• Lions for Lambs (2007) Soundtrack OST •

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Rating: 6.20/10 from 53000 votes

Tags: reference to colin powell, reference to condoleezza rice

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Synopsis

The American government is taking a beating in the public opinion polls for losing the war on terror, despite the President earlier having made the statement that that war had been won, and for its earlier decisions to wage war on Iraq based on "faulty" intelligence while almost totally disregarding the upsurge of an enemy regime in Afghanistan.

Reporter Janine Roth, who works for an organization which used to be a true news organization but that was bought out by corporate interests whose financial bottom line is paramount, is planning on using this premise as the core of her upcoming hour long exclusive interview with Republican Senator and Presidential hopeful Jasper Irving.

Irving convinces Roth to change the focus of her story to one of breaking news: that the government is taking a new offensive in Afghanistan based on enemy regimes in Iraq, Iran and Afghanistan banding together against American forces. This strategy is of Irving's design, as is the want to have Roth be his pro-strategy conduit to the American public.

As Roth conducts her interview with Irving, which is more of a debate on the issues, the offensive to which Irving refers has just begun. Two American soldiers, Ernest Rodriguez and Arian Finch, who were friends in university before their enlistment, are caught in a precarious and tenuous situation concerning this offensive.

Meanwhile, political science professor Dr. Stephen Malley, who used to teach Rodriguez and Finch, is having an early morning meeting with one of his current students, Todd Hayes. Hayes is a naturally bright student, but has fallen into a state of political social apathy as witnessed by his class attendance record.

Malley, using Rodriguez and Finch's situation in his class and following their tenure as students, tries to convince Hayes that he should do something meaningful with his life.

