• Gods and Monsters (1998) Soundtrack OST •

Gods and Monsters Soundtrack (1998) cover

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Rating: 7.40/10 from 33000 votes

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Synopsis

Gods and Monsters

1957. Long having retired, James Whale, arguably most famous for directing Frankenstein (1931) and Bride of Frankenstein (1935) among some other 1930s horror classics, has burned his bridges with the Hollywood community in that they have abandoned him, the possible exception being his continuing friendship with former lover David Lewis. James had been openly gay even during his working period and is in declining health. Having been recently released from a hospital where he was recuperating from a stroke, he left with some permanent health issues, the aftermath of the stroke. Much against the disapproval of his loyal longtime housekeeper Hanna, his health does not prevent him from toying with the handsome young men who may wander into his midst in his continuing homosexual desires, although Hanna is as much, if not more concerned about any of those young men taking advantage of him in his elderly and fragile state.

The young man who catches his eye among the most recent is Clayton Boone, who Hanna had hired to do garden work around the property. Clay, an ex-marine from the proverbial "wrong side of the tracks", has no idea who James was or is before he starts this job. James and Clay soon begin a friendship of sorts. Clay is also unaware of James' homosexual orientation before such is confirmed by Hanna, an issue which threatens his masculinity, especially in light of the cracks showing in his casual sexual relationship with a slightly older and wiser diner waitress named Betty. Clay has to reconcile that threat against being in the company of someone whom he considers an interesting and once famous man.

The friendship and his state of health related to the stroke lead James to reflect in a bittersweet vein on key points of his life, most notably serving in WWI, and as a result reveals his ulterior motives through the actions he takes toward Clay.

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Play	Title	Artist
	Gods and Monsters
	Just Might Be Tonight	Spencer Proffer: Writer Spencer Proffer: Produced & arranged
	Bride of Frankenstein
	Airse, Clay	Carter Burwell: Performer
	Dripping	Carter Burwell: Performer
	Ashes	Carter Burwell: Performer
	Refreshments	Carter Burwell: Performer
	Unshrouding	Carter Burwell: Performer
	Love In the Trenches	Carter Burwell: Performer
	The Bride	Carter Burwell: Performer
	Lucky Man	Carter Burwell: Performer
	Watch Me Dive	Carter Burwell: Performer
	Gas Masks On	Carter Burwell: Performer
	Frankenwhale	Carter Burwell: Performer
	Soldier In the Rain	Carter Burwell: Performer
	Barnett On the Wire	Carter Burwell: Performer
	Return to the Trenches	Carter Burwell: Performer
	Wrestling the Monster	Carter Burwell: Performer
	Last Swim	Carter Burwell: Performer
	Friend?	Carter Burwell: Performer
	Miller's Crossing - End Credits	Carter Burwell: Performer
	Fargo - Fargo, North Dakota	Carter Burwell: Performer
	The Spanish Prisoner	Carter Burwell: Performer
	Gods and Monsters - Friend?	Carter Burwell: Performer
	Being John Malkovich - Puppet Love	Carter Burwell: Performer
	The Man Who Wasn't There - The Trial of Ed Crane	Carter Burwell: Performer
	In Bruges - Prologue / Medieval Waters	Carter Burwell: Performer
	Twilight - Bella's Lullaby	Carter Burwell: Performer
	A Serious Man	Carter Burwell: Performer
	True Grit - River Crossing / Talk About Suffering / The Wicked Flee	Carter Burwell: Performer
	Mildred Pierce - Opening Titles	Carter Burwell: Performer
	Olive Kitteridge - Olive Opening	Carter Burwell: Performer
	Carol - Opening	Carter Burwell: Performer
	Anomalisa - Overture	Carter Burwell: Performer
	The Founder - Flags and Steeples	Carter Burwell: Performer
	Hail, Caesar! - 5A.M. / Hail, Caesar!	Carter Burwell: Performer
	Goodbye Christopher Robin - Drawing Pooh	Carter Burwell: Performer
	Wonderstruck - Silent Whispers / Little Girl, Big City	Carter Burwell: Performer
	Three Billboards Outside Ebbing, Missouri - My Dear Anne / Billboards on Fire	Carter Burwell: Performer
	Legends Of The Fall	James Horner: Performer
	The Ludlows	James Horner: Performer
	Off To War	James Horner: Performer
	To The Boys...	James Horner: Performer
	Samuel's Death	James Horner: Performer
	Alfred Moves To Helena	James Horner: Performer
	Farewell / Descent Into Madness	James Horner: Performer
	The Changing Seasons, Wild Horses, Tristan's Return	James Horner: Performer
	The Wedding	James Horner: Performer
	Isabel's Murder, Recollection's Of Samuel	James Horner: Performer
	Revenge	James Horner: Performer
	Goodbyes	James Horner: Performer
	Alfred, Tristan, The Colonel, The Legend...	James Horner: Performer

