Looking for Comedy in the Muslim World Soundtrack (

Looking for Comedy in the Muslim World Soundtrack (2005) cover

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Rating: 5.50/10 from 3400 votes
Tags: new delhi india

Synopsis

Looking for Comedy in the Muslim World

To improve its quickly-declining global image, the American Senate asks comedian Albert Brooks to write a 500-page document about what makes Muslims in India and Pakistan laugh. Bidding adieu to his wife and young daughter, and accompanied by two government bureaucrats, Albert opens up an office in New Delhi, hires a pretty secretary, Maya, and goes around asking random people what makes them laugh. In general the people eye him suspiciously and refuse to answer any questions. He then decides to go public and stage a comedy show, suggesting old Delhi for the publicity. Accordingly the four re-locate, book a school auditorium to seat about 400 people, go around the city distributing leaflet inviting the general public to attend the show. They get a houseful, but Albert's comedy act fails to impress them. He then decides to try his hand in Pakistan, but is told that he cannot get a visa for another 14 days. He decides to enter Pakistan illegally and meets some wannabe comedians, guarded by armed men, in a secret location near the border. Although he does get to their funny bones, Albert does not get any answers, and returns back to Delhi crestfallen. To make matters worse, Maya informs him that she has enough material to write about 4 pages. Unknown to Albert, his presence in India and his underground trip to Pakistan have not gone unnoticed by the Indian and Pakistani governments, and both plan to increase their troop presence near the volatile border area; and to create more complications for Albert, Maya tells him that she wants to break up with her boyfriend and she thinks telling him she has fallen for Albert will work. Things look up for Albert when Al-Jazeera television invites him for an interview; he attends the meeting with high hopes of entering the Muslim world through this popular TV network.

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Play Title Artist
Looking for Comedy in the Muslim World
There's No Business Like Show Business
Irving Berlin: Writer
Albert Brooks: Performer
Put on a Happy Face
Charles Strouse: Writer
Dick Van Dyke: Performer

User reviews

David Evans
5/10

The music in Looking for Comedy in the Muslim World contributes to the film's overall charm and wit, elevating the viewing experience with its memorable melodies and rhythms.

Sarah Phillips
5/10

The use of traditional Indian and Pakistani instruments in the soundtrack adds authenticity and richness to the overall sound, enhancing the immersion into the setting of the movie.

Charles Mitchell
9/10

The soundtrack of Looking for Comedy in the Muslim World perfectly captures the comedic and adventurous tone of the film. The music enhances the scenes set in India and Pakistan, adding authenticity and vibrancy to the storytelling.

Matthew Lee
5/10

The soundtrack features a variety of styles and genres that reflect the diverse cultural landscape of India and Pakistan, offering a musical tapestry that adds depth to the storytelling.

Patricia Gonzalez
6/10

The soundtrack of Looking for Comedy in the Muslim World effectively captures the comedic and lighthearted tone of the film, adding a layer of humor to the story.

Linda Baker
5/10

The music in the film complements the cultural exploration aspect of the plot, providing a diverse and engaging sonic backdrop to the characters' adventures in India and Pakistan.

Andrew Anderson
5/10

The comedic elements of the film are enhanced by the playful and whimsical musical cues, creating a fun and entertaining atmosphere throughout the movie.

Amanda Young
3/10

The repetitive use of certain musical motifs became tiresome and monotonous, detracting from the overall enjoyment of the film. The soundtrack did not offer any variety or surprises, making it a missed opportunity to enhance the narrative and engage the audience.

Charles Miller
9/10

The use of traditional Indian and Pakistani instruments in the soundtrack is a brilliant touch, immersing the audience in the cultural setting of the movie. The fusion of Western and Eastern musical elements creates a unique and engaging listening experience that complements the on-screen narrative beautifully.

Ronald Nelson
7/10

The soundtrack of Looking for Comedy in the Muslim World perfectly captures the essence of the comedic and adventurous journey of the main character, Albert Brooks, as he navigates through India and Pakistan in search of laughter.

Stephanie Young
6/10

The score successfully conveys the protagonist's journey of self-discovery and cultural understanding, reflecting his experiences and interactions with the people he encounters.

Andrew Scott
7/10

The music in the film effectively sets the tone for each scene, enhancing the humor and the cultural exploration portrayed on screen. It adds depth and emotion to the storytelling, making the overall experience more engaging and enjoyable.

Michael Hill
6/10

Overall, the music in the film serves as a delightful and engaging companion to the narrative, enhancing the themes of cross-cultural communication and the universal language of laughter.

George Hill
8/10

The diverse range of musical styles and sounds in the soundtrack reflects the multicultural backdrop of the film, creating a rich tapestry of sounds that immerses the audience in the vibrant and sometimes challenging world that Albert Brooks finds himself in.

Robert Gonzalez
2/10

The choice of music seemed out of place in many scenes, creating a disjointed and awkward viewing experience. It failed to establish a cohesive atmosphere or support the comedic elements of the film, leaving me disconnected from the storytelling.

Steven Campbell
3/10

I found the soundtrack of Looking for Comedy in the Muslim World to be uninspired and lacking in emotional depth. The music did not enhance the scenes or evoke any strong feelings, making it forgettable overall.

William King
6/10

The soundtrack effectively transitions between comedic moments and more introspective scenes, balancing the tone of the film and guiding the emotional arc of the story.