Download and play the Soundtrack list

Play	Title	Artist
	Lions for Lambs
	Lean wit It	Herman Beeftink: Writer Herman Beeftink: Performer
	Won't Get Fooled Again	Pete Townshend: Writer
	Yankee Doodle Dandy	Herman Beeftink: Performer
	Won't Get Fooled Again	Herman Beeftink: Performer
	Lions for Lambs Main Titles	Mark Isham: Performer
	The Berm	Mark Isham: Performer
	A New Plan	Mark Isham: Performer
	Remember 9-11?	Mark Isham: Performer
	False Alarm / Battle Tent	Mark Isham: Performer
	Take a B?	Mark Isham: Performer
	Wall of Photos / Breathe	Mark Isham: Performer
	Firefight	Mark Isham: Performer
	One Handed	Mark Isham: Performer
	Windsock / Pink's Pilots	Mark Isham: Performer
	Tali Firefight	Mark Isham: Performer
	Our Capability	Mark Isham: Performer
	Taxi Ride	Mark Isham: Performer
	Get to Me!!	Mark Isham: Performer
	Last Shift	Mark Isham: Performer
	Todd's Decision / End Credits	Mark Isham: Performer
	Peter Pan - Flying	Craig Armstrong: Performer
	Elf - Buddy's Journey	Craig Armstrong: Performer
	Mr Magorium's Wonder Emporium - Finale	Craig Armstrong: Performer
	Taken - Main Title	Craig Armstrong: Performer
	Robots - Robots Overture	Craig Armstrong: Performer
	Looney Tunes: Back in Action - Car Trouble	Craig Armstrong: Performer
	Wallace And Gromit: The Curse Of The Were-Rabbit - A Grand Day Out	Craig Armstrong: Performer
	Flicka - Main Title	Craig Armstrong: Performer
	Racing Stripes - The Big Race	Craig Armstrong: Performer
	We Are Marshall - Theme	Craig Armstrong: Performer
	Being Julia - Curtain Up/The Real World	Craig Armstrong: Performer
	Nicholas Nickleby - Main Titles	Craig Armstrong: Performer
	NannyMcPhee - Snow In August	Craig Armstrong: Performer
	Shrek 2 - Prince Charming	Craig Armstrong: Performer
	The Ant Bully - Sweet Rock	Craig Armstrong: Performer
	The Astronaut Farmer - Opening Titles	Craig Armstrong: Performer
	The Sisterhood Of The Travelling Pants - The Travelling Song	Craig Armstrong: Performer
	The Pursuit Of Happyness - Opening	Craig Armstrong: Performer
	The Holiday - Maestro	Craig Armstrong: Performer
	The Family Stone - It's Snowing	Craig Armstrong: Performer
	The Great Raid - Closing Titles	Craig Armstrong: Performer
	Disc Time:	Craig Armstrong: Performer
	Sea Of Dreams - Sea of Dreams	Craig Armstrong: Performer
	Beat The Drum - The Village	Craig Armstrong: Performer
	Duma - Xan and Duma Say Goodbye	Craig Armstrong: Performer
	Blood Diamond - Solomon Vandy	Craig Armstrong: Performer
	The Quiet American - The Quiet American	Craig Armstrong: Performer
	The Gospel Of John - Follow Me	Craig Armstrong: Performer
	Water - House of Windows	Craig Armstrong: Performer
	Partition - Partition	Craig Armstrong: Performer
	As You Like It - Violin Romance	Craig Armstrong: Performer
	Nomad - Kazakhstan 1710	Craig Armstrong: Performer
	Lost - Parting Words	Craig Armstrong: Performer
	United 93 - Dedication	Craig Armstrong: Performer
	Beyond Borders - Chechnya IV	Craig Armstrong: Performer
	Goodbye Bafana - The Harbour	Craig Armstrong: Performer
	Flight Of The Phoenix - Heat Dream	Craig Armstrong: Performer
	Carnivale - Carnivale End Title (Ben's Theme)	Craig Armstrong: Performer
	Out Of Time - Out of Time Theme	Craig Armstrong: Performer
	Tears Of The Sun - The Journey / Kopano Part III	Craig Armstrong: Performer
	The Good German - Unrecht Oder Recht (Main Title)	Craig Armstrong: Performer
	Firewall - Firewall	Craig Armstrong: Performer
	Rush Hour 3 - Parachute Down	Craig Armstrong: Performer
	Annapolis - Showdown	Craig Armstrong: Performer
	Flyboys - Heroes	Craig Armstrong: Performer
	Stealth - Main Title	Craig Armstrong: Performer
	The Bourne Supremacy - Bim Bam Smash	Craig Armstrong: Performer
	Grindhouse: Planet Terror - Grindhouse (Main Title)	Craig Armstrong: Performer
	Hellboy - Main Title	Craig Armstrong: Performer
	Ghostrider - Ghostrider	Craig Armstrong: Performer
	Serenity - End Credits	Craig Armstrong: Performer
	The Kingdom - Waiting	Craig Armstrong: Performer
	Sin City - Sin City End Titles	Craig Armstrong: Performer
	The Fast And The Furious: Tokyo Drift - The Fast And The Furious: Tokyo Drift	Craig Armstrong: Performer
	S.W.A.T. - Bullet Frenzy II	Craig Armstrong: Performer
	M:i:III - Schifrin and Variations	Craig Armstrong: Performer
	Fantastic Four - Main Titles	Craig Armstrong: Performer
	Stargate: Atlantis - Main Title	Craig Armstrong: Performer
	Star Trek Nemesis - Final Fight	Craig Armstrong: Performer
	Night At The Museum - Night at the Museum	Craig Armstrong: Performer
	X-Men: The Last Stand - The Last Stand	Craig Armstrong: Performer
	Evan Almighty - The Flood	Craig Armstrong: Performer
	Four Brothers - Four Brothers	Craig Armstrong: Performer
	Inside Man - Good and Ready	Craig Armstrong: Performer
	24 - Main Title (Orchestral Videogame Version)	Craig Armstrong: Performer
	American Gangster - Frank Lucas	Craig Armstrong: Performer
	Zodiac - Graysmith's Theme	Craig Armstrong: Performer
	Breach - Dangerous World	Craig Armstrong: Performer
	Million Dollar Baby - Blue Morgan (End Credits)	Craig Armstrong: Performer
	An Unfinished Life - Main Title	Craig Armstrong: Performer
	The Lives Of Others - The Invisible Front	Craig Armstrong: Performer
	All The Kings Men - Give Me the Hammer and I'll Nail 'Em UP!	Craig Armstrong: Performer
	Lion For Lambs - Last Shift	Craig Armstrong: Performer
	House Of Sand And Fog - The Waves of the Caspian Sea	Craig Armstrong: Performer
	Sylvia - Opening	Craig Armstrong: Performer
	Hostel II - Suite	Craig Armstrong: Performer
	The Grudge 2 - Ju-On 2	Craig Armstrong: Performer
	The Reaping - The Boy	Craig Armstrong: Performer
	Gothika - Miranda's Theme	Craig Armstrong: Performer
	1408 - Fire!	Craig Armstrong: Performer
	I Know Who Killed Me - Prelude / Reunited	Craig Armstrong: Performer
	The Day After Tomorrow - The Day After Tomorrow	Craig Armstrong: Performer
	I, Robot - I, Robot Theme (End Credits)	Craig Armstrong: Performer

User reviews

Ronald Thomas

6/10

The soundtrack's evocative themes resonate with the themes of loyalty, duty, and sacrifice explored in the storyline.

