No Escape Film müziği (

No Escape Film müziği (1953) örtmek

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Değerlendirme: 5.50/10 itibaren 393 oy
Alternatif İsimler:
Başlık English:

No Escape

Başlık Español:

No Escape

Başlık Italiano:

No Escape

Başlık Português:

No Escape

Başlık Français:

No Escape

Başlık Deutsch:

No Escape

Özet

Down-on-his-luck songwriter John Howard Tracy is reduced to making up lyrics for customers in his favorite San Francisco bar after his successful career stalls. One night, Tracy is forced to humble himself to drunken businessman Wilbur K. Grossett, then suffer insults from playboy artist Peter Hayden, who walks away with Pat Peterson, a department store executive whom Tracy has befriended.

Hours later, when Pat's boyfriend, police detective Simon Shayne, and his partner Lt. Gunning rouse him from a drunken stupor, Tracy gives them a song sheet of his latest tune. Barely able to walk out of the bar, Tracy then goes to Hayden's place to confront him, but when he arrives, Hayden is lying dead on the living room floor.

Initially, Tracy plans to call the police, but fearing that he will be accused of killing Hayden, he leaves, taking Hayden's drawing of Pat along with him. The next day, Shayne tells Pat about Hayden's death, adding that he found and removed her gloves at the crime scene to protect her.

Pat explains that she returned home with Hayden after accepting a ride, but when he attacked her, she struck him with the vase in self defense. Believing that the blow caused Hayden's death, and fearing the drawing will incriminate her, Pat is wrought with guilt and prepares to turn herself in.

As Shayne tries to convince her otherwise, Tracy arrives at the apartment announcing that he has the drawing. When Shayne insinuates that Tracy is trying to blackmail Pat, Tracy bitterly asks for their cash, then hands the drawing to Pat, who does not believe Shayne's accusations.

Later, Gunning tells Shayne that witnesses saw a woman at the apartment, but she has yet to be identified. However, the fingerprints found at the scene match Tracy's prints from his sheet music. Soon the police set up check points at all San Francisco bridges, ferries and airports trying to find Tracy.

Meanwhile, Tracy tells Pat and Shayne the truth about how he found Hayden, hoping that Pat will explain what really happened. Shayne insists that, between the fingerprint evidence and a neighbor hearing a man's voice at Hayden's that night, the case is building against Tracy and threateningly suggests that he leave town.

Forced to sleep on the streets to avoid capture, Tracy gets food and clothing from friend Turnip, a street-wise drunk who frequented the bar. Meanwhile, after Pat receives a letter from Tracy returning the $25 he took from her and Shayne, she decides to help him and asks Turnip for his location.

Pat then gives Tracy a train reservation to Los Angeles that is supposed to be for her boss, Claude Duffy, and promises to help Tracy escape to Los Angeles and on to Mexico. When Duffy arrives at the station and warns police of the imposter, Tracy's old bar friend Olga Valerie Lewis swaps identification with Pat and stalls the police while the couple escapes out the back of the station.

As the police scour the city for them, Tracy and Pat return to her apartment, where a desperate Pat contemplates suicide. After Tracy prevents Pat from jumping from her window, she berates him for his failings and hiding from his life, but in the heat of the moment, they kiss and vow to help each other.

Spotting Shayne approaching the apartment, Tracy and Pat race to Chinatown, where they bump into a still drunken Grossett, who invites them to a socialite's party. After Tracy and Pat elude Grossett and proceed to the party, Grossett, learning of their crime from the barman, alerts police of Tracy's location.

Introduced as songwriter to the socialites, Tracy is soon asked to play a number, but, suspecting that the party host has learned his real identity, Tracy's orders Pat to escape without him while he keeps the crowd entertained. The song intrigues a movie music executive who wants to buy the material, but everyone is soon horrified when Tracy reveals his real identity and offers to turn himself in.

