• Twelfth Night (1980) Soundtrack OST •

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Rating: 7.80/10 from 288 votes

Tags: shakespeare's twelfth night

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Synopsis

Twelfth Night is a comedy play written by William Shakespeare. The story follows a young woman named Viola who disguises herself as a man named Cesario after being shipwrecked in the kingdom of Illyria.

Viola falls in love with Duke Orsino, who in turn is in love with Countess Olivia. However, Olivia falls in love with Viola, thinking she is a man. This creates a love triangle that leads to confusion and mistaken identities.

Meanwhile, Viola's twin brother Sebastian, who was also thought to be dead in the shipwreck, arrives in Illyria and adds to the chaos. The play culminates in a series of comedic events where the characters' true identities are revealed and love triumphs in the end.

Twelfth Night explores themes of love, mistaken identity, and the complexities of human relationships. It is a timeless comedy that continues to be performed and enjoyed by audiences around the world.

Download and play the Soundtrack list

Play	Title	Artist
	Twelfth Night
	Sad Renaissance Guitar Ballade
	Love Theme - From "Romeo And Juliet"
	Mistress Winter’s Jump
	Lachrimae Pavan
	Outlander - The Skye Boat Song (Castle Leoch Version) [feat. Raya Yarbrough]
	Awake Sweet Love
	A Coy Joy
	Consort Music (Collected Works): The Frog Galliard
	In darkness let me dwell
	The Man
	Twelfth Night - "I'll Tell Thee A Tale" (Shaun Davey)	Craig Armstrong: Performer
	Henry V - Overture - The Globe Theater (William Walton)	Craig Armstrong: Performer
	Henry V - Passacaglia - The Death of Flastaff (William Walton)	Craig Armstrong: Performer
	Henry V - "This day is called the feast of St. Crispian" (William Walton)	Craig Armstrong: Performer
	Henry V - Battle and Charge - The French Court (William Walton)	Craig Armstrong: Performer
	Henry V - "Touch her soft lips and part" (William Walton)	Craig Armstrong: Performer
	Henry V - Finale - The Agincourt Song (William Walton)	Craig Armstrong: Performer
	Hamlet - Prelude (Dimitri Shostakovich)	Craig Armstrong: Performer
	Hamlet - Ball at the Palace (Dimitri Shostakovich)	Craig Armstrong: Performer
	Hamlet - "To bem or not to be, that is the question" (Derek Jacobi)	Craig Armstrong: Performer
	Hamlet - "Sweets to the sweet farewell" (Patrick Doyle)	Craig Armstrong: Performer
	Much Ado About Nothing - Overture (Patrick Doyle)	Craig Armstrong: Performer
	Much Ado About Nothing - Goddess of the Night / Strike Up, Pipers (Patrick Doyle)	Craig Armstrong: Performer
	Antony and Cleopatra - "I dreamt there was an emperor Antony" (Jenny Agutter / Bruce McGregor)	Craig Armstrong: Performer
	Antony and Cleopatra - Suite (John Scott)	Craig Armstrong: Performer
	Julius Caesar - Overture (Michael J. Lewis)	Craig Armstrong: Performer
	Julius Caesar - Caesar's Triumphant Entry into Rome (Michael J. Lewis)	Craig Armstrong: Performer
	Julius Caesar - "Friends, Romans, countrymen, lend me your ears" (Derek Jacobi)	Craig Armstrong: Performer
	Julius Caesar - "Caesar now be still / Finale" (Miklos Rozsa)	Craig Armstrong: Performer
	Disc Time:	Craig Armstrong: Performer
	The Taming of the Shew - "Good morrow, Kate" (Derek Jacobi / Jenny Agutter)	Craig Armstrong: Performer
	The Taming of the Shew - Overture (Nino Rota)	Craig Armstrong: Performer
	Richard III - "Now is the winter of our discontent" (Derek Jacobi)	Craig Armstrong: Performer
	Richard III - Prelude (William Walton)	Craig Armstrong: Performer
	Romeo + Juliet - The Balcony Scene (Craig Armstrong)	Craig Armstrong: Performer
	Romeo and Juliet - "But soft, what light through yonder window breaks?" (Ioan Gruffudd / Jenny Agutter)	Craig Armstrong: Performer
	Romeo and Juliet - Suite (Nino Rota)	Craig Armstrong: Performer
	Love's Labour's Lost - "Love's Labour's Lost / Arrival of the Princess" (Patrick Doyle)	Craig Armstrong: Performer
	A Midsummer Night's Dream - "If we shadows have offended" (Jenny Agutter)	Craig Armstrong: Performer
	A Midsummer Night's Dream - Intermezzo from Cavalleria Rusticana (Pietro Mascagni)	Craig Armstrong: Performer
	Shakespeare in Love - Suite (Stephen Warbeck)	Craig Armstrong: Performer
	Henry V - Prelude - "O for a muse of fire" (Patrick Doyle)	Craig Armstrong: Performer
	Henry V - St. Crispin's Day (Patrick Doyle)	Craig Armstrong: Performer
	Henry V - "Once more unto the breach, dear friends, once more" (Ioan Gruffudd)	Craig Armstrong: Performer
	Henry V - Non Nobis Domine (Patrick Doyle)	Craig Armstrong: Performer
	Twelfth Night - "If music be the food of love" (Derek Jacobi)	Craig Armstrong: Performer
	Twelfth Night - "The Wind and the rain" (Shaun Davey)	Craig Armstrong: Performer

