Mothra Soundtrack (

Mothra Soundtrack (1961) cover

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Rating: 6.60/10 from 5200 votes

Synopsis

Mothra

A shipping vessel, the Genyu Maru II, is caught in a powerful typhoon that causes it to be shipwrecked on the presumed irradiated isle of Infant Island. A search party finds four of the sailors alive as they are sent to be treated for radiation sickness. Journalist Zenichiro "Snapping Turtle" Fukuda and his photographer Michi Hanamura infiltrate the examination. Miraculously, none of the survivors are contaminated with radiation, which they attribute to the juice provided to them by island natives. The news of natives present on Infant Island surprises the Rolisican government, which presumed the island uninhabited when they conducted hydrogen bomb tests on it. In response, the Rolisican Embassy co-sponsors a joint Japanese-Rolisican expedition to the island. On the expedition are radiation specialist Dr. Harada and linguist Shinichi Chujo, who is reluctantly interviewed by Fukuda and Michi. Prior to the expedition leaving, the journalists spot a shady Rolisican businessman named Clark Nelson. As the voyage is underway, Harada discusses with Chujo over Nelson's controlling attitude. In his room, Nelson discovers Fukuda as a stowaway.

The expedition ship arrives on Infant Island as a team treks through a seemingly desolate and barren landscape. As they head further inland, they are surprised to find an oasis among the barren island. The expedition moves deeper into the jungle as Chujo encounters bizarre mold and is ensnared by a large carnivorous plant. As he struggles, he spots two tiny twin women before he's rescued and sent to the ship to recover. Fukuda talks with Chujo, who nicknames the minuscule women as the Small Beauties, or "Shobijin". The expedition resumes as the rest of the team encounters the Shobijin, small fairies who communicate through song. Nelson attempts to capture them before the rest of the Infant Island natives arrive to drive the expedition away. Fukuda arrives back in Japan as he and Chujo explore Nelson's past, discovering his prior attempts to exploit native women from the Amazon. Chujo then shows Fukuda an inscription he found on Infant Island which repeats a symbol that says, "Mothra". Meanwhile, Nelson has return to Infant Island where he finds and abducts the fairies. As the natives arrive, Nelson and his team proceed to shoot them down and escape. An injured native arrives to a shrine and prays to their mythical deity, Mothra.

Fukuda discovers Nelson has captured the Shobijin and coerced them to preform in front of audiences for his "Secret Fairies Show". Fukuda and Chujo attend as the fairies sing, praying to their god Mothra. Chujo attempts to get Nelson to release the fairies, but Nelson refuses by citing that the fairies are not human, but merely merchandise. Chujo and the journalist manage to meet the captive fairies, who reveal their ability to speak via telepathy. They reveal that Mothra will come to rescue them, but they are worried that innocent people might suffer as she arrives. Back on Infant Island, the natives gather in prayer as Mothra hatches from an enormous egg, revealing a giant larvae.

Fukuda's newspaper begins to accused Nelson of holding the women against their will as Nelson threatens to file a libel suit against the paper. Fukuda warns Nelson that Mothra will come to the fairies' rescue, but Nelson ignores this warning as he continues to exploit the twins for profit. As this occurs, the larvae begins to swim across the Pacific Ocean while accusations from the press start to mount on Nelson, who continues to ignore any responsibility. Chujo heads off to talk to the fairies as Fukuda deals with Nelson's goons. The fairies reveal they are unable to stop Mothra's arrival in Japan, with Chujo attempting to block their telepathic waves with a synthetic material. Mothra continues her voyage as she is attack by the JSDF. The Rolisican government backs Nelson's claims as he assumes Mothra will be destroyed.

Nelson soon discovers his show to be canceled as Mothra is revealed to be alive and attacks a dam on the Japanese mainland. The public and Rolisican government turn on Nelson as he starts to flee with the fairies to Rolisica. Mothra makes her way to Tokyo, undeterred by the Self Defense Force's counterattacks. The larvae crawls onto Tokyo Tower and proceeds to cocoon itself as Nelson boards incognito on a plane to Rolisica. The Rolisican government provides aid to Japan as they attempt to destroy Mothra with Atomic Heat Ray Guns, which Fukuda and Michi observe from a safe distance. Back in Rolisica, Nelson overhears that the Mothra cocoon has been incinerated and is pleased to hear of what he presumes to be the monster's demise.