Despite Tracy orders, Pat has remained at the party and convinces him to flee with her to Hayden's apartment. Still determined to turn himself in, Tracy asks Pat to call Shayne to send the police. Although Shayne promises to call Gunning, he heads for Hayden's apartment alone.

Meanwhile, Tracy plays an album of his music that he finds on the phonograph and remembers that at five o'clock, when he arrived on the night of the murder, the radio was playing and there were two glasses on the table. Shocked, Pat explains that she did not share a drink with Hayden and Tracy's album was playing, not the radio.

It was two o'clock, not five o'clock when she left after hearing someone stumbling towards Hayden's apartment door. As they both deduce that the murder must have been committed by someone else, Shayne enters the apartment and, holding the couple at gun point, orders them out the window.

While police surround the building, Shayne forces Tracy and Pat to climb up to the roof, hoping to evade capture. Having earlier seen Hayden's drawing of Sally Doyle, Shayne's former girl friend, Pat and Tracy realize Shayne killed Hayden out of jealousy. The police climb to the roof just in time to shoot the gun from Shayne's hand and arrest him, saving Tracy and Pat, who vow to begin a new life together.

Soundtrack listesini indirin ve oynatın

Oyna Başlık Artist
No Escape
Townsville, Queensland
Dominik Scherrer: Icracı
Tender to the Blue
Dominik Scherrer: Icracı
Lana's Journey
Dominik Scherrer: Icracı
Swimming to the Beach
Dominik Scherrer: Icracı
The Waterfall
Dominik Scherrer: Icracı
No Escape from the Past
Dominik Scherrer: Icracı
Entering the Blue
Dominik Scherrer: Icracı
Colonel Reyes
Dominik Scherrer: Icracı
Funeral and Danger
Dominik Scherrer: Icracı
Boat Chase
Dominik Scherrer: Icracı
Lana Returns to the Police
Dominik Scherrer: Icracı
Aaron's Decision
Dominik Scherrer: Icracı
Why Would Anyone Lie
Dominik Scherrer: Icracı
The BLF
Dominik Scherrer: Icracı
Coming Clean
Dominik Scherrer: Icracı
I Just Want to Be with Lana
Dominik Scherrer: Icracı
The President's Toast
Marco Beltrami: Icracı
No Escape
Marco Beltrami: Icracı
Little Dreamer
Marco Beltrami: Icracı
Jack Wakes
Marco Beltrami: Icracı
Market Research
Marco Beltrami: Icracı
Coup Coup Roux
Marco Beltrami: Icracı
Jack Be Nimble
Marco Beltrami: Icracı
Where's Lucy
Marco Beltrami: Icracı
Pool Cue
Marco Beltrami: Icracı
Rooftop Refuge
Marco Beltrami: Icracı
Need a New Roof
Marco Beltrami: Icracı
Roof Toss
Marco Beltrami: Icracı
Map Quest
Marco Beltrami: Icracı
Atavistic Jack
Marco Beltrami: Icracı
The Bike Thief
Marco Beltrami: Icracı
Embassy Issues
Marco Beltrami: Icracı
Annie Surrenders
Marco Beltrami: Icracı
Fighting For Annie
Marco Beltrami: Icracı
Brothel Refuge
Marco Beltrami: Icracı
Under the Stars
Marco Beltrami: Icracı
007812
Marco Beltrami: Icracı
Shall We Gather At The River
Marco Beltrami: Icracı
Gunshy
Marco Beltrami: Icracı
South of the Border
Marco Beltrami: Icracı
Border Refuge
Marco Beltrami: Icracı
The Story of Lucy
Marco Beltrami: Icracı
Take Care Of You (Jim James)
Marco Beltrami: Icracı
No Escape: Main Titles
Graeme Revell: Icracı
Helicopter to Absolom
Graeme Revell: Icracı
Robbins Captured By the Outsiders
Graeme Revell: Icracı
Ralph: Director of Aquatic Activities
Graeme Revell: Icracı
The Father
Graeme Revell: Icracı
The Insiders' Camp
Graeme Revell: Icracı
"Wet Dreams"
Graeme Revell: Icracı
"I Love Those Boots"
Graeme Revell: Icracı
Banishment
Graeme Revell: Icracı
On the Ramparts / Outsiders Attack
Graeme Revell: Icracı
Battle With Marek
Graeme Revell: Icracı
The Funeral Pyre
Graeme Revell: Icracı
Robbins Returns to the Outsiders' Camp
Graeme Revell: Icracı
Casey Tortured
Graeme Revell: Icracı
Robbins Kills Casey
Graeme Revell: Icracı
Redemption and New Hope
Graeme Revell: Icracı
Marek's Death
Graeme Revell: Icracı
The Traitor Unmasked
Graeme Revell: Icracı
The Trap Is Set and Freedom
Graeme Revell: Icracı

