• Counterpoint (1967) Soundtrack OST •

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Rating: 6.30/10 from 1000 votes

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Synopsis

December 1944. With the war looking like it is near its end, the USO has resumed entertainment services on the European mainland. One such USO performer is an American symphony orchestra under the direction of famed Lionel Evans who, on their tour, are currently in recently liberated Belgium. They are caught in an ambush under a German counteroffensive and taken into custody to a castle commandeered by the Nazis, that unit under the direction of General Schiller.

The primary standoff in this situation is Schiller's want for the orchestra to perform in a concert for him with Evans conducting, which Evans refuses to do. The command structure between the German military and the orchestra has many parallels including dissension among the ranks under their dictatorial leader. Many of the orchestra members want Evans to do what Schiller asks in believing it their best chance of survival, while Evans believes they will be killed regardless and does not want to provide Schiller the satisfaction.

Who may be able to influence stubborn Evans is cellist Annabelle Rice, the wife of the concertmaster Victor Rice, she who is Evans' former girlfriend, there still being feelings between the two. On the other side, Schiller's second in command, Colonel Arndt, views the orchestra members as any other prisoners that are to be executed immediately.

What influences the decisions on the orchestra's side is the fact that two US Army infantrymen have been able to hide among the orchestra in the melee, some orchestra members who see them as threats to their safety as they being caught means almost certain death for them all, versus others who believe the two are their best chance to escape in getting word to the Allied forces of their captivity.

Download and play the Soundtrack list

Play	Title	Artist
	Counterpoint
	Symphony No. 5 in C minor I. Allegro con brio	Ludwig van Beethoven: Performer
	Symphony No. 8 in B minor D. 759 'Unfinished' I. Allegro moderato	Franz Schubert: Performer
	Swan Lake, Op. 20 Moderato	Pyotr Ilyich Tchaikovsky: Performer
	The Star-Spangled Banner	Pyotr Ilyich Tchaikovsky: Performer
	Symphony No. 1 in C minor Op. 68 IV. Adagio	Johannes Brahms: Performer
	Overture	Richard Wagner: Performer

User reviews

Dorothy Rodriguez

5/10

The musical score enhances the audience's connection to the characters and their plight, making the viewing experience more immersive and engaging.

John Jones

10/10

The music beautifully underscores the internal struggles of the characters, particularly the conflicting desires of Lionel Evans and General Schiller. The haunting melodies mirror the moral dilemmas faced by the orchestra members, adding depth and nuance to their relationships and decisions.

Ronald Lewis

5/10

The contrast between the classical beauty of the music and the brutal reality of war depicted in the film is striking and contributes to the overall impact of the storytelling.

Lisa Evans

7/10

Overall, the soundtrack of Counterpoint elevates the film to a higher level, enhancing the storytelling and character development with its evocative melodies and thematic richness.

Donald Davis

2/10

The soundtrack of Counterpoint misses the mark in creating a sense of urgency and danger during pivotal moments of the plot. The music does not effectively build suspense or heighten the stakes, leaving the audience feeling disconnected from the characters' perilous situation.

Amanda Carter

7/10

The use of music to convey the inner turmoil of the characters, especially Lionel Evans and Annabelle Rice, adds a layer of complexity to their interactions, making their decisions and actions more impactful and resonant.

Linda Hall

7/10

The score skillfully blends classical elements with contemporary touches, creating a unique and memorable sound that complements the historical setting of the movie.

Betty Campbell

10/10

The soundtrack of Counterpoint is a masterful blend of tension and emotion that perfectly captures the complex dynamics of the storyline. The use of orchestral arrangements creates a sense of grandeur and drama that elevates the intensity of the narrative.

Andrew Johnson

9/10

Overall, the soundtrack of Counterpoint is a powerful and evocative musical accompaniment that enhances the storytelling and immerses the audience in the gripping wartime drama.

Michelle Hill

5/10

The soundtrack effectively conveys the internal struggles of the characters, particularly Lionel Evans, through its emotional and evocative melodies.

Charles Roberts

6/10

The compositions in the soundtrack succeed in conveying the sense of urgency and danger faced by the characters trapped in the castle, creating a palpable atmosphere of fear and uncertainty.

Mary Campbell

5/10

Overall, the soundtrack of Counterpoint is a powerful and evocative accompaniment to the gripping wartime story, adding depth and emotion to the cinematic experience.

William Campbell

8/10

The musical themes in Counterpoint are not only beautiful and moving but also serve to underscore the themes of sacrifice, loyalty, and defiance portrayed in the film.

Michael Hill

6/10

The use of orchestral music in the film adds a layer of sophistication and emotional depth to the story, enhancing the intensity of the plot.

Mark Martin

3/10

The orchestral compositions in the film come across as repetitive and uninspired. There is a lack of variety in the musical themes, making it difficult to distinguish between different scenes or convey the complexity of the characters' inner struggles.

Paul King

4/10

The soundtrack of Counterpoint fails to fully capture the tension and fear present in the story. The music feels generic and lacks the emotional depth needed to enhance the dramatic moments of the plot.

Brian Davis

6/10

The soundtrack of Counterpoint is a masterpiece that effectively captures the tension and drama of the wartime setting.

Joseph Johnson

5/10

The soundtrack's blend of traditional orchestral music with more contemporary elements creates a unique and memorable listening experience that complements the film's narrative.

James Turner

8/10

The soundtrack's ability to convey the moral dilemmas faced by the characters, such as whether to comply with the enemy's demands or stand firm in their principles, adds a thought-provoking layer to the narrative.

Anthony Smith

5/10

The use of different musical motifs throughout the soundtrack helps to underscore key moments in the plot and highlight the emotional arc of the characters.

Emily Wright

7/10

The orchestral compositions in the film perfectly reflect the contrasting emotions and motivations of the characters, enhancing the storytelling and adding depth to their relationships and conflicts.

Margaret Hill

7/10

The soundtrack effectively builds suspense and intensity during pivotal moments, keeping viewers on the edge of their seats and emotionally invested in the outcome of the story.

Deborah Baker

8/10

The soundtrack of Counterpoint brilliantly captures the tension and drama of the storyline set in December 1944 during the war, creating a truly immersive experience for the audience.

Stephanie Clark

8/10

The use of music to highlight the power dynamics between the orchestra members and their captors, as well as the internal conflicts within the group, showcases the emotional depth and complexity of the story.

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