Killing Kennedy Soundtrack (

Killing Kennedy Soundtrack (2013) cover

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Rating: 6.00/10 from 3700 votes
Tags: russian language
Alternate Names:
Title in Español:

Matar a Kennedy
Title in Italiano:

Killing Kennedy
Title in Português:

Killing Kennedy

Synopsis

Killing Kennedy is a gripping historical drama that explores the events leading up to the assassination of President John F. Kennedy. The film follows the parallel lives of Kennedy and his assassin, Lee Harvey Oswald, as their paths ultimately converge on that fateful day in Dallas.

As Kennedy navigates the challenges of the Cold War and civil rights movement, Oswald becomes increasingly disillusioned with American society. The tension builds as their destinies collide, culminating in a tragic and shocking climax that changed the course of American history forever.

Killing Kennedy offers a fresh perspective on one of the most infamous moments in American history, shedding light on the complex motivations and circumstances that led to the assassination of a beloved president.

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Killing Kennedy

User reviews

Michael White
9/10

Overall, the soundtrack of Killing Kennedy is a masterful work of art that elevates the viewing experience to new heights. It enhances the storytelling, evokes strong emotions, and leaves a lasting impression on the audience.

Timothy Evans
5/10

The emotional depth of the soundtrack in Killing Kennedy is particularly striking, as it effectively conveys the inner struggles and conflicts faced by both Kennedy and Oswald, adding layers of complexity to their characters.

John Brown
9/10

The soundtrack of Killing Kennedy perfectly captures the tension and drama of the historical events depicted in the film. Each musical piece skillfully enhances the emotions and atmosphere of the scenes, immersing the audience in the story.

Linda Wilson
5/10

The use of period-appropriate music in Killing Kennedy enhances the authenticity of the historical setting, transporting viewers back to the early 1960s and immersing them in the world of President Kennedy and Lee Harvey Oswald.

Richard Thomas
9/10

The haunting melodies and powerful orchestration create a sense of foreboding and tragedy, mirroring the parallel lives of Kennedy and Oswald as their paths converge towards the fateful day in Dallas. The music adds depth and complexity to the narrative, making the film even more compelling and engaging.

Thomas Harris
4/10

The soundtrack of Killing Kennedy felt uninspired and lacked emotional depth to truly capture the gravity of the historical events portrayed. The music failed to enhance the storytelling and left me feeling disconnected from the characters' experiences.

Andrew Rodriguez
6/10

The seamless integration of the music with the narrative in Killing Kennedy creates a powerful synergy that heightens the tension and drama of the story, making the viewing experience all the more compelling and impactful.

Robert Nelson
6/10

Overall, the soundtrack of Killing Kennedy plays a crucial role in shaping the mood and atmosphere of the film, underscoring the high stakes and tragic inevitability of the events leading up to the assassination of President Kennedy.

Donna Parker
4/10

The repetitive use of generic orchestral cues in the soundtrack of Killing Kennedy became monotonous and predictable, diminishing the impact of key moments in the film. The lack of originality in the music detracted from the overall viewing experience and failed to evoke the necessary sense of drama and tension.

Elizabeth Hill
6/10

The soundtrack of Killing Kennedy expertly captures the essence of the turbulent times portrayed in the film, with haunting melodies and somber tones that evoke the sense of impending tragedy.

Patricia King
2/10

I found the soundtrack of Killing Kennedy to be forgettable and unmemorable, with no standout themes or melodies that resonated with me after watching the film. The music failed to leave a lasting impression and did not contribute significantly to the emotional weight of the story, ultimately falling short in its ability to immerse the audience in the historical narrative.