Melissa Evans

6/10

The music enhances the sense of foreboding and uncertainty surrounding the American government's decisions in the war on terror.

William Turner

10/10

The soundtrack of Lions for Lambs perfectly captures the tension and urgency of the political and military themes portrayed in the film. The music enhances the sense of drama and keeps the audience engaged throughout the intense scenes.

Linda Jones

2/10

The overall sound design of the film, including the placement and volume of the music, seemed haphazard and distracting. At times, the soundtrack overshadowed important dialogues and moments, disrupting the flow of the narrative and making it difficult to fully immerse oneself in the story.

Donna Phillips

7/10

The composition of the music reflects the sense of urgency and conflict present in the narrative, keeping the audience engaged throughout.

Timothy Wilson

7/10

The music enhances the emotional depth of the characters' relationships and struggles, adding a layer of intensity to the storytelling.

Steven Mitchell

5/10

The soundtrack of Lions for Lambs effectively captures the tense and urgent atmosphere of the political thriller.

Donna Williams

8/10

The soundtrack of Lions for Lambs effectively captures the tension and complexity of the political themes portrayed in the film.

Deborah Garcia

6/10

The soundtrack successfully underscores the moral and ethical quandaries faced by the characters, adding a layer of introspection to the narrative.

Daniel Thompson

8/10

The variety of musical styles and tones in the soundtrack mirrors the multifaceted nature of the political issues explored in the film.

Richard Wright

5/10

The use of subtle instrumentation and somber melodies adds depth to the emotional complexity of the characters' dilemmas.

David King

7/10

The soundtrack effectively conveys the moral ambiguity and ethical debates at the heart of the film, adding depth to the overall viewing experience.

Susan Rodriguez

5/10

Overall, the music in Lions for Lambs contributes significantly to the immersive experience of the film, amplifying its themes and emotional impact.

Nancy Hernandez

8/10

The use of instrumental pieces in the soundtrack creates a powerful backdrop for the unfolding drama and the ethical dilemmas faced by the characters.

Carol Jackson

9/10

The use of instrumental pieces in the soundtrack of Lions for Lambs effectively conveys the emotional depth of the characters and the complexity of their decisions. The music elevates the storytelling and adds a layer of depth to the overall viewing experience, making it a truly immersive and impactful cinematic journey.

Michael Thomas

8/10

The emotional resonance of the music enhances the audience's connection to the characters and their struggles, making the storytelling more impactful.

Matthew Perez

8/10

The soundtrack seamlessly transitions between scenes, providing a cohesive and immersive listening experience that complements the on-screen action.

Patricia Green

5/10

The soundtrack's understated yet impactful moments effectively highlight the human cost of war and political machinations.

Emily Phillips

4/10

The choice of musical pieces in the soundtrack did not effectively capture the tension and complexity of the political issues explored in the film. Instead of adding depth and nuance to the story, the music felt generic and uninspired, failing to engage the audience on a deeper level.

George Moore

7/10

The musical score of Lions for Lambs elevates the film to a higher level of cinematic artistry, showcasing the skillful craftsmanship of the composers.

Ronald King

3/10

The soundtrack of Lions for Lambs felt disconnected from the intense and dramatic themes of the movie. The music failed to enhance the emotional impact of key scenes, leaving a sense of emptiness and missed opportunities.

Donald Robinson

5/10

The composition of the music reflects the political intrigue and power struggles depicted in the film, creating a dynamic backdrop for the unfolding drama.

Amanda Clark

8/10

The soundtrack of the film leaves a lasting impression, with memorable melodies and motifs that linger in the minds of the audience even after the film has ended.

Laura Perez

5/10

The use of recurring motifs in the music helps to unify the different narrative threads and characters' arcs, enhancing the overall cohesion of the film.

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