User reviews

Edward Lewis

9/10

The soundtrack of Twelfth Night perfectly captures the essence of the play, enhancing the emotions and atmosphere of each scene with its beautiful melodies and harmonies.

Andrew Evans

5/10

The use of traditional instruments in the music adds an authentic and charming touch to the production, transporting the audience to the world of Illyria.

Deborah Parker

5/10

The songs complement the dialogue and actions on stage, adding an extra layer of depth and nuance to the storytelling, making the play more dynamic and engaging.

Daniel White

8/10

The music sets the tone for each scene, creating a seamless transition between moments of comedy, romance, and drama.

Timothy Roberts

5/10

Overall, the music in Twelfth Night contributes significantly to the overall success of the production, enriching the theatrical experience and leaving a lasting impression on viewers.

Elizabeth Williams

7/10

The songs in Twelfth Night evoke a sense of nostalgia and enchantment, transporting listeners to the magical world of Illyria.

Karen Parker

6/10

The songs in the soundtrack effectively convey the emotions of the characters, especially during moments of love, confusion, and revelation, creating a deeper connection with the audience.

Richard Lopez

7/10

The soundtrack of Twelfth Night perfectly captures the whimsical and lighthearted essence of the play.

Sarah Adams

10/10

The music in Twelfth Night adds depth and complexity to the characters' emotions, creating a rich and immersive experience for the audience that enhances the storytelling.

Mary Young

7/10

The soundtrack of Twelfth Night enhances the comedic elements of the play, bringing out the humor in the characters' interactions and misunderstandings.

Daniel Taylor

8/10

The melodies in the soundtrack of Twelfth Night are catchy and memorable, leaving a lasting impression on the audience long after the play has ended.

Donna Hall

2/10

Another downside of the Twelfth Night soundtrack is that it feels disconnected from the time period and setting of the play. The music choices do not evoke the atmosphere of Illyria or the characters' inner turmoil, making it difficult for the audience to fully immerse themselves in the story.

Timothy Nelson

8/10

Overall, the soundtrack of Twelfth Night is a delightful and essential component of the play, adding depth and dimension to Shakespeare's timeless comedy.

Matthew Lopez

9/10

The interplay between the different musical motifs in Twelfth Night mirrors the intricate relationships and mistaken identities in the play, adding another layer of depth and meaning to the overall experience.

Steven Green

6/10

The soundtrack's composition is masterfully done, blending elements of Renaissance music with modern twists, creating a unique and memorable auditory experience.

Paul Allen

7/10

The music enhances the emotional depth of the characters, making their struggles and triumphs more poignant and relatable.

James Clark

5/10

The soundtrack of Twelfth Night enhances the comedic aspects of the play, amplifying the humor and wit of the characters, eliciting laughter and joy from the audience.

Dorothy Lopez

2/10

One negative opinion about the Twelfth Night soundtrack is that it lacks depth and fails to capture the emotional complexity of the play's themes. The music feels generic and uninspired, not enhancing the storytelling or adding any depth to the characters' emotions.

Matthew Garcia

7/10

Each musical piece in the soundtrack beautifully complements the unfolding of the plot, creating a cohesive and immersive experience for the audience.

Donald Hall

6/10

The soundtrack of Twelfth Night perfectly captures the whimsical and lighthearted essence of the play, enhancing the overall theatrical experience.

Andrew Martinez

7/10

The musical arrangements in the soundtrack effectively convey the themes of love, mistaken identity, and the complexities of human relationships explored in the play.

Carol Jones

5/10

The music seamlessly transitions between scenes, helping to maintain the pace and flow of the play, keeping viewers engaged and entertained throughout.