Mulheres do Sul Banda sonora (

Mulheres do Sul Banda sonora (1991) cobrir

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Avaliação: 7.70/10 do 84000 votos
Etiquetas: violência doméstica, amizade, perda de peso, canibalismo, tomate verde, ligação feminina, mulher forte
Nomes alternativos:
Título em Español:

Tomates verdes fritos

Título em English:

Fried Green Tomatoes at the Cafe

Sinopse

Kathy Bates é Evelyn Couch, uma dona de casa infeliz e deprimida com sua vida. Mary Stuart Masterson é Imogene Louise (Idgie) Threadgoode, a garota durona local que jura, fuma, bebe, aposta e nunca vai à igreja. Mary-Louise Parker é Ruth Jamison, filha de um pregador e única criança responsável pelas atividades BYO e pelos jovens na igreja e na própria Idgie. Jessica Tandy é Virginia (Ninny) Threadgoode, cunhada de Idgie. Idgie e Ruth viveram nos anos 1920 e 1930 em Whistle Stop, Alabama. Ninny também viveu lá e conta as aventuras das duas mulheres para Evelyn Couch, que leva essas histórias como inspiração para sua própria vida.

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Toque Título Artista
Mulheres do Sul
My Blue Heaven
Walter Donaldson: Writer
Gene Austin: Performer
Buddy Threadgoode
Thomas Newman: Writer
What Becomes of the Brokenhearted
Paul Young: Performer
Arthur Baker: Produced
James Dean: Writer
Tommy Faragher: Co-produced
Michael Brauer: Misturado
Railroad Blues
Trixie Smith: Performer
Cherish
Jodeci: Performer
Arthur Baker: Produced
Terry Kirkman: Writer
Axel Kroell: Performer
Louis Scalise: Misturado
Cool Down Yonder
Marion Williams: Performer
Ira Tucker: Writer
Anthony Heilbut: Produced
Barbeque Bess
Patti LaBelle: Performer
Lucille Bogan: Writer
Arthur Baker: Produced
Kirk Yano: Misturado
Rooster Blues
Peter Wolf: Performer
Arthur Baker: Produced
Louis Scalise: Misturado
Jerry West: Writer
Danger Heartbreak Dead Ahead
Taylor Dayne: Performer
Arthur Baker: Produced
Clarence Paul: Writer
Louis Scalise: Misturado
If I Can Help Somebody
Arthur Baker: Produced
Aaron Hall: Performer
Louis Scalise: Misturado
A Charge to Keep I Have
Thomas Newman: Instrumentação
Marion Williams: Performer
Anthony Heilbut: Produced
I'll Remember You
Bob Dylan: Writer
Arthur Baker: Produced
Michael Brauer: Misturado
Grayson Hugh: Performer
Ghost Train (Main Title) (Marion Williams)
Thomas Newman: Performer
Whistle Stop, Ala.
Thomas Newman: Performer
A Charge To Keep I Have (Marion Williams)
Thomas Newman: Performer
Xmas In Hooverville
Thomas Newman: Performer
The Treehouse
Thomas Newman: Performer
Night Baseball (Marion Williams)
Thomas Newman: Performer
Whither Thou Goest I Will Go
Thomas Newman: Performer
Didn't It Rain (Marion Williams)
Thomas Newman: Performer
The Bee Charmer
Thomas Newman: Performer
Wallpaper
Thomas Newman: Performer
The Smell Of Coffee
Thomas Newman: Performer
Visiting Ruth
Thomas Newman: Performer
Miss Otis Died
Thomas Newman: Performer
The Town Follies (Ralph Grierson)
Thomas Newman: Performer
Klansmen
Thomas Newman: Performer
Smokey Lonesome
Thomas Newman: Performer
Big George (Marion Williams)
Thomas Newman: Performer
Night Baseball (Mandolin Reprise)
Thomas Newman: Performer
The Whistle Stop Cafe
Thomas Newman: Performer
I'll Remember You (Grayson Hugh)
Thomas Newman: Performer
What Becomes Of The Brokenhearted (Paul Young)
Thomas Newman: Performer
Cherish (Hip Hop Version) (Jodeci)
Thomas Newman: Performer
Danger Heartbreak Dead Ahead (Taylor Dayne)
Thomas Newman: Performer
Rooster Blues (Peter Wolf)
Thomas Newman: Performer
Barbeque Bess (Patti LaBelle)
Thomas Newman: Performer
If I Can Help Somebody (Aaron Hall)
Thomas Newman: Performer
Cool Down Yonder (Marion Williams)
Thomas Newman: Performer
Cherish (Movie Version) (Jodeci)
Thomas Newman: Performer
Ghost Train (Main Title) (Thomas Newman)
Thomas Newman: Performer
Visiting Ruth (Thomas Newman)
Thomas Newman: Performer
A Charge To Keep I Have (Thomas Newman)
Thomas Newman: Performer
Spacewalk (From "Passengers")
Thomas Newman: Performer