Kullanıcı yorumları

Fatih Öztürk
9/10

Filmin müziği, sahnelerin gerilimini ve dramatik anlarını vurgulamak için ustaca kullanılmış. Özellikle son sahnelerde, müziğin etkileyici melodileriyle birlikte izleyiciyi derin duygusal bir deneyime sürüklüyor. Müzik, filmi daha da unutulmaz kılıyor ve izleyicide unutulmaz bir etki bırakıyor.

Elif Yalçın
9/10

No Escape film müziği inanılmaz derecede duygusal ve etkileyici. Her parça, filmin atmosferini tamamlayarak izleyiciyi içine çekiyor ve duygusal bir yolculuğa çıkarıyor. Müzik, karakterlerin duygularını ve hikayenin gidişatını mükemmel bir şekilde yansıtıyor.

Mehmet Ali Kaplan
5/10

No Escape filminin müzikleri benim için oldukça etkileyiciydi. Özellikle sahnelerin duygusal derinliğine ve gerilim atmosferine katkı sağladığını düşünüyorum. Müzikler, hikayenin gelişimine uyum sağlamış ve izleyiciyi olayların içine çekmeyi başarmıştı.

Osman Kurt
8/10

Filmin final sahnelerinde duygusal anları vurgulayan müzikler, beni hüzünlendirdi ve karakterlerin duygularını daha derinlemesine hissetmeme yardımcı oldu.

Hakan Kurtuluş
7/10

Müziklerin filmdeki gerilim ve duygusal anları mükemmel bir şekilde desteklediğini düşünüyorum. San Francisco'nun sokaklarında kaçış sahnelerinde müziklerin tempo ve atmosfer yaratımı çok etkileyiciydi.

Orhan Çetin
5/10

Ancak, bazı noktalarda film müziklerinin aşırı dramatik olduğunu düşündüm. Özellikle bazı sahnelerde müziklerin duyguları fazla abarttığını hissettim. Belki de daha sade ve gerçekçi bir yaklaşım izlenseydi, film müzikleri daha etkileyici olabilirdi.

İsmail Arslan
8/10

No Escape filminin müzikleri beni derinden etkiledi. Özellikle gerilim dolu sahnelerde kullanılan müzikler, filmi daha da heyecanlı hale getirdi.

Feride Kılıç
1/10

Ayrıca, film müziğindeki tekrarlar beni rahatsız etti. Aynı temalar sürekli tekrar ederek dinleyiciyi sıkmaya başladı ve film boyunca müziklerde çeşitlilik ve yenilikten yoksun kaldım. Bu durum beni film deneyiminden uzaklaştırdı ve müziklerin etkileyiciliğini azalttı.

Esra Taş
2/10

No Escape filminin müzikleri bana göre oldukça sığ ve duygusuzdu. Müzikler filmdeki duygusal anları desteklemekte zayıf kaldı ve sahneler arasında bağlantı kurmada etkisizdi.