Marguerite Soundtrack (

Marguerite Soundtrack (2015) cover

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Rating: 7.00/10 from 5700 votes
Tags: revealing the truth
Alternate Names:
Title in Español:

Madame Marguerite
Title in Italiano:

Marguerite
Title in Português:

Marguerite

Synopsis

Marguerite, Baronne Dumont (possibly a nod here to the majestic Margaret Dumont in the Marx Bros films) may have married her husband Georges for his title (and he her for her money) but she genuinely loves him; and her horribly misplaced musical ambition is to make him proud. He, however, addresses her as "vous" throughout the story, and is having an affair with a mutual friend, using his temperamental motor-car "breakdowns" as excuses to miss her singing whenever possible.

Her musical social circle are all too aware that Marguerite lacks any singing talent, but her neighbours enjoy her lavish hospitality; avant-garde poets and performance artists hijack her bizarre renditions for their own ends; and others simply haven't the heart to break hers by telling her the truth, especially as she's helping raise money for war orphans (it's 1920).

Marguerite's butler Madelbos is a keen amateur photographer who intends his shots of her operatic costumed poses to make his name when eventually she performs in public and becomes famous - for the wrong reasons. He even uses photos to blackmail washed-up gay tenor Pezzini to take the job of Marguerite's voice coach, to the despair of Georges who had hoped Pezzini would tell the truth.

Pezzini makes the most of his enforced role, bringing his retinue to stay and putting Marguerite through a variety of bizarre exercises. A benefit concert of solo operatic showpieces is arranged. Just before it, Marguerite discovers Georges' infidelity and is devastated, though dignified. Georges says the affair is now over. He resolves to attend the concert, though dreading the ridicule.

Marguerite begins; the house freezes then collapses into incredulous laughter. But for a few moments, as Marguerite sees Georges in the audience, she sings true: then collapses, coughing blood.

A voice doctor pronounces that her voice just needs rest. But Marguerite is losing touch with reality as her dreams of an international singing career become a reality to her. The doctor records her spoken "memoirs" of concert engagements on a phonograph. Georges decides that the doctor should record Marguerite's singing to shake her out of her delusions; but regrets his decision and dashes to the hospital.

He's delayed by his car - genuinely - breaking down, and arrives just in time to catch Marguerite's fatal collapse as she finally hears the truth. Madelbos captures her last moment of life, cradled at last in Georges' arms.

Download and play the Soundtrack list

Play Title Artist
Marguerite
Au bar de l'Opéra
Ronan Maillard: Writer
Woosang Kim: Performer
Addio del passato
Ouverture
Du zeugtest ein edles Geschlecht
Richard Wagner: Writer
Astrid Varnay: Performer
Man Pasand
Ravi Shankar: Writer
Ravi Shankar: Performer
Toccata and Fugue in D minor, BWV 565
Duo des Fleurs
Léo Delibes: Writer
Fanny Crouet: Performer
Allegro
Antonio Vivaldi: Writer
Le Quatuor Purcell: Performer
Dance for Burgess
Edgard Varèse: Writer
Vesti la giubba
Allemande
Antonio Vivaldi: Writer
Le Quatuor Purcell: Performer
L'Atelier de Touraine
Pierre Bluteau: Performer
Pierre Bluteau: Writer
Come ye sons of Art (Birthday song for Queen Mary)
Henry Purcell: Writer
Marie Favier: Performer
Trois Chansons: Chanson des sirènes, Berceuse des Sirènes, Chanson de la Poire
Arthur Honegger: Writer
Sarah Bloch: Performer
Prelude in C sharp minor, BWV 849
Prelude in E major, BWV 878
Larghetto
Antonio Vivaldi: Writer
Daniel Hope: Performer
Chasing Sheep Is Best Left to Shepherds
Michael Nyman: Performer
Michael Nyman: Writer
Largo
Antonio Vivaldi: Writer
Daniel Hope: Performer
Adagio
Nine nights
Richard Harvey: Performer
Richard Harvey: Writer
Der Hölle Rache
Voi Che Sapete
Casta Diva
Vincenzo Bellini: Writer
Virginie Gattino: Performer
La Marseillaise
Habañera
Georges Bizet: Writer
Virginie Gattino: Performer
Addio del pasato
Giuseppe Verdi: Writer
Daß du mich verstanden
Richard Wagner: Writer
L'amour est un oiseau rebelle
Georges Bizet: Writer

User reviews

Edward Hernandez
8/10

The score skillfully conveys Marguerite's inner turmoil and longing for validation, making her character arc feel poignant and relatable.

Edward Garcia
7/10

The soundtrack's composition and arrangement showcase the talent and expertise of the musicians involved, elevating the film's overall quality and impact.

Sarah Evans
7/10

The music evokes a sense of tragic beauty, reflecting Marguerite's misplaced musical ambitions and her heartbreaking journey towards self-realization.

Carol Smith
1/10

The soundtrack of Marguerite fails to capture the emotional depth and complexity of the story. The music feels disconnected from the characters' struggles and fails to enhance the audience's understanding of their inner turmoil.

Michael Jones
10/10

The music in Marguerite effectively conveys the tension and complexity of the relationships within the film. The use of different musical motifs for each character adds depth and richness to the storytelling, making the audience feel connected to the characters' inner struggles.

Deborah Thomas
8/10

The use of operatic pieces in the soundtrack adds a layer of sophistication and drama to the narrative, creating a compelling atmosphere that draws viewers into Marguerite's world.

Kenneth Mitchell
6/10

While the soundtrack of Marguerite effectively sets the tone for the film, some may find certain musical choices to be a bit overwhelming or melodramatic. The operatic nature of the music may not resonate with all viewers, potentially alienating those who prefer more contemporary or subtle soundtracks. However, the soundtrack undeniably serves its purpose in conveying the tragedy and illusion of Marguerite's character, adding a unique and memorable dimension to the overall cinematic experience.

Kimberly Mitchell
9/10

The soundtrack of Marguerite perfectly captures the emotional turmoil and delusions of the main character, Marguerite. The haunting melodies and dramatic orchestrations enhance the tragic story of a woman with misplaced musical ambitions.

David Hernandez
10/10

The operatic pieces performed in the film are both beautiful and heartbreaking, showcasing the contrast between Marguerite's genuine passion for singing and her lack of talent. The emotional impact of the music lingers long after the film ends, leaving a lasting impression on the listener.

Lisa Rodriguez
5/10

The soundtrack of Marguerite perfectly captures the tragic and delusional journey of the main character. The music enhances the emotional depth of the story, especially during the climactic performance scene where Marguerite's true feelings are revealed through her singing. The blend of operatic pieces and emotionally charged melodies adds a layer of complexity to the narrative, making it a compelling listen that immerses the audience in Marguerite's world.

Karen White
4/10

The overall sound design of Marguerite feels jarring and out of place. The music choices often clash with the tone of the scenes, creating a distracting and disjointed viewing experience that detracts from the storytelling.

Betty Garcia
1/10

The musical compositions in Marguerite come across as uninspired and lackluster. There is a missed opportunity to use the music to create a more immersive and engaging viewing experience, leaving the audience feeling disconnected from the narrative.

Karen Phillips
7/10

Overall, the music in Marguerite plays a vital role in shaping the film's tone and themes, leaving a lasting impression on the audience long after the credits roll.

Lisa White
7/10

The soundtrack of Marguerite perfectly captures the emotional depth and complexity of the storyline, enhancing the audience's connection to the characters and their struggles.