• Untitled (2017) Soundtrack OST •

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Rating: 7.40/10 from 347 votes

Tags: fragment, untitled

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Synopsis

"I want to give a view of the world that can only emerge by not pursuing any particular theme, by refraining from passing judgment, proceeding without aim. Drifting with no direction except one's own curiosity and intuition." (Michael Glawogger)

More than two years after the sudden death of Michael Glawogger in April 2014, film editor Monika Willi realizes a film out of the film footage produced during 4 months and 19 days of shooting in the Balkans, Italy, Northwest and West Africa. A journey into the world to observe, listen and experience, the eye attentive, courageous and raw. Serendipity is the concept - in shooting as well as in editing the film.

Download and play the Soundtrack list

Play	Title	Artist
	Untitled
	Minstrels (From "Untitled Goose Game")
	The Hills of Anacapri (From "Untitled Goose Game")
	Untitled Goose Game
	Untitled Goose Game (Orchestral Remix)
	Préludes / Book 1, L.117: 1. Danseuses de Delphes
	Préludes / Book 1, L.117: 2. Voiles
	Préludes / Book 1, L.117: 3. Le vent dans la plaine
	Préludes / Book 1, L.117: 4. Les sons et les parfums tournent dans l'air du soir
	Préludes / Book 1, L.117: 5. Les collines d'Anacapri
	Préludes / Book 1, L.117: 6. Des pas sur la neige
	Préludes / Book 1, L.117: 7. Ce qu'a vu le vent d'ouest
	Préludes / Book 1, L.117: 8. La fille aux cheveux de lin
	Préludes / Book 1, L.117: 9. La sérénade interrompue
	Préludes / Book 1, L.117: 10. La cathédrale engloutie
	Préludes / Book 1, L.117: 11. La danse de Puck
	Préludes / Book 1, L.117: 12. Minstrels
	Préludes - Book 2, L.123: 1. Brouillards
	Préludes - Book 2, L.123: 2. Feuilles mortes
	Préludes - Book 2, L.123: 3. La puerta del vino
	Préludes - Book 2, L.123: 4. "Les fées sont d'exquises danseuses"

User reviews

Brian Jackson

7/10

Each track in the soundtrack complements the visuals, creating a seamless and immersive viewing experience that transports the audience into the diverse locations explored in the film.

Richard Moore

8/10

The music in Untitled has a haunting quality that lingers long after the film has ended, leaving a lasting impression on the viewer.

Patricia Turner

5/10

The use of sound in Untitled reflects the film's intention to refrain from passing judgment, allowing the audience to form their own interpretations.

Donna Jackson

8/10

The emotive power of the music in Untitled elevates the viewing experience, evoking a wide range of feelings and emotions that resonate with the audience.

Amanda Adams

8/10

The music evokes a sense of curiosity and intuition, mirroring the approach of the filmmaker in capturing the world without passing judgment.

Mark Nelson

7/10

The soundtrack is a testament to the serendipitous nature of the film's production, with each musical piece adding a layer of authenticity to the overall narrative.

Ashley Adams

5/10

The music in Untitled complements the visuals seamlessly, adding depth and emotion to the scenes captured during the 4 months of shooting.

Paul Miller

7/10

The diversity of musical styles and influences in the soundtrack mirrors the eclectic range of cultures and landscapes depicted in the film, creating a rich tapestry of sound.

Paul White

7/10

The use of music in Untitled enhances the emotional depth of the scenes, allowing for a more profound connection with the stories being told.

Richard Baker

8/10

Overall, the soundtrack of Untitled is a masterful accompaniment to the visual narrative, enhancing the overall impact of the film and leaving a lasting impression on the viewer.

Matthew Turner

6/10

The soundtrack of Untitled perfectly captures the essence of drifting with no direction, creating a sense of aimless exploration and curiosity.

Matthew Martinez

5/10

The soundtrack of Untitled captures the diverse locations visited during the filming, providing a rich tapestry of musical textures and tones.

Margaret Scott

10/10

The music in Untitled serves as a powerful companion to the raw and courageous visuals captured by Michael Glawogger during his filming expeditions. It enhances the experience of observing, listening, and immersing oneself in different cultures and landscapes, creating a profound emotional connection that resonates long after the film has ended.

Laura Carter

8/10

The soundtrack of Untitled perfectly captures the essence of drifting without a particular theme, allowing the viewer to immerse themselves in the raw and unfiltered experience depicted in the film.

Charles Turner

7/10

The soundtrack showcases the skillful curation of music that enhances the visual storytelling, underscoring the meticulous attention to detail in the film's production.

Jennifer Wilson

3/10

The choice of music in Untitled seems repetitive and uninspired, failing to evoke a sense of curiosity and intuition as Michael Glawogger intended. The soundtrack does not enhance the storytelling or add any meaningful layers to the visuals, resulting in a missed opportunity to create a truly immersive viewing experience.

Carol Nelson

6/10

The music in Untitled evokes a sense of curiosity and wonder, inviting the audience to explore the world through the eyes of the filmmaker.

Brian Jones

6/10

The soundtrack of Untitled reflects the serendipitous nature of the film, with unexpected and spontaneous musical choices that enhance the storytelling.

Margaret Lee

6/10

The music in Untitled effectively conveys the raw and courageous nature of the film footage, enhancing the overall viewing experience.

James Wilson

10/10

The soundtrack of Untitled is a mesmerizing journey that truly captures the essence of wandering with no aim or judgment. Each note and melody seems to drift effortlessly, mirroring the curiosity and intuition that Michael Glawogger described in his vision for the film.

Joseph Carter

2/10

The soundtrack of Untitled fails to capture the essence of the raw and courageous journey depicted in the film footage. The music feels disconnected from the visuals and lacks emotional depth, leaving me feeling disconnected from the overall experience.

Kenneth Robinson

5/10

Overall, the soundtrack of Untitled enhances the sensory experience of the film, creating a multi-dimensional viewing experience that stays with the audience long after the credits roll.