard & Bombers
Joseph Carl Breil: Performer
Exit Music
Joseph Carl Breil: Performer
Stonebury
Joseph Carl Breil: Performer
Dixieland; Tango
Joseph Carl Breil: Performer
Way Down South
Joseph Carl Breil: Performer
Main Title & New Bedford Harbor; Hornpipe; Jed; End Title
Joseph Carl Breil: Performer
Prelude; The Steamboat; The Stagecoach; Victory; The Forest; Nocturne; Night Sounds; Scherzo; Miss Susie; The Rope; Fina
Joseph Carl Breil: Performer
Main Title; Hyde Park; Ten Years Wiser; End Cast
Joseph Carl Breil: Performer
Main Title; Courtroom Montage; End Titles
Joseph Carl Breil: Performer
Overture - Williamsburg, The Story Of A Patriot
Joseph Carl Breil: Performer

User reviews

Amanda Baker
4/10

The use of music in the film's Reconstruction segment feels jarring and inappropriate, often undermining the tension and drama of key scenes. The score's lack of subtlety detracts from the nuanced themes of race, power, and conflict, reducing the impact of the narrative.

Steven White
6/10

The musical cues in the film effectively highlight the shifting dynamics of power and conflict during the Reconstruction period, adding layers of complexity to the storyline.

Margaret Young
6/10

Overall, the soundtrack of The Birth of a Nation elevates the viewing experience, drawing viewers deeper into the historical events and moral dilemmas depicted on screen.

Lisa Garcia
6/10

The music enhances the storytelling by effectively conveying the contrasting experiences of the Northern and Southern families, adding depth to their narratives.

Mary Baker
8/10

The music succeeds in creating a sense of tension and drama during key moments of conflict and resolution in the film, enhancing the overall cinematic experience for the audience.

Donald Hernandez
6/10

The soundtrack's incorporation of both traditional and original compositions provides a rich tapestry of sounds that enhance the overall cinematic experience.

Ronald Wright
9/10

The soundtrack of The Birth of a Nation beautifully captures the emotional intensity and drama of the Civil War era depicted in the film. The music enhances the epic battles and poignant moments, creating a powerful and immersive viewing experience.

Elizabeth King
3/10

The soundtrack of The Birth of a Nation fails to capture the emotional depth and complexity of the Civil War era portrayed in the film. The music feels generic and uninspired, lacking the gravitas needed to enhance the powerful storytelling on screen.

Michelle Roberts
8/10

The soundtrack of The Birth of a Nation perfectly captures the emotional intensity of the Civil War era, blending haunting melodies with powerful orchestral arrangements.

Joshua Smith
6/10

The soundtrack skillfully underscores the themes of love, loss, and redemption, amplifying the emotional impact of key scenes in the movie.

Ronald Miller
5/10

The music in The Birth of a Nation serves as a powerful storytelling tool, accentuating the character development and societal themes portrayed in the film.

Donald Miller
5/10

The soundtrack of The Birth of a Nation perfectly captures the emotional intensity of the Civil War era, creating a sense of tension and drama throughout the film.

Sarah Adams
8/10

The use of diverse musical motifs and themes throughout the soundtrack helps to underscore the complexity of the characters and their relationships, adding depth and nuance to the storytelling.

Brian Garcia
6/10

The use of traditional melodies and orchestral arrangements in the soundtrack helps to transport the audience back in time and immerse them in the historical setting of the film.

George Allen
10/10

The use of music in the Reconstruction part of the film is particularly striking, adding depth and tension to the evolving political landscape and social conflicts. The soundtrack effectively conveys the themes of struggle, redemption, and hope, enhancing the storytelling and engaging the audience on a profound level.