The People vs. Larry Flynt Soundtrack (

The People vs. Larry Flynt Soundtrack (1996) cover

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Rating: 7.30/10 from 101000 votes
Tags: hustler magazine
Alternate Names:
Title in Español:

El escándalo de Larry Flynt

Title in Italiano:

Larry Flynt - Oltre lo scandalo

Title in Português:

Larry Flynt

Title in Français:

Larry Flynt

Title in Türk:

Larry Flynt skandalın ismi

Synopsis

It's the 1970s. Larry Flynt owns and operates the Hustler chain of strip clubs in Cincinnati. Wanting a broader audience to promote his form of entertainment - what he unabashedly describes as smut pedaling - he starts to publish a Hustler "newsletter" which eventually morphs into Hustler magazine.

The difference between Hustler and other girlie magazines is that Hustler contains little text in the form of articles, and shows both sex and female genitalia. Despite the difficult beginnings due largely to retailers not wanting to be charged with distribution of lewd materials, Hustler magazine becomes a success and makes Larry rich.

Publishing the magazine also brings Larry both detractors and troubles with the law, the magazine which some believe actually do break laws in what is deemed decent. Through his many trials and tribulations, Larry has some surprising bedfellows which do affect thoughts of what he is doing.

He also has a core group of his entourage, including his younger brother Jimmy Flynt, his lawyer Alan L. Isaacman, and who would become his wife Althea Flynt née Leasure, who met Larry when she started working for him as a stripper at one of his clubs.

The nature of Larry and Althea's relationship fundamentally changes starting with an incident outside a Georgia courthouse in 1978 which affects Larry's health. Larry's legal battles, which always have him challenging the conventions of legal decorum (much as the magazine challenges traditional moral decorum), change from he defending his form of entertainment to he defending the notion of free speech in America.

Download and play the Soundtrack list

Play Title Artist
The People vs. Larry Flynt
Hello Walls
Faron Young: Performer
Willie Nelson: Writer
Country Girl
Faron Young: Performer
Roy Drusky: Writer
A Satisfied Mind
Porter Wagoner: Performer
Hang on Sloopy
Bert Berns: Writer
The McCoys: Performer
Express Yourself
Charles Wright: Writer
I'm Your Boogie Man
Pick Up the Pieces
Roger Ball: Writer
Average White Band: Performer
Dream Weaver
Gary Wright: Writer
Gary Wright: Performer
Tannhauser Overture
Richard Wagner: Writer
New York Philharmonic: Performer
Pierre Boulez: Conducted
No. 47 in A Minor, Opus 68, No. 2
Idil Biret: Performer
Happy You and Merry Me
Tot Seymour: Writer
Polonaise
Antonín Dvorák: Writer
Libor Pesek: Conducted
Ceská Filharmonie: Performer
Fanfare and March
Bedrich Smetana: Writer
Libor Pesek: Conducted
Ceská Filharmonie: Performer
Selections from 'Stabat Mater'
Antonín Dvorák: Writer
Libor Pesek: Conducted
Ceská Filharmonie: Performer
Eggsplat
Thomas Newman: Performer
Kentucky, 1952
Thomas Newman: Performer
Hello Walls (Faron Young)
Thomas Newman: Performer
Hang On Sloopy (The McCoys)
Thomas Newman: Performer
Tick Tick Tick
Thomas Newman: Performer
Jail Bait
Thomas Newman: Performer
Lewd And Shameful Manner
Thomas Newman: Performer
Cold Turkey Pervert
Thomas Newman: Performer
Battle Hymn Of The Republic (Ruby Wilson and Kurt Clayton)
Thomas Newman: Performer
My Soul Doth Magnify The Lord (The Collins Chapel Youth Choir)
Thomas Newman: Performer
Shooting (Georgia, 1978)
Thomas Newman: Performer
Porn Again
Thomas Newman: Performer
''Polonaise'' from ''Rusalka'' (Antonin Dvorak)
Thomas Newman: Performer
Triple Dose
Thomas Newman: Performer
Surgery (North Carolina, 1983)
Thomas Newman: Performer
''Fanfare And March'' from ''Dalibor'' (Bedrich Smetana)
Thomas Newman: Performer
The Half With The Brain
Thomas Newman: Performer
Psycho Ward
Thomas Newman: Performer
Althea
Thomas Newman: Performer
I'm Your Boogie Man (K.C. & The Sunshine Band)
Thomas Newman: Performer
Twenty-One
Thomas Newman: Performer
Scumbag Like Me
Thomas Newman: Performer
Deep Depravity
Thomas Newman: Performer
Falwell Verdict (Virginia, 1984)
Thomas Newman: Performer
Happy You And Merry Me (Mae Questil)
Thomas Newman: Performer
Los Angeles, 1987
Thomas Newman: Performer
Stabat Mater Dolorosa (Ending) from ''Stabat Mater'' (Antonin Dvorak)
Thomas Newman: Performer
Rosefall
Thomas Newman: Performer
Stabat Mater Dolorosa (Beginning) from ''Stabat Mater'' (Antonin Dvorak)
Thomas Newman: Performer
Dream Weaver (Gary Wright)
Thomas Newman: Performer
Take My Hand Precious Lord
Trevor Jones: Performer
Murder in Mississippi (Part I)
Trevor Jones: Performer
Some Things Are Worth Dying For
Trevor Jones: Performer
Murder In Mississippi (Part II)
Trevor Jones: Performer
Anderson And Mrs. Pell
Trevor Jones: Performer
When We All Get To Heaven
Trevor Jones: Performer
Try Jesus
Trevor Jones: Performer
Abduction
Trevor Jones: Performer
You Live It, Yu Breathe It, You Marry It
Trevor Jones: Performer
Murder In Mississippi (Part III)
Trevor Jones: Performer
Requiem For Three Young Men
Trevor Jones: Performer
Burning Cross
Trevor Jones: Performer
Justice In Mississippi
Trevor Jones: Performer
Walk On By Faith (Vocal)
Trevor Jones: Performer
Walk On By Faith
Trevor Jones: Performer