User reviews

Ronald Mitchell

8/10

The haunting melodies of the Gods and Monsters soundtrack perfectly capture the bittersweet emotions of James Whale's reflections on his life, adding a layer of depth to the film.

Michael Davis

6/10

The use of music in the film adds a layer of authenticity to the portrayal of James Whale's life and struggles, making the narrative more compelling and relatable.

Edward Nelson

5/10

The soundtrack of the film enhances the overall atmosphere, creating a sense of timelessness that resonates with the themes of love, loss, and self-discovery.

Matthew Wilson

10/10

Each musical score in the film beautifully complements the emotional depth of the characters, enhancing the storytelling and immersing the audience in the poignant journey of James Whale and Clayton Boone.

Patricia Young

6/10

The soundtrack of Gods and Monsters skillfully sets the mood for each scene, enhancing the storytelling and creating a captivating viewing experience.

Dorothy Harris

10/10

The soundtrack of Gods and Monsters perfectly captures the bittersweet essence of James Whale's life, with haunting melodies that evoke reflection and introspection.

Donna Young

5/10

The music in Gods and Monsters is a standout element that elevates the film, creating a memorable and impactful viewing experience that stays with the audience long after the credits roll.

Brian Hill

4/10

Additionally, the soundtrack of Gods and Monsters seemed repetitive and monotonous, with few memorable melodies or themes that added to the overall viewing experience. The lack of diversity in musical styles and tones made the soundtrack feel flat and uninteresting, failing to elevate the film's atmosphere or emotional impact.

Patricia Allen

6/10

The music in Gods and Monsters immerses the audience in the 1950s Hollywood atmosphere, transporting viewers back in time with its nostalgic melodies.

Laura White

7/10

The orchestral arrangements in the soundtrack evoke a sense of nostalgia and melancholy that resonates with the themes of aging, loneliness, and lost glory portrayed in the movie.

Donald Baker

8/10

The evocative use of strings and woodwinds in the soundtrack helps to convey the inner turmoil and conflicted feelings of the characters, adding depth and complexity to their emotional journeys.

Dorothy Jones

8/10

Overall, the Gods and Monsters soundtrack is a masterful work of art that elevates the film to new heights, enriching the viewing experience with its poignant and evocative musical compositions.

Timothy Lopez

6/10

The soundtrack of Gods and Monsters perfectly captures the bittersweet and reflective tone of the film, enhancing the emotional depth of James Whale's character.

Mark Mitchell

9/10

The use of subtle orchestration and delicate piano motifs in the soundtrack creates a sense of intimacy and vulnerability, adding a layer of complexity to the characters' relationships and inner struggles.

Patricia Thompson

6/10

The compositions in Gods and Monsters evoke a sense of nostalgia and longing, mirroring the characters' emotions and inner turmoil.

Robert Robinson

6/10

The emotional nuances of the characters are beautifully underscored by the haunting melodies and poignant themes in the film's score.

Joseph Thompson

5/10

The soundtrack effectively conveys the complex relationship between James Whale and Clayton Boone, adding layers of depth to their interactions through the use of music.

Elizabeth Taylor

7/10

The use of subtle piano pieces in key moments of the film enhances the emotional impact of James Whale's struggles with his declining health and his complicated relationships, creating a poignant atmosphere.

Lisa Hill

6/10

The musical choices in Gods and Monsters complement the character development, providing insight into the inner struggles and desires of the protagonists.

Michael Carter

4/10

The soundtrack of Gods and Monsters failed to capture the emotional depth and complexity of the film's characters and storyline. The music felt generic and uninspired, lacking the necessary gravitas to enhance the audience's connection to the narrative.

Timothy Lee

8/10

The soundtrack's seamless integration of classical compositions with original pieces creates a cohesive and immersive listening experience that enhances the storytelling of Gods and Monsters.

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