• Very Bad Things (1998) Soundtrack OST •

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Rating: 6.40/10 from 49000 votes

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Synopsis

Very Bad Things

A couple of days before his wedding with Laura Garrety, Kyle Fisher travels to Las Vegas for a bachelor party with his friends Charles Moore, Robert Boyd, Michael Berkow and his brother Adam Berkow in his minivan. They go to an apartment in the hotel and get crazy drinking booze and using cocaine. When the stripper Tina comes to their room, she teases the friends and Michael goes with her to the bathroom to have sex. The prostitute hits the hanger for towel with her nape and she dies. The group panics, but Boyd convinces his friends to bury the woman in the desert. However one security guard comes to the room because of the noise and he glances at the dead body. He wants to call the police and Boyd stabs him to death. Then they clean the room and bury the bodies in the desert. They return home and Adam freaks out with the situation, causing an accident with his wife Lois Berkow and children. Meanwhile Laura organizes the wedding party and during the rehearsal, Michael and Adam have a serious argument and Michael decides to hit the minivan of his brother. Adam tries to protect his minivan and is accidentally killed by his brother. Soon Lois finds a note written by Adam and presses the group to know what happened in Vegas. What will happen to them?

Download and play the Soundtrack list

Play	Title	Artist
	Very Bad Things
	Boogaloo in Room 802	Willie Bobo: Performer Jon A. Hart: Writer
	Como Ves	Ozomatli: Performer Jesus Perez: Writer
	Supernatural Thing
	Elektrobank
	Dirt	Richard Fearless: Writer Death In Vegas: Performer
	Battle Flag	Pigeonhed: Performer Shawn Smith: Writer
	Do It Fluid
	Fried Neck Bones and Some Home Fries
	Never an Easy Way
	Hot Pink
	Swing Time
	We'll Burn Together
	Shambala
	Ragga Man
	Karma
	Sunday Service
	Bridal Chorus
	Wedding March
	Walls Come Down
	Faith
	Oh Jesus
	Supernatural Thing (Remix)	Ben E. King: Performer Patrick Grant: Writer
	Elektrobank (Dust Brothers Remix)	The Chemical Brothers: Performer Tom Rowlands: Writer

User reviews

Anthony Carter

5/10

The soundtrack of Very Bad Things effectively sets the tone for the intense and suspenseful atmosphere of the film. The use of dark and ominous music enhances the sense of unease throughout the story.

George Roberts

2/10

The soundtrack of Very Bad Things failed to capture the intense and dark emotions portrayed in the film. The music felt out of place and often distracted from the tension of the scenes.

Brian Thompson

1/10

The choice of songs in the soundtrack did not enhance the overall viewing experience but rather felt generic and uninspired. The lack of a cohesive and impactful score left the audience feeling disconnected from the characters' turmoil and actions.

Carol Young

9/10

The soundtrack of Very Bad Things perfectly captures the tense and chaotic atmosphere of the film. The combination of dark and suspenseful music enhances the feeling of unease throughout the story.

Joshua Hall

10/10

The variety of musical styles and tones in the soundtrack of Very Bad Things helps to create a multidimensional viewing experience. From haunting melodies to adrenaline-pumping beats, the music enhances every scene and contributes to the overall impact of the film.

Elizabeth Walker

5/10

The musical choices in Very Bad Things help to build tension and create a sense of foreboding as the characters spiral deeper into chaos and desperation. The soundtrack mirrors the escalating stakes and moral dilemmas faced by the group of friends.

Donna Perez

6/10

The incorporation of rock and electronic elements in the soundtrack of Very Bad Things adds a modern and edgy feel to the film, complementing the reckless and destructive behavior of the characters. The music enhances the gritty and raw nature of the story, drawing the audience deeper into the twisted world of the film.

Margaret Jackson

9/10

The use of intense and dramatic music in key moments of the film adds depth and emotion to the unfolding events. The soundtrack effectively heightens the sense of urgency and danger, keeping the audience on the edge of their seats.

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