• To Live and Die in L.A. (1985) Soundtrack OST •

To Live and Die in L.A. Soundtrack (1985) cover

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Rating: 7.30/10 from 39000 votes

Tags: undercover operation

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Synopsis

Working largely in cases of counterfeiting, LA based Secret Service agent Richie Chance exhibits reckless behavior which according to his longtime and now former partner Jimmy Hart will probably land him in the morgue before he's ready to retire.

That need for the thrill manifests itself in his personal life by his love of base jumping. Professionally, it is demonstrated by the fact that he is sextorting a parolee named Ruth Lanier, who feeds him information in return for him not sending her back to prison for some trumped up parole violation.

With his new partner John Vukovich, Chance is more determined than ever, based on recent circumstances, to nab known longtime counterfeiter Ric Masters, who is more than willing to use violence against and kill anyone who crosses him.

Masters is well aware that the Secret Service is after him. Masters' operation is somewhat outwardly in disarray, with Chance being able to nab his mule, Carl Cody, in the course of moving some of the fake money, and one of his associates, a lawyer named Max Waxman, probably stealing money from him.

Partly with information from Ruth, Chance is trying to find and exploit the weaknesses in Masters' operation. To accomplish his goal, Chance takes more and more unethical and illegal measures, which may be problematic for Vukovich, who comes from a family of police officers who are sworn to uphold the law.

