F.F.S.S., cioè: '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?' Soundtrack (

F.F.S.S., cioè: '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?' Soundtrack (1983) cover

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Rating: 6.20/10 from 359 votes
Tags: napoli italy, movie making
Alternate Names:
Title in Español:

F.F.S.S., cioè: '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?'
Title in Italiano:

F.F.S.S., cioè: '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?'
Title in Português:

F.F.S.S., cioè: '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?'
Title in Français:

F.F.S.S., cioè: '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?'
Title in Türk:

F.F.S.S., cioè: '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?'
Title in Deutsch:

F.F.S.S., cioè: '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?'

Synopsis

F.F.S.S., cioè: '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?' is an Italian film directed by Renzo Arbore. The story follows a man who is taken on a trip to Posillipo by his partner, only to realize that their relationship is falling apart. The title of the film translates to "F.F.S.S., that is: '...why did you take me to Posillipo if you don't love me anymore?'"

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F.F.S.S., cioè: '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?'

User reviews

Paul Anderson
7/10

The musical compositions in the film beautifully complement the scenic backdrop of Posillipo, creating a harmonious blend of visuals and sound that transports the audience into the world of the characters, making the narrative more engaging and immersive.

Deborah Garcia
5/10

The music in the film serves as a powerful storytelling device, elevating the viewing experience and immersing the audience in the protagonist's emotional journey with its evocative melodies and arrangements.

Carol Wilson
5/10

The use of music in key moments of the film helps to evoke a sense of nostalgia, longing, and heartache, resonating with viewers on a personal level.

Charles Campbell
4/10

The soundtrack failed to create a cohesive atmosphere that complemented the narrative of the film. The music felt disjointed and out of sync with the emotional nuances of the story, making it difficult to fully engage with the on-screen drama.

Michael Martin
6/10

The soundtrack features a blend of traditional Italian melodies and modern compositions, creating a unique auditory experience that complements the film's narrative.

Richard Davis
6/10

The musical score of the film effectively conveys the bittersweet nature of the protagonist's journey, with each note adding layers of complexity to the emotional narrative.

James Campbell
6/10

The music in the film adds depth and poignancy to the story, enhancing the audience's understanding of the characters' inner struggles and conflicts.