• Psycho II (1983) Soundtrack OST •

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Rating: 6.60/10 from 31000 votes

Tags: norman bates, norman bates character

Alternate Names:

Title in Español:

Psicosis II: El regreso de Norman

Title in Italiano:

Synopsis

It's 22 years later. And Norman Bates is coming home.

After being judged as "legally sane" in a court of law, Norman Bates is released from a mental institution, against the protests of Lila Loomis (the sister of Marion Crane).

Upon his return to his home (and the motel which lays in its shadow) Norman strikes up a friendship with Mary, a waitress at a local diner.

Just as he tries to adjust back to normality, the murders around the site of the Bates Motel.

Has Mrs. Bates returned to pull Norman's strings again, or is the bloodbath someone else's handy work?

Download and play the Soundtrack list

Play	Title	Artist
	Psycho II
	Piano Sonata Op. 27, No. 2 'Moonlight'	Ludwig van Beethoven: Writer Anthony Perkins: Played
	Piano Sonata Op. 13 'Pathétique'	Ludwig van Beethoven: Writer Anthony Perkins: Played and whistled
	The Murder (Bernard Herrmann)	Jerry Goldsmith: Performer
	Psycho II – Main Title	Jerry Goldsmith: Performer
	The House	Jerry Goldsmith: Performer
	Mother's Hand	Jerry Goldsmith: Performer
	Old Weapons	Jerry Goldsmith: Performer
	Cheese Sandwich	Jerry Goldsmith: Performer
	Mother's Room	Jerry Goldsmith: Performer
	Out To Lunch	Jerry Goldsmith: Performer
	No Note	Jerry Goldsmith: Performer
	The Peep Hole	Jerry Goldsmith: Performer
	Toomy's Death	Jerry Goldsmith: Performer
	Peep Hole #2 (Revised)	Jerry Goldsmith: Performer
	Mother's Room #2	Jerry Goldsmith: Performer
	Basement Killing	Jerry Goldsmith: Performer
	New Furniture	Jerry Goldsmith: Performer
	It's Starting Again	Jerry Goldsmith: Performer
	A Night Cap	Jerry Goldsmith: Performer
	Blood Bath	Jerry Goldsmith: Performer
	Don't Take Me	Jerry Goldsmith: Performer
	She's Not Dead	Jerry Goldsmith: Performer
	Hello Mother	Jerry Goldsmith: Performer
	The Cellar	Jerry Goldsmith: Performer
	It's Not Your Mother	Jerry Goldsmith: Performer
	Expected Guest	Jerry Goldsmith: Performer
	Psycho II – End Title (Revised)	Jerry Goldsmith: Performer
	EXTRAS: Sonata #14	Jerry Goldsmith: Performer
	Sonata #8	Jerry Goldsmith: Performer
	Peep Hole #2 (Original)	Jerry Goldsmith: Performer
	Mother's Room #2 (Alternate No. 1)	Jerry Goldsmith: Performer
	Mother's Room #2 (Alternate No. 2)	Jerry Goldsmith: Performer
	Psycho II – End Title (Original Version)	Jerry Goldsmith: Performer
	Main Title	Jerry Goldsmith: Performer
	End Title	Jerry Goldsmith: Performer
	SIDE ONE: The Murder (Composed by Bernard Herrmann)	Jerry Goldsmith: Performer
	SIDE TWO: New Furniture	Jerry Goldsmith: Performer
	Judge Dredd - Trailer (arr. John Beal)	Jerry Goldsmith: Performer
	Seven Days in May - Complete Score Suite (arr. Dominik Hauser, Drums: Kurt Walther)	Jerry Goldsmith: Performer
	FILM NOIR SUITE: Chinatown - End Credits (arr. Dominik Hauser, Trumpet: Roy Wiegand)	Jerry Goldsmith: Performer
	The Detective - The Dark Song (Solo Piano performed by Mark Northam)	Jerry Goldsmith: Performer
	Shamus - Main Title (Arr. Dominik Hauser)	Jerry Goldsmith: Performer
	Two Days in the Valley -Unused Main Theme (arr. Dominik Hauser, Trumpet: Roy Wiegand)	Jerry Goldsmith: Performer
	THRILLERS: The List of Adrian Messenger - Main Theme (arr. Chaz Grossman)	Jerry Goldsmith: Performer
	Sebastian - Comes The Night (arr. Dominik Hauser, Trumpet: Roy Wiegand)	Jerry Goldsmith: Performer
	The Vanishing - No Coffee (End Credits) (arr. Dominik Hauser, Piano: John Rosenber)	Jerry Goldsmith: Performer
	The Sum of All Fears - If We Could Remember (arr. Dominik Hauser)	Jerry Goldsmith: Performer
	LOST LOVE: A Patch of Blue - Main Theme (arr. Dominik Hauser, Trumpet: Roy Wiegand)	Jerry Goldsmith: Performer
	The Sand Pebbles -And We Were Lovers (arr. Dominik Hauser, Cello: Peggy Baldwin)	Jerry Goldsmith: Performer
	Players - Meant To Be (Love Theme) (Solo Piano performed by Mark Northam)	Jerry Goldsmith: Performer
	Papillon - Free As The Wind (arr. Dominik Hauser)	Jerry Goldsmith: Performer
	The Way West - Toccata for Solo Guitar (arr. Gregg Nestor)	Jerry Goldsmith: Performer
	Rio Lobo - Main Title (arr. Gregg Nestor)	Jerry Goldsmith: Performer
	Rio Conchos: Main Title (arr. Chuck Cirino)	Jerry Goldsmith: Performer
	Hollister: Brotherhood of the Gun - Main Theme (arr. Dominik Hauser, Trumpet, Roy Wiegand)	Jerry Goldsmith: Performer
	FLIGHTS OF FANTASY: Warlock: The Sentence (arr. Joohyun Park)	Jerry Goldsmith: Performer
	Psycho 2 - Main Theme (arr. Joohyun Park)	Jerry Goldsmith: Performer
	The Omen - The Piper Dreams (arr. Dominik Hauser)	Jerry Goldsmith: Performer
	The Illustrated Man - Main Title (arr. Dominik Hauser, Vocals: Katie Campbell)	Jerry Goldsmith: Performer
	Poltergeist - Carol Ann's Theme (arr. Dominik Hauser, Vocals: Katie Campbell)	Jerry Goldsmith: Performer
	Mother's Hand	Jerry Goldsmith: Performer
	Mother's Room	Jerry Goldsmith: Performer
	Toomy's Death	Jerry Goldsmith: Performer
	Mother's Room #2	Jerry Goldsmith: Performer
	It's Starting Again	Jerry Goldsmith: Performer
	Don't Take Me	Jerry Goldsmith: Performer
	She's Not Dead	Jerry Goldsmith: Performer
	It's Not Your Mother	Jerry Goldsmith: Performer
	Mother's Room #2 (Alternate No. 1)	Jerry Goldsmith: Performer
	Mother's Room #2 (Alternate No. 2)	Jerry Goldsmith: Performer
	Poltergeist - Carol Ann's Theme (arr. Dominik Hauser, Vocals: Katie Campbell)	Jerry Goldsmith: Performer