Main Title / Becky Flies (From "Finding Dory")
Thomas Newman: Performer
I Am Malala (From "He Named Me Malala")
Thomas Newman: Performer
Donna Lucia (From "Spectre")
Thomas Newman: Performer
Homecoming (From "Bridge of Spies")
Thomas Newman: Performer
End Title (From "Saving Mr. Banks")
Thomas Newman: Performer
End Credits (From "Revolutionary Road")
Thomas Newman: Performer
Wall-E (From "Wall-E")
Thomas Newman: Performer
Unrecht Oder Recht (From "The Good German")
Thomas Newman: Performer
Jedem Das Seine (From "The Good German")
Thomas Newman: Performer
Cinderella Man (From "Cinderella Man")
Thomas Newman: Performer
Letter That Never Came (From "Lemony Snicket's A Series Of Unfortunate Events")
Thomas Newman: Performer
Finding Nemo / Nemo Egg (From "Finding Nemo")
Thomas Newman: Performer
Road To Perdition (From "Road To Perdition")
Thomas Newman: Performer
Road to Chicago (From "Road To Perdition")
Thomas Newman: Performer
Disc Time:
Thomas Newman: Performer
Theme (From "Six Feet Under")
Thomas Newman: Performer
I Forgive You (From "Pay it Forward")
Thomas Newman: Performer
The Green Mile (From "The Green Mile")
Thomas Newman: Performer
Plastic Bag Theme (From "American Beauty")
Thomas Newman: Performer
Dead Already (From "American Beauty")
Thomas Newman: Performer
End Titles (From "The Horse Whisperer")
Thomas Newman: Performer
Whisper Of A Thrill (From "Meet Joe Black")
Thomas Newman: Performer
That Next Place (From "Meet Joe Black")
Thomas Newman: Performer
An American Quilt (From "How to Make An American Quilt")
Thomas Newman: Performer
Under The Umbrella (End Title)
Thomas Newman: Performer
Brooks Was Here (From "The Shawshank Redemption")
Thomas Newman: Performer
So Was Red (From "The Shawshank Redemption")
Thomas Newman: Performer
End titles (From "The Shawshank Redemption")
Thomas Newman: Performer
Ghost Train (Main Title)
Thomas Newman: Performer
Universal Pictures Fanfare (Jerry Goldsmith, Arranged by Brian Tyler)
Craig Armstrong: Performer
Main Title - Frankenstein (Bernhard Kaun)
Craig Armstrong: Performer
End Titles - Dracula (John Williams)
Craig Armstrong: Performer
Wolf Suite - The Wolfman (Danny Elfman)
Craig Armstrong: Performer
The Sand Volcano - The Mummy (Jerry Goldsmith)
Craig Armstrong: Performer
Main Title - Cape Fear (Bernard Herrmann)
Craig Armstrong: Performer
Main Title - To Kill A Mockingbird (Elmer Bernstein)
Craig Armstrong: Performer
The Place Where Dreams Come True - Field of Dreams (James Horner)
Craig Armstrong: Performer
Main Title - Airport (Alfred Newman)
Craig Armstrong: Performer
Flying Away and End Credits - An American Tail (James Horner)
Craig Armstrong: Performer
The Land Race - Far and Away (John Williams)
Craig Armstrong: Performer
Main Title - On Golden Pond (Dave Grusin)
Craig Armstrong: Performer
Ghost Train (Main Title) - Fried Green Tomatoes (Thomas Newman)
Craig Armstrong: Performer
Glasgow Love Theme / PM's Love Theme - Love Actually (Craig Armstrong)
Craig Armstrong: Performer
A Kaleidoscope Of Mathematics - A Beautiful Mind (James Horner)
Craig Armstrong: Performer
That Next Place - Meet Joe Black (Thomas Newman)
Craig Armstrong: Performer
Ted, Audrey And The Trees - The Lorax (John Powell)
Craig Armstrong: Performer
Show Me Your Firetruck - Backdraft (Hans Zimmer)
Craig Armstrong: Performer
End Credits - Back To The Future III (Alan Silvestri)
Craig Armstrong: Performer
Riddle Of Steel / Riders Of Doom - Conan The Barbarian (Basil Poledouris)
Craig Armstrong: Performer
Over The Moon - E.T.: The Extra-Terrestrial (John Williams)
Craig Armstrong: Performer
BONUS TRACKS: Main Title - Spartacus (Alex North)
Craig Armstrong: Performer
Main Title - Jaws (John Williams)
Craig Armstrong: Performer
Flight Over Africa - Out of Africa (John Barry)
Craig Armstrong: Performer
Theme - Schindler's List (John Williams)
Craig Armstrong: Performer
Climbing The Empire State Building - King Kong (James Newton Howard)
Craig Armstrong: Performer
Theme - Jurassic Park (John Williams)
Craig Armstrong: Performer