However, Mothra emerges from the cocoon in her imago form as Chujo realizes that she is flying towards Rolisica. Nelson is frustrated to hear Mothra has survived and annihilated the Rolisican Air Force. He attempts to flee with the fairies as Fukuda, Chujo, and Michi board a plane to Rolisica to catch Him and return the fairies to Infant Island. Mothra soon arrives to the Rolisican capital of New Kirk City as Nelson refuses to capitulate. Nelson is soon confronted by the citizens of Rolisica as he attempts one last escape before he is killed in a shootout with police. Chujo and the journalists soon arrive as they liberate the fairies. Chujo observes the religious significance of Mothra's symbol, which resembles the Christian cross.

Chujo realizes that the symbol can be used to attract Mothra and has it painted on an airport runway. Church bells ring as Mothra stops her rampage and arrives on the airport tarmac. Fukuda, Chujo, and Michi approach Mothra and liberate the Shobijin. The twin fairies thank them for their kindness as they are promised that Infant Island will be left in peace. The fairies join Mothra, who takes flight as everyone bids her farewell. Mothra soon arrives on Infand Island as the meaning of the inscription is revealed, A prayer for peace and prosperity to last for all eternity.

Download and play the Soundtrack list

Play Title Artist
Mothra
Who Killed Teddy Bear? (performedd by Tami Tappan-Damiano)
Ralph Carmichael: Performer
Goody Goody - What's The Matter With Helen? (performed by Lynnette Perry, feat. Zacherley)
Ralph Carmichael: Performer
Look for a Star - Circus of Horrors (performed by Guy Haines)
Ralph Carmichael: Performer
I've Written a Letter to Daddy / What Ever Happened to Baby Jane? - What Ever Happened to Baby Jane? (perrformed by Kath
Ralph Carmichael: Performer
The Faithful Heart - Journey to the Center of the Earth (performed by Rebecca Luker)
Ralph Carmichael: Performer
Hey, You! - The Mummy's Curse
Ralph Carmichael: Performer
Faro-La, Faro-Li (Song of the New Wine) - Frankenstein Meets the Wolf Man (performed by Judy Kaye and The Scarlettes)
Ralph Carmichael: Performer
Hush... Hush, Sweet Charlotte (performed by Christiane Noll)
Ralph Carmichael: Performer
Jeepers Creepers (performed by Sharon McNight)
Ralph Carmichael: Performer
The Blob (performed by Alison Fraser)
Ralph Carmichael: Performer
Aurora - Hold That Ghost (performed by Michelle Nicastro)
Ralph Carmichael: Performer
Mothra's Song - (performed by Theresa Finamore and Juliana A. Hansen)
Ralph Carmichael: Performer
You're My Living Doll - Attack of the Puppet People (performed by Susan Gordon)
Ralph Carmichael: Performer
Stella by Starlight - The Uninvited (performed by Brent Barrett)
Ralph Carmichael: Performer
Was a Teenage Horror Medley (You Gotta Have Eee-Ooo - How to Make a Monster / Eeny Meeny Miney Moe - I Was a Teenage Wer
Ralph Carmichael: Performer
Footsteps FX
Akira Ifukube: Performer
Godzilla Main Title
Akira Ifukube: Performer
Ootojima Temple Festival
Akira Ifukube: Performer
Japanese Army march
Akira Ifukube: Performer
Godzilla Comes Ashore
Akira Ifukube: Performer
Godzillas Rampage
Akira Ifukube: Performer
Ending
Akira Ifukube: Performer
Main Title
Akira Ifukube: Performer
Helicopter / Man Screams / SOS FX
Akira Ifukube: Performer
King Kong Roars FX
Akira Ifukube: Performer
Planning King Kongs Transport
Akira Ifukube: Performer
Mothras Song
Akira Ifukube: Performer
Mothra FX
Akira Ifukube: Performer
Sacred Springs
Akira Ifukube: Performer
Main Title / Monsters Appear In Yokohama
Akira Ifukube: Performer
UFO Approaches / Monsters Fight FX / Monster Battle March (MainTitle)
Akira Ifukube: Performer
Godzila Vs. Kumonga
Akira Ifukube: Performer
Godzilla FX / Toho Mark / Main Title
Akira Ifukube: Performer
Title Credits
Akira Ifukube: Performer
Four Monsters Attack Tokyo
Akira Ifukube: Performer
Destroying The Remote Control
Akira Ifukube: Performer
Showdown On Mt. Fuji
Akira Ifukube: Performer
Cute Kid Theme / Monster Fight
Akira Ifukube: Performer
Godzillas Fight
Akira Ifukube: Performer
Main Title Repeat
Akira Ifukube: Performer
Godzilla March - Record Version
Akira Ifukube: Performer
Jet Jaguar / Megalon FX
Akira Ifukube: Performer
Godzilla Of Monster Island
Akira Ifukube: Performer
MechaGodzilla FX
Akira Ifukube: Performer
Godzilla Vs. Anguiras
Akira Ifukube: Performer
Miyarabis Prayer
Akira Ifukube: Performer
MechaGodzilla II
Akira Ifukube: Performer
Godzillas Entrance
Akira Ifukube: Performer
Theme From Godzilla
Akira Ifukube: Performer

