Me and Orson Welles Soundtrack (

Me and Orson Welles Soundtrack (2008) cover

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Rating: 6.70/10 from 12000 votes
Tags: orson welles character
Alternate Names:
Title in Español:

Me and Orson Welles

Title in Italiano:

Me and Orson Welles

Title in Português:

Me and Orson Welles

Synopsis

In November 1937, high school student and aspiring thespian Richard Samuels takes a day trip into New York City. There, he meets and begins a casual friendship with Gretta Adler, their friendship based on a shared love and goal of a profession in the creative arts. But also on this trip, Richard stumbles across the Mercury Theatre and meets Orson Welles, who, based on an impromptu audition, offers Richard an acting job as Lucius in his modern retelling of Julius Caesar, which includes such stalwart Mercury Theatre players as Joseph Cotten and George Coulouris.

Despite others with official roles as producer John Houseman, this production belongs to Welles, the unofficial/official dictator. In other words, whatever Welles wants, the cast and crew better deliver. These requests include everything, even those of a sexual nature. Welles does not believe in conventions and will do whatever he wants, which includes not having a fixed opening date, although the unofficial opening date is in one week's time. In turn, Welles realizes that his name will either be strengthened or ruined in the theater community by this production.

Richard is taken under the wing by the production's Jane-of-All-Trades, Sonja Jones. Known as the Ice Queen by the male cast, Sonja deflects much of the unwanted sexual attention by jokingly implying that she and Richard are having a fling, which Richard wants nothing more than to be the truth. As the end of the week and opening night approaches, Richard, having seen Welles' behavior, has to decide if acting in this production is worth it at any cost.

Download and play the Soundtrack list

Play Title Artist
Me and Orson Welles
This Year's Kisses
Irving Berlin: Writer
Oh Babe! Maybe Someday
Duke Ellington: Writer
Spring is Here
Nice Work If You Can Get It
Jazz Baby (Wheaties)
I'm Shooting High
Have You Met Miss Jones
Alone
Ebb Tide
Sing, Sing, Sing
I'm a Hundred Percent For You
I Can't Give You Anything But Love
Let's Do It
One O'Clock Jump
Let's Pretend There's a Moon
Let Yourself Go
Clarinet Lament
Solitude
I'm Getting Sentimental Over You
Easy Living
Yearning For Love
Scattin at the Kitkat
They Can't Take That Away From Me
Merry Go Round
The Music Goes Round and Round
In a Sentimental Mood (Instrumental)
I Surrender Dear

User reviews

Mark Taylor
8/10

The orchestration and instrumentation choices in the soundtrack are thoughtfully executed, adding layers of complexity to the overall listening experience.

Susan Phillips
8/10

The composition and arrangement of the music in Me and Orson Welles showcase a high level of craftsmanship and attention to detail.

Joseph Johnson
7/10

The soundtrack effectively builds tension and suspense during key moments of the film, keeping the audience engaged and on the edge of their seats.

Michael Scott
8/10

Overall, the soundtrack of Me and Orson Welles is a standout element of the film, enhancing the narrative and providing an emotional anchor for the audience to connect with the characters and their journey.

Kimberly Lopez
7/10

The soundtrack's use of period-appropriate music helps transport viewers back in time and creates a sense of authenticity in the storytelling.

Charles Carter
7/10

The music enhances the storytelling by creating a rich atmosphere that immerses the audience in the world of the Mercury Theatre and Orson Welles.

Donna Martin
7/10

The musical themes in the soundtrack are memorable and help to underscore the themes of ambition, passion, and artistic pursuit explored in the movie.

Timothy Gonzalez
7/10

The soundtrack features a mix of classical and jazz elements that reflect the diverse personalities and dynamics of the characters in the film.

Laura Green
8/10

The soundtrack of Me and Orson Welles perfectly captures the energy and excitement of the creative arts scene in 1937 New York City.

Matthew Wright
5/10

Dorothy Mitchell
8/10

The musical score adds depth and emotional resonance to the character development, particularly highlighting Richard's journey as he navigates the complexities of working with Welles.