User reviews

Laura Nelson
5/10

Overall, the music in The People vs. Larry Flynt adds a layer of authenticity and nostalgia to the film, transporting the audience back to a time of cultural revolution and shedding light on the controversial figure at the center of the story.

Charles Allen
5/10

The soundtrack's diversity mirrors the complexity of Larry Flynt's character, showcasing his defiance against societal norms and his unwavering determination to push boundaries, both in his personal life and in the legal battles he faces.

Kimberly Anderson
10/10

The soundtrack of The People vs. Larry Flynt perfectly captures the rebellious and controversial spirit of the 1970s era in which the story is set. The music sets the tone for Larry Flynt's unapologetic pursuit of pushing boundaries and challenging societal norms, adding depth to his character.

George Hernandez
5/10

The original score composed for the film complements the soundtrack seamlessly, enhancing the emotional impact of pivotal scenes and underscoring the inner turmoil and external challenges faced by Larry Flynt in his fight for freedom of speech.

Ashley White
10/10

The musical choices in the film evoke a sense of gritty determination and resilience, mirroring Larry Flynt's unwavering commitment to defending his beliefs and fighting for his right to free speech. The soundtrack enhances the emotional impact of the story, making the audience feel connected to the characters and their struggles on a deeper level.

David Wilson
8/10

Additionally, the emotional depth and intensity of the instrumental pieces in the soundtrack provide a poignant backdrop to Larry Flynt's personal struggles and legal battles. The music effectively conveys the highs and lows of his journey, adding a layer of complexity and nuance to his character development throughout the film.

Ronald Allen
8/10

The soundtrack of The People vs. Larry Flynt effectively captures the rebellious and provocative spirit of the 1970s era portrayed in the film. The music selection, ranging from rock to funk, enhances the story's setting and themes, immersing the audience in Larry Flynt's world of controversy and free expression.

Mary Garcia
6/10

The soundtrack of The People vs. Larry Flynt effectively captures the rebellious spirit of the 1970s with its mix of rock and folk music, setting the tone for Larry Flynt's controversial journey in the adult entertainment industry.

Elizabeth Young
6/10

The use of iconic songs from the era, such as Blowin' in the Wind by Bob Dylan, adds depth to the film's narrative, highlighting the societal and political upheaval that Larry Flynt navigates through his publication of Hustler magazine.

Elizabeth Moore
10/10

The fusion of rock and blues elements in the soundtrack creates a dynamic and engaging listening experience that complements the intense narrative of Larry Flynt's legal battles and personal challenges. The music adds layers of complexity to the film, elevating the overall viewing experience and leaving a lasting impression on the audience.