User reviews

Joshua Campbell

7/10

The use of recurring motifs and themes in the music helps to create a sense of foreboding and impending danger, heightening the suspense.

Emily Rodriguez

5/10

The use of recurring motifs in the soundtrack of Psycho II creates a sense of continuity with the original film while also introducing new elements that reflect Norman Bates' evolving character.

Joshua Brown

6/10

The haunting melodies in the soundtrack of Psycho II mirror the inner turmoil and psychological struggle of Norman Bates, adding depth to the character and the overall narrative.

Paul Lee

7/10

The seamless integration of sound effects and musical cues in the score contributes to a more immersive and immersive viewing experience.

Dorothy Carter

10/10

The use of iconic themes from the original Psycho film in the soundtrack of Psycho II creates a sense of continuity and nostalgia for fans of the franchise. It cleverly incorporates familiar melodies in new and unexpected ways, adding depth to the overall viewing experience.

Charles White

8/10

The music expertly captures the inner turmoil and conflict within Norman Bates' character, adding a nuanced emotional depth to the narrative.

Edward Brown

1/10

I found the soundtrack for Psycho II to be underwhelming and uninspired. The music failed to capture the suspense and tension that the original film's soundtrack was known for. The lack of memorable themes or motifs made the music forgettable and did not enhance the overall viewing experience.

Andrew Clark

8/10

The soundtrack effectively underscores the psychological thriller elements of the film, enhancing the audience's emotional investment in the story.

Brian King

9/10

The soundtrack of Psycho II perfectly captures the eerie and suspenseful atmosphere of the film. The music enhances the tension and keeps the audience on the edge of their seats throughout the movie.

Joshua Nelson

8/10

The eerie and suspenseful atmosphere created by the soundtrack perfectly complements the dark and twisted storyline of Psycho II.

Melissa Moore

5/10

The music in Psycho II effectively builds tension and adds layers of complexity to the storyline, enhancing the psychological thriller aspect of the film.

Emily Campbell

5/10

Overall, the soundtrack of Psycho II is a masterful composition that not only complements the on-screen action but also stands on its own as a powerful and evocative musical work.

Richard Green

8/10

Overall, the soundtrack of Psycho II is a masterful composition that elevates the film to a whole new level of intensity and intrigue.

Ronald Harris

4/10

Additionally, I felt that the score lacked originality and relied too heavily on recreating the iconic music from the original Psycho film. This made the soundtrack feel like a cheap imitation rather than a fresh interpretation that could stand on its own. The repetitive use of familiar musical cues became tiresome and detracted from the impact of the new story being told in Psycho II.

Carol Wright

7/10

The orchestration and instrumentation choices in the soundtrack add layers of complexity and depth to the overall listