• Broadcast News (1987) Soundtrack OST •

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Rating: 7.30/10 from 34000 votes

Alternate Names:

Title in Español:

Broadcast News - Nachrichtenfieber

Synopsis

Broadcast News

At the Washington DC bureau of a national network news division, Jane Craig is a news producer who knows that she is always right. Beneath her veneer of self-assuredness, Jane is a bundle of neuroses also knowing that she has troubles convincing people that she is right, those neuroses manifesting themselves in crying to release emotions when she thinks other people are not looking.

Aaron Altman is a news reporter, brilliant in his understanding of the stories he covers, but who is generally under-appreciated as the geek. Jane and Aaron are best friends and regularly work together on news pieces. While Jane respects Aaron professionally, Aaron in turn is secretly in love with Jane. Both Aaron but most specifically Jane abhor the trends of news being more entertainment than news, and the focus of style over substance.

Into the bureau enters Tom Grunick, who is hired as the new news anchor. Tom has had a meteoric rise in the business starting in sports, getting a job as a sports anchor before moving onto a news desk as anchor. Tom realizes that he has no business being in "news", with the issues of general news, and especially political news in Washington, not coming naturally to him. He also realizes that his strengths are as a salesman, specifically of himself, largely because of his good looks and his good communication skills, and by association anything of which he speaks.

Tom admires Jane in every respect and wants her to be his mentor in learning the ropes of his job. He, however, epitomizes everything she abhors in news, she believing it his own job to better himself as a news person. Regardless, Jane is attracted to Tom and somewhat hopes that his admiration of her is also a romantic one. If they do allow themselves to enter into a personal relationship, they will have to find if they can overcome Jane's issues of what Tom represents professionally in the business she loves, and if they can relate to each other beyond their work.

Also adding some complexity to their situation is Aaron, who sees Tom as competition both professionally and personally for what little personal time Jane has.

Download and play the Soundtrack list

Play	Title	Artist
	Broadcast News
	L'Edition Speciale	Francis Cabrel: Performer Francis Cabrel: Writer
	Midnight Train to Georgia	Gladys Knight & The Pips: Performer Jim Weatherly: Writer
	Édition Spéciale	Francis Cabrel: Lyrics Francis Cabrel: Performer
	Young Tom	Bill Conti: Performer
	Young Jane / Main Title	Bill Conti: Performer
	Tom And Jane	Bill Conti: Performer
	Phone Call	Bill Conti: Performer
	First Day	Bill Conti: Performer
	Blair's Run	Bill Conti: Performer
	Old News Theme	Bill Conti: Performer
	Tom's Rise	Bill Conti: Performer
	The Special Report	Bill Conti: Performer
	Piano One	Bill Conti: Performer
	Bonding	Bill Conti: Performer
	Post-Report Celebration	Bill Conti: Performer
	Friendship	Bill Conti: Performer
	News Theme Ballad	Bill Conti: Performer
	Italian Embassy	Bill Conti: Performer
	Potentially Bad News	Bill Conti: Performer
	Tailor Made	Bill Conti: Performer
	Correspondents Dinner	Bill Conti: Performer
	Dinner Dance	Bill Conti: Performer
	Jeffersons Memorial	Bill Conti: Performer
	Dead Lead	Bill Conti: Performer
	Jane Calls Tom	Bill Conti: Performer
	Storm Clouds	Bill Conti: Performer
	The Firings Begin	Bill Conti: Performer
	Firings	Bill Conti: Performer
	The Kiss	Bill Conti: Performer
	Restaurant Farewell	Bill Conti: Performer
	The Tear Falls	Bill Conti: Performer
	Airport	Bill Conti: Performer
	Gazebo	Bill Conti: Performer
	Young Tom Part 2	Bill Conti: Performer
	First Day - Alternate	Bill Conti: Performer
	The Special Report Part 1	Bill Conti: Performer
	Italian Embassy - Alternate	Bill Conti: Performer
	Correspondents Dinner - Alternate	Bill Conti: Performer
	20th Century Fox Fanfare (with CinemaScope extension) (Alfred Newman)	David Arnold: Performer
	All About Eve (1950) - Main Title / The Award (Alfred Newman)	David Arnold: Performer
	How Green Was My Valley (1941) - The Family and Bronwen / Finale / End Title (Alfred Newman)	David Arnold: Performer
	The Song of Bernadette (1943) - The Vision (Alfred Newman)	David Arnold: Performer
	Laura (1994) - Main Title (David Raksin)	David Arnold: Performer
	The Ghost and Mrs. Muir (1947) - Prelude / Local Train / The Sea (Bernard Herrmann)	David Arnold: Performer
	Captain From Castile (1947) - Conquest (Alfred Newman)	David Arnold: Performer
	Twelve O'Clock High (1948) - Main title (Alfred Newman)	David Arnold: Performer
	The Day The Earth STood Still (1951) - Prelude / Outer Space / Radar (Bernard Herrmann)	David Arnold: Performer
	Viva Zapata! (1952) - Gathering Forces (Alex North)	David Arnold: Performer
	My Cousin Rachel (1952) - Main Title (Franz Waxman)	David Arnold: Performer
	The Robe (1953) - Main Title / Caligula's Arrival / Finale (Alfred Newman)	David Arnold: Performer
	Prince Valiant (1954) - Main Title / King Aguar's Escape (Franz Waxman)	David Arnold: Performer
	Untamed (195) - Main Title (Franz Waxman)	David Arnold: Performer
	The Rains of Ranchipur (1955) - Main Title (Hugo Friedhofer)	David Arnold: Performer
	How to Marry a Millionaire (1953) - Street Scene (Alfred Newman)	David Arnold: Performer
	The Seven Year Itch (1955) - Main Title (Alfred Newman)	David Arnold: Performer
	Three Coins In The Fountain (1954) - Prelude / Rome (Victor Young)	David Arnold: Performer
	Love Is A Many-Splendored Thing (1955) - Main Title / God Has Been Good / Finale (Alfred Newman)	David Arnold: Performer
	The Long, Hot Summer (1958) - The Long, Hot Summer, Lyrics by Sammy Cahn, Performed by Jimmie Rodgers / Two Butterflies	David Arnold: Performer
	From The Terrace (1960) - Love Theme (Elmer Bernstein)	David Arnold: Performer
	Disc Time:	David Arnold: Performer
	Cleopatra (1963) - Main Title / Cleopatra Enters Rome (Alex North)	David Arnold: Performer
	The Sand Pebbles (1966) - Overture / Main Title (Jerry Goldsmith)	David Arnold: Performer
	Planet Of The Apes (1968) - Main Title / The Hunt (Jerry Goldsmith)	David Arnold: Performer
	Patton (1970) - Main Title / German Advance (Jerry Goldsmith)	David Arnold: Performer
	Tora! Tora! Tora! (1970) - Main Title (Jerry Goldsmith)	David Arnold: Performer
	The French Connection (1971) - Main Title / This Is It (Don Ellis)	David Arnold: Performer
	The Poseidon Adventure (1972) - Main Title (John Williams)	David Arnold: Performer
	The Paper Chase (1973) - End Title (John Williams)	David Arnold: Performer
	Conrack (1974) - Main Title (John Williams)	David Arnold: Performer
	The Omen (1976) - Ave Satani (Jerry Goldsmith)	David Arnold: Performer
	Magic (1978) - Main Title (Jerry Goldsmith)	David Arnold: Performer
	The Fury (1978) - For Gillian / End Title (John Williams)	David Arnold: Performer
	Alien (1979) - Main Title (Jerry Goldsmith)	David Arnold: Performer
	Norma Rae (1979) - It Goes Like It Goes (Lyrics by Norman Gimbel, Performed by Jennifer Warnes) (David Shire)	David Arnold: Performer
	Author! Author! (1982) - Main Title (Dave Grusin)	David Arnold: Performer
	Max Dugan Returns (1983) - End Title (David Shire)	David Arnold: Performer
	Romancing The Stone (1984) - End Title (Alan Silvestri)	David Arnold: Performer
	Commando (1985) - Prologue / Main Title (James Horner)	David Arnold: Performer
	Predator (1986) - Main Title (Alan Silvestri)	David Arnold: Performer
	The Fly (1986) - Main Title (Howard Shore)	David Arnold: Performer
	Lucas (1986) - Main Title (Dave Grusin)	David Arnold: Performer
	Raising Arizona (1987) - Way Out There (Carter Burwell)	David Arnold: Performer
	Wall Street (1987) - Bud's Scam (Stewart Copeland)	David Arnold: Performer
	Big (1988) - Opening (Howard Shore)	David Arnold: Performer
	Broadcast News (1987) - Young Jane / Main Title (Bill Conti)	David Arnold: Performer
	Die Hard (1988) - The Nakatomi Plaza / Gruber's Arrival (Michael Kamen)	David Arnold: Performer
	The Abyss (1989) - Bud on the Ledge (Alan Silvestri)	David Arnold: Performer
	Hoffa (1992) - End Credits (David Newman)	David Arnold: Performer
	Mrs. Doubtfire (1993) - Main Title (Howard Shore	David Arnold: Performer
	Speed (1994) - The Rescue (Mark Mancina)	David Arnold: Performer
	Cast Away (2000) - End Credits (Alan Silvestri)	David Arnold: Performer
	Unfaithful (2002) - Unfaithful (Jan A.P. Kaczmarek)	David Arnold: Performer
	Ice Age (2002) - Opening Travel Music (David Newman)	David Arnold: Performer
	I, Robot (2004) - End Credits (Marco Beltrami)	David Arnold: Performer
	Fantastic Four (2005) - Main Titles (John Ottman)	David Arnold: Performer
	Night At The Museum (2006) - Night At The Museum (Alan Silvestri)	David Arnold: Performer
	Horton Hears A Who! (2008) - Horton Suite (John Powell)	David Arnold: Performer
	Independence Day (1996) - End Credits (David Arnold)	David Arnold: Performer
	The Long, Hot Summer (1958) - The Long, Hot Summer, Lyrics by Sammy Cahn, Performed by Jimmie Rodgers / Two Butterflies	David Arnold: Performer
	Blair's Run	Bill Conti: Performer
	Tom's Rise	Bill Conti: Performer
	Twelve O'Clock High (1948) - Main title (Alfred Newman)	David Arnold: Performer
	The Robe (1953) - Main Title / Caligula's Arrival / Finale (Alfred Newman)	David Arnold: Performer
	Prince Valiant (1954) - Main Title / King Aguar's Escape (Franz Waxman)	David Arnold: Performer
	The Long, Hot Summer (1958) - The Long, Hot Summer, Lyrics by Sammy Cahn, Performed by Jimmie Rodgers / Two Butterflies	David Arnold: Performer
	Wall Street (1987) - Bud's Scam (Stewart Copeland)	David Arnold: Performer
	Die Hard (1988) - The Nakatomi Plaza / Gruber's Arrival (Michael Kamen)	David Arnold: Performer

