Hail, Caesar! Soundtrack (

Hail, Caesar! Soundtrack (2016) cover

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Rating: 6.30/10 from 143000 votes
Tags: communist conspiracy, western movie, studio system
Alternate Names:
Title in Español:

¡Ave, César!

Title in Italiano:

Ave, Cesare!

Title in Português:

Salve, César!

Synopsis

1951 Hollywood. Eddie Mannix (Josh Brolin) is the head of property protection at Capitol Pictures. In other words, he shields the studio's stars from any scandal and ensures that their public persona is what the studio wants. This job takes him to his Catholic church confessional more often than the church would probably like. At the urging of his wife, he is trying to quit smoking, it not an easy day for him to do so, as the day is going worse than usual, and "usual" is bad to begin with. DeeAnna Moran (Scarlett Johansson), the studio's wholesome and single screen "mermaid", is pregnant, and will soon be showing. Who DeeAnna thinks the father is, does not help matters, which means no marriage on the horizon to legitimize the pregnancy. Laurence Laurentz (Ralph Fiennes), the director of urbane drawing room comedies, is balking to Eddie about the casting of Hobie Doyle (Alden Ehrenreich), the studio's singing cowboy, in a role as a sophisticate in his latest movie, especially as Hobie truly was only a good ol' southern cowboy before getting into movies. But what may be worst of all for Eddie this day, is that Baird Whitlock (George Clooney), arguably the studio's biggest star and notorious womanizer and boozer, has gone missing during the filming of his latest movie, a gladiator biblical epic. Eddie learns that he has been kidnapped by voices of the "future" who have requested a one hundred thousand dollar ransom. Eddie has to get Baird back while holding off the snooping of twin gossip columnists Thora Thacker (Tilda Swinton) and Thessaly Thacker (Tilda Swinton), the former who plans to dredge up a quashed past scandal about Baird if she can't dig up new gossip. What Eddie is unaware of is that easily swayed Baird is in no real danger from his kidnappers, except in the eyes of people like Senator Joseph McCarthy. What may be the studio's only problem-free production is the latest sailors on leave musical starring song-and-dance man, Burt Gurney (Channing Tatum)... or is it problem-free? Eddie could escape this life if he decides to accept the lucrative management job offer by the Lockheed Corporation, which could be the secure future of America through their secret atomic bomb testing.