Críticas de usuários

Paulo Correia
4/10

Além disso, a escolha das músicas não contribuiu para a imersão do espectador na narrativa, falhando em criar a ambientação necessária para realmente nos transportar para Whistle Stop, Alabama. As canções não conseguiram complementar as emoções e os momentos-chave da trama, resultando em uma experiência auditiva pouco envolvente e desapontadora.

Laura Figueiredo
6/10

A variedade de estilos musicais presentes na banda sonora de Mulheres do Sul é impressionante, indo desde baladas suaves até canções animadas e empolgantes. Essa diversidade enriquece a experiência auditiva do espectador e acrescenta camadas de complexidade à trama do filme.

Mariana Pinto
7/10

As músicas selecionadas conseguem transmitir com maestria a mistura de nostalgia e vivacidade presentes na história de Idgie e Ruth, proporcionando uma experiência emocional única ao ouvinte.

Carolina Gomes
8/10

A trilha sonora é diversificada, abrangendo diferentes estilos musicais que complementam as diversas nuances das personagens e dos acontecimentos do filme.

Rui Lopes
8/10

A música de fundo consegue intensificar o impacto emocional das cenas mais marcantes do filme, elevando a experiência cinematográfica a um patamar ainda mais emocionante e memorável.

Catarina Rocha
8/10

As canções escolhidas conseguem transmitir a profundidade dos sentimentos das personagens principais, como a coragem de Idgie e a doçura de Ruth, de forma tocante e cativante.

Teresa Saraiva
7/10

A banda sonora de Mulheres do Sul é simplesmente envolvente, capturando perfeitamente a atmosfera do sul dos Estados Unidos nas décadas de 1920 e 1930.

Isabel Oliveira
5/10

Os arranjos musicais da trilha sonora de Mulheres do Sul são bem escolhidos e contribuem para a imersão na história do filme. Cada faixa parece estar em sintonia com os momentos-chave da narrativa, criando uma conexão emocional poderosa com o público.

António Costa
4/10

A banda sonora de Mulheres do Sul não conseguiu captar a essência dos personagens e da época em que a história se passa. As músicas escolhidas não conseguiram transmitir a atmosfera do sul dos anos 1920 e 1930, deixando a trilha sonora desconexa com o enredo.

José Manuel Rocha
5/10

A banda sonora de Mulheres do Sul é envolvente e emotiva, capturando perfeitamente a atmosfera dos anos 1920 e 1930 em Whistle Stop, Alabama. As músicas conseguem transmitir a profundidade das emoções das personagens, como a tristeza de Evelyn e a rebeldia de Idgie.