User reviews

Dorothy Clark

8/10

The soundtrack of Broadcast News perfectly captures the tension and drama of the newsroom environment, enhancing the storytelling.

Patricia Martinez

7/10

The soundtrack seamlessly blends with the dialogue and action on screen, creating a cohesive viewing experience.

Daniel Evans

7/10

The soundtrack effectively conveys the sense of urgency and fast-paced nature of the news industry, adding a sense of authenticity to the story.

Linda Martinez

5/10

The soundtrack of Broadcast News effectively captures the tension and drama of the newsroom environment, enhancing the emotional depth of the characters' relationships and inner struggles.

Susan Wright

7/10

The use of different musical motifs for each character helps to distinguish their personalities and motivations, aiding in character development.

Mary Miller

7/10

The recurring themes in the soundtrack help to establish a sense of continuity throughout the film, tying together different narrative threads.

Joshua Williams

5/10

The use of strings and piano in the soundtrack adds a touch of elegance and sophistication to the film, highlighting the intellectual and emotional complexity of the main characters as they navigate the challenges of balancing personal and professional lives.

Laura Gonzalez

7/10

The composition of the music reflects the complexity of the relationships between the characters, adding layers to their interactions.

Karen Robinson

9/10

The soundtrack of Broadcast News perfectly captures the emotional depth and complexity of the characters' relationships. Each track enhances the tension and chemistry between Jane, Aaron, and Tom, adding layers of depth to their personal and professional struggles.

Jennifer Scott

10/10

The music in Broadcast News effectively sets the tone for each scene, seamlessly blending with the dialogue and enhancing the storytelling. The melodies evoke a sense of nostalgia and introspection, making the audience feel deeply connected to the characters' innermost thoughts and feelings.

Kimberly Hall

7/10

The use of orchestral arrangements in the soundtrack adds a sense of grandeur and importance to the news events depicted in the film.

Melissa Scott

7/10

The music effectively underscores the emotional depth of the characters, particularly Jane's internal struggles and Aaron's unrequited love for her.

Laura Hill

2/10

I found the soundtrack of Broadcast News to be lacking in emotional depth and originality. The music failed to enhance the storytelling and felt generic and forgettable.

Deborah Jackson

2/10

The compositions in the soundtrack did not effectively capture the tension and drama of the newsroom setting portrayed in the film. The music felt out of place and did not resonate with the characters' emotions and struggles.

Melissa White

5/10

The music perfectly complements the fast-paced nature of the news industry, with dynamic rhythms and urgent melodies that mirror the characters' relentless pursuit of breaking stories and professional success.

Susan Adams

8/10

Overall, the soundtrack of Broadcast News is a standout element of the film, enhancing the overall viewing experience with its emotional depth and narrative cohesion.

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