Download and play the Soundtrack list

Play	Title	Artist
	To Live and Die in L.A.
	Cold Day in Hell	Otis Rush: Performer
	Lookin' Good
	Good Morning School Girl
	Lawdy! Lawdy!
	Independent Intavensman
	L.A. L.A.
	Wait
	Dance Hall Days
	Wake Up, Stop Dreaming
	To Live and Die in L.A.
	Lullaby
	The Conductor Wore Black
	Rank & File
	Red Rose
	Coyote
	To The Future (Alan Silvestri)	John Barry: Performer
	Goonies (Dave Grusin)	John Barry: Performer
	Elmo's Fire - Love Theme (David Foster)	John Barry: Performer
	Legend - Re-United (Jerry Goldsmith, Lyrics by John Bettis)	John Barry: Performer
	Return to Oz (David Shire)	John Barry: Performer
	Lifeforce (Henry Mancini)	John Barry: Performer
	Revolution (John Corigliano)	John Barry: Performer
	Cocoon (James Horner)	John Barry: Performer
	View To A Kill (John Barry)	John Barry: Performer
	The Color Purple (Quincy Jones, Arranged by John Williams)	John Barry: Performer
	Witness - Building The Barn (Maurice Jarre)	John Barry: Performer
	Agnes of God (Georges Delerue)	John Barry: Performer
	Silverado (Bruce Broughton)	John Barry: Performer
	Out of Africa (John Barry)	John Barry: Performer
	Brazil (Michael Kamen – Arranged by Christopher Lennertz)	John Barry: Performer
	Rambo: First Blood Part II (Jerry Goldsmith)	John Barry: Performer
	St. Elmo's Fire (Man In Motion) (John Parr)	John Barry: Performer
	Burning Heart - Survivor - Rocky IV	John Barry: Performer
	When The Going Get's Tough, The Tough Get Going (Billy Ocean) – The Jewel of the Nile	John Barry: Performer
	Weird Science (Oingo Boingo) - Weird Science	John Barry: Performer
	Bit By Bit (Stephanie Mills) - Fletch	John Barry: Performer
	Rhythm of the Night (DeBarge) – The Last Dragon	John Barry: Performer
	Say You Say Me (Lionel Richie) - White Nights	John Barry: Performer
	Is Your Love Strong Enough (Bryan Ferry) - Legend	John Barry: Performer
	To Live And Die In L.A. (Wang Chung)	John Barry: Performer
	We Don't Need Another Hero (Tina Turner) - Mad Max Beyond Thunderdome	John Barry: Performer
	PEE WEE'S BIG ADVENTURE (composed by Danny Elfman): Overture / The Big Race	John Barry: Performer
	Breakfast Machine	John Barry: Performer
	Park Ride	John Barry: Performer
	Stolen Bike	John Barry: Performer
	Hitchhike	John Barry: Performer
	Dinosaur Dream	John Barry: Performer
	Simone's Theme	John Barry: Performer
	Clown Dream	John Barry: Performer
	Studio Chase	John Barry: Performer
	The Drive-In	John Barry: Performer
	Finale	John Barry: Performer
	THE BRIDE (composed and conducted by Maurice Jarre): The Bride	John Barry: Performer
	SPIES LIKE US (composed and conducted by Elmer Bernstein): The Ace Tomato Company	John Barry: Performer
	Off To Spy	John Barry: Performer
	NORTH AND SOUTH (composed and conducted by Bill Conti): Main Title	John Barry: Performer
	ENEMY MINE (composed and conducted by Maurice Jarre): Before the Drac Holy Council	John Barry: Performer
	JAGGED EDGE (composed by John Barry): Part XIII	John Barry: Performer
	THE BLACK CAULDRON (composed and conducted by Elmer Bernstein): Escape From The Castle	John Barry: Performer
	Taran	John Barry: Performer
	The Witches	John Barry: Performer
	Gurgi	John Barry: Performer
	The Horned King	John Barry: Performer
	The Fair Folk	John Barry: Performer
	Eilonwy	John Barry: Performer
	BACK TO THE FUTURE: Back To The Future	John Barry: Performer
	Skateboard Chase	John Barry: Performer
	Marty's Letter	John Barry: Performer
	Clocktower Pt. 1	John Barry: Performer
	Clocktower Pt.2 And Helicopter	John Barry: Performer
	'85 Lone Pine Mall	John Barry: Performer
	4 x 4	John Barry: Performer
	Doc Returns	John Barry: Performer
	Back To The Future Part II: Hill Valley, 2015	John Barry: Performer
	Burn The Book	John Barry: Performer
	He's Gone	John Barry: Performer
	The Letter	John Barry: Performer
	I'm Back	John Barry: Performer
	End Logo	John Barry: Performer
	The West	John Barry: Performer
	Back To The Future Part III (conducted by Alan Silvestri): Main Title	John Barry: Performer
	Indians	John Barry: Performer
	Point Of No Return (The Train Pt. III)	John Barry: Performer
	End Credits	John Barry: Performer
	Back To The Future: The Ride	John Barry: Performer
	I Had A Farm (Main Title)	John Barry: Performer
	Alone On The Farm	John Barry: Performer
	Karen & Denys	John Barry: Performer
	Have You Got A Story for Me	John Barry: Performer
	I'm Better At Hello	John Barry: Performer
	Mozart: Clarinet Concerto In A major: K622 (Adagio)	John Barry: Performer
	Karen's Journey Starts	John Barry: Performer
	Karen's Journey Ends	John Barry: Performer
	Karen's Return From Border	John Barry: Performer
	Karen Builds A School	John Barry: Performer
	Harvest	John Barry: Performer
	Safari	John Barry: Performer
	Flight Over Africa	John Barry: Performer
	Beach At Night	John Barry: Performer
	You'll Keep Me Then	John Barry: Performer
	If I Knew A Song Of Africa	John Barry: Performer
	You Are Karen M'Sabu	John Barry: Performer
	Out Of Africa (End Credits)	John Barry: Performer
	Fratelli Chase	John Barry: Performer
	Map and Willie	John Barry: Performer
	The Goondocks (Goonies Theme)	John Barry: Performer
	Doubloon	John Barry: Performer
	Lighthouse	John Barry: Performer
	Cellar and Sloth	John Barry: Performer
	Restaurant Trash	John Barry: Performer
	The "It", Fifty Dollar Bills and a Stiff	John Barry: Performer
	It All Starts Here	John Barry: Performer
	Plumbing	John Barry: Performer
	Skull and Signature	John Barry: Performer
	Boulders, Bats and a Blender	John Barry: Performer
	Wishing Well and the Fratellis Find Coin	John Barry: Performer
	Mikey's Vision	John Barry: Performer
	Oath and Booby Traps	John Barry: Performer
	Triple Stones and a Ball	John Barry: Performer
	Pee Break and Kissing Tunnel	John Barry: Performer
	They're Here and Skull Cave Chase	John Barry: Performer
	Playing The Bones	John Barry: Performer
	Water Slide and Galleon	John Barry: Performer
	Octopus	John Barry: Performer
	The Inferno	John Barry: Performer
	One Eyed Willie	John Barry: Performer
	Treasure, Data & Mouth and Walk The Plank	John Barry: Performer
	Sloth & Chunk	John Barry: Performer
	Mama & Sloth	John Barry: Performer
	The Fighting Fratellis, Sloth's Choice and Ultimate Booby Trap	John Barry: Performer
	The Reunion and Fratellis On Beach	John Barry: Performer
	No Firme and Pirate Ship	John Barry: Performer
	End Titles (Goonies Theme)	John Barry: Performer
	City of the Angels	Wang Chung: Performer
	The Red Stare	Wang Chung: Performer
	Black-Blue-White	Wang Chung: Performer
	Every Big City	Wang Chung: Performer