Download and play the Soundtrack list

Play Title Artist
Hail, Caesar!
No Dames!
Henry Krieger: Performer
Willie Reale: Lyrics
Channing Tatum: Performer
Lazy Old Moon
Walter G. Samuels: Writer
Willie Watson: Performer
The Merry Widow Waltz (Ballsirenenwalzer)
Franz Lehár: Writer
Tales of Hoffman - Act IV: Barcarolle, Belle Nuit
Glory of Love
Billy Hill: Writer
Alden Ehrenreich: Performer
The Cattle Call
Tex Owens: Writer
Eddy Arnold: Performer
Slavery and Suffering
Song of India
Varchavianka
Kalinka
Echelon's Song
Zamuchen tyazhyoloy nevoley
Dimitri Oleg Yachinov: Arrangement
The Red Army Choir: Performer
Varshavyanka
Eshelonnaya
SIDE I: Fiat Lux
Carter Burwell: Performer
5Am
Carter Burwell: Performer
Hail Caesar!
Carter Burwell: Performer
Baird Hijacked
Carter Burwell: Performer
Hobie and Whitey
Carter Burwell: Performer
Jonah's Daughter
Carter Burwell: Performer
Comrades Convene
Carter Burwell: Performer
The Cattle Call (Performed By Eddie Arnold)
Carter Burwell: Performer
Malibu Safe House
Carter Burwell: Performer
No Dames (Performed By Channing Tatum)
Carter Burwell: Performer
The Hands of Communists
Carter Burwell: Performer
Little Eddie
Carter Burwell: Performer
Our Father (Performed By Ascention Church Choir - Maloe)
Carter Burwell: Performer
SIDE II: Lazy Ol' Moon Overture
Carter Burwell: Performer
Lazy Ol' Moon
Carter Burwell: Performer
The Glory of Love
Carter Burwell: Performer
In Pursuit of the Future
Carter Burwell: Performer
Slavery and Suffering (Performed By the Red Army Choir)
Carter Burwell: Performer
Soviet Man
Carter Burwell: Performer
Denizens of the City
Carter Burwell: Performer
Silverman Sax
Carter Burwell: Performer
Faith God Damn It
Carter Burwell: Performer
Back to the Backlot
Carter Burwell: Performer
Behold
Carter Burwell: Performer
Echelons Song (Performed By the Red Army Choir)
Carter Burwell: Performer
Fiat Lux
Carter Burwell: Performer
Lazy Ol' Moon Overture
Carter Burwell: Performer
Miller's Crossing - End Credits
Carter Burwell: Performer
Fargo - Fargo, North Dakota
Carter Burwell: Performer
The Spanish Prisoner
Carter Burwell: Performer
Gods and Monsters - Friend?
Carter Burwell: Performer
Being John Malkovich - Puppet Love
Carter Burwell: Performer
The Man Who Wasn't There - The Trial of Ed Crane
Carter Burwell: Performer
In Bruges - Prologue / Medieval Waters
Carter Burwell: Performer
Twilight - Bella's Lullaby
Carter Burwell: Performer
A Serious Man
Carter Burwell: Performer
True Grit - River Crossing / Talk About Suffering / The Wicked Flee
Carter Burwell: Performer
Mildred Pierce - Opening Titles
Carter Burwell: Performer
Olive Kitteridge - Olive Opening
Carter Burwell: Performer
Carol - Opening
Carter Burwell: Performer
Anomalisa - Overture
Carter Burwell: Performer
The Founder - Flags and Steeples
Carter Burwell: Performer
Hail, Caesar! - 5A.M. / Hail, Caesar!
Carter Burwell: Performer
Goodbye Christopher Robin - Drawing Pooh
Carter Burwell: Performer
Wonderstruck - Silent Whispers / Little Girl, Big City
Carter Burwell: Performer
Three Billboards Outside Ebbing, Missouri - My Dear Anne / Billboards on Fire
Carter Burwell: Performer

User reviews

Donna Perez
7/10

The use of different musical styles in the soundtrack, from catchy musical numbers to dramatic orchestral pieces, showcases the versatility and creativity of the composers. Each song complements the scenes and characters beautifully, creating a cohesive and engaging auditory journey throughout the film.

Daniel Garcia
4/10

I found the musical choices in the soundtrack to be jarring and disjointed, making it difficult to connect with the scenes and characters on screen, ultimately detracting from the overall viewing experience.

Thomas Taylor
4/10

The soundtrack of Hail, Caesar! did not resonate with me as it lacked depth and emotion, failing to enhance the storytelling and emotional impact of the film.

Patricia Martinez
9/10

The soundtrack of Hail, Caesar! perfectly captures the essence of 1951 Hollywood, transporting listeners to the golden age of cinema with its nostalgic and vibrant melodies.

Laura Johnson
10/10

The music accompanying Eddie Mannix's journey through the tumultuous world of Capitol Pictures adds depth and emotion to the story, enhancing the viewer's connection to the characters and their struggles.

Elizabeth Garcia
10/10

Each track in the film's soundtrack is a masterpiece in its own right, showcasing the talent and creativity of the composers in crafting a score that is both evocative and memorable.

Deborah Evans
5/10

The use of music in Hail, Caesar! is skillfully done, creating a seamless blend between the different storylines and characters. Each track feels purposeful and contributes to the overall cinematic experience, making the soundtrack a standout element of the film.

Dorothy Thompson
8/10

The soundtrack of Hail, Caesar! perfectly captures the essence of 1950s Hollywood with its upbeat and jazzy tunes. The music sets the tone for the era and adds depth to the storytelling, enhancing the overall viewing experience.

Andrew Johnson
3/10

The score of Hail, Caesar! felt repetitive and uninspired, failing to create a memorable or engaging auditory experience that would have elevated the film to a higher level of cinematic quality.

Dorothy Anderson
6/10

The soundtrack of Hail, Caesar! perfectly captures the essence of 1951 Hollywood, with a mix of jazzy tunes and orchestral pieces that transport the listener back in time. The music sets the tone for the film, enhancing the storytelling and adding depth to the characters' emotions.