User reviews

Patricia Adams
6/10

The soundtrack's ability to convey a wide range of emotions, from sorrow and despair to hope and triumph, showcases the skillful craftsmanship and emotional resonance of the composer.

Kimberly Scott
6/10

Overall, the soundtrack of Mothra is a masterpiece of film scoring that enhances the narrative, characters, and themes of the movie, leaving a lasting impact on the listener long after the credits roll.

Carol King
7/10

The soundtrack of Mothra is a true masterpiece that perfectly captures the sense of wonder and mystery of the film.

Matthew Scott
5/10

The soundtrack of Mothra is a captivating mix of traditional Japanese melodies and epic orchestral arrangements that perfectly complement the film's themes of nature, spirituality, and redemption.

James Martin
1/10

The music lacked depth and emotion, failing to capture the epic scale and tension of the storyline.

Steven Garcia
5/10

The emotional depth and range of the soundtrack evoke a sense of empathy and connection with the characters, especially the Small Beauties, as they struggle against exploitation and seek justice and freedom.

Elizabeth Smith
5/10

The triumphant and heroic motifs in the soundtrack mirror Mothra's journey from a humble egg to a powerful force of nature, symbolizing hope, resilience, and the power of unity.

Robert Smith
10/10

The soundtrack of Mothra is truly captivating and enhances the emotional depth of the film with its powerful orchestral compositions.

Susan Brown
2/10

The lackluster soundtrack ultimately detracted from the overall viewing experience, leaving much to be desired in terms of musical accompaniment for such a grand narrative.

Elizabeth Hernandez
9/10

Each track in the soundtrack skillfully builds tension and suspense during the climactic moments of the film, keeping the audience on the edge of their seats and fully immersed in the unfolding events.

Margaret Wright
8/10

The emotional themes in the music resonate deeply, particularly during the moments of sacrifice and heroism, creating a powerful and moving experience for the audience.

Nancy Walker
5/10

The use of choir and vocal performances in the soundtrack adds a celestial quality to the music, emphasizing the divine nature of Mothra and the spiritual themes of the story.

Richard Anderson
4/10

The compositions felt repetitive and uninspired, failing to enhance the dramatic moments of the film.

Carol Martin
3/10

Overall, I believe the soundtrack of Mothra fell short of elevating the film to its full potential.

Kenneth Green
5/10

The haunting vocals and ethereal instrumentation in the soundtrack create a sense of mysticism and wonder, transporting the listener to the mythical world of Infant Island and the awe-inspiring presence of Mothra.

Deborah Robinson
8/10

The music evokes a sense of adventure and excitement that enhances the storytelling and immerses the audience in the world of Infant Island and the mythical creature Mothra.

Timothy Evans
8/10

The use of traditional Japanese instruments in the soundtrack adds an authentic and cultural depth to the film, enhancing the connection to the setting and characters.

Karen Roberts
10/10

The use of traditional Japanese instruments blended with modern symphonic elements creates a unique and memorable sound that elevates the overall cinematic experience of Mothra to a whole new level.

Joseph Wilson
3/10

I found the soundtrack of Mothra to be quite disappointing.

John Turner
5/10

The use of traditional Japanese instruments like the shamisen and taiko drums adds an authentic and cultural dimension to the music, enhancing the film's setting and atmosphere.

Emily Davis
6/10

The dynamic and intense compositions during the action sequences effectively build tension and excitement, immersing the audience in the high-stakes battles between Mothra and her adversaries.

Brian Baker
9/10

Overall, the soundtrack of Mothra is a masterful composition that adds depth, emotion, and intensity to the film, making it a truly unforgettable musical experience.

Jennifer Evans
9/10

The music perfectly captures the sense of wonder and awe as Mothra hatches from her egg and embarks on her journey to rescue the fairies, evoking a feeling of hope and determination.