User reviews

Laura Martin

8/10

The dynamic and unpredictable nature of the soundtrack mirrors the twists and turns of the plot, keeping the audience on edge and immersed in the story.

Steven Thompson

5/10

Overall, the music in To Live and Die in L.A. is a crucial element that elevates the storytelling and contributes to the overall impact of the film, making it a memorable viewing experience for fans of both crime dramas and 80s cinema.

David Wilson

7/10

Overall, the soundtrack of To Live and Die in L.A. is a captivating and evocative musical work that enhances the film's impact and leaves a lasting impression on the viewer.

Stephanie Thompson

6/10

The use of electronic and synthesizer elements in the soundtrack gives the film a distinct 80s vibe, fitting well with the era in which the movie was set and adding a retro feel to the overall experience.

David White

6/10

The soundtrack effectively mirrors the escalating stakes and the moral dilemmas faced by the characters, creating a sense of unease and unpredictability that keeps the audience engaged from start to finish.

Kenneth Allen

5/10

The soundtrack of To Live and Die in L.A. perfectly captures the gritty and intense atmosphere of the film, enhancing the suspense and action sequences throughout.

Mary Scott

7/10

The soundtrack of To Live and Die in L.A. perfectly captures the gritty and intense atmosphere of the film, enhancing the tension and suspense in every scene.

Dorothy Smith

1/10

The soundtrack of To Live and Die in L.A. fails to capture the intensity and grittiness of the film's storyline. The music feels disjointed and out of place, lacking the necessary emotional depth to enhance the on-screen action.

Kenneth White

10/10

The soundtrack of To Live and Die in L.A. perfectly captures the gritty and intense atmosphere of the film, enhancing every scene with its pulsating energy and atmospheric tones.

Mark Moore

10/10

The use of electronic and experimental sounds in the soundtrack creates a unique and memorable listening experience that stays with you long after the movie ends, showcasing the innovative approach taken by the composer to elevate the film to new heights.

Susan Garcia

2/10

Additionally, the repetitive use of generic '80s synth-pop beats becomes tiresome and detracts from the overall viewing experience. It feels like a missed opportunity to elevate the tension and drama of the narrative, leaving the audience feeling underwhelmed and disconnected from the characters' struggles.

William Adams

7/10

The haunting melodies and eerie soundscapes in the soundtrack effectively convey the moral ambiguity and ethical dilemmas faced by the characters in their pursuit of justice.

Timothy Clark

7/10

The use of electronic and synth-based music in the soundtrack adds a unique and modern touch to the film, setting it apart from other crime dramas of its time.

Mark Young

8/10

The soundtrack's fusion of different musical styles, from ambient to industrial, creates a diverse and engaging listening experience that complements the film's complex narrative.

Lisa Hall

6/10

The music selection adds a layer of tension and excitement to the plot, making the viewer feel fully immersed in the high-stakes world of counterfeiting and crime portrayed in the movie.

Edward Perez

5/10

The choice of songs and instrumental tracks complements the character development in the film, especially highlighting the reckless and thrill-seeking behavior of Secret Service agent Richie Chance and the dangerous world he navigates.

Margaret Lewis

9/10

The music composition skillfully mirrors the characters' inner turmoil and the dangerous world they navigate, adding depth and emotion to the storyline in a way that immerses the audience completely.

Joseph Perez

8/10

The pulsating beats and driving rhythms in the soundtrack mirror the fast-paced and adrenaline-fueled lifestyle of the characters, especially Secret Service agent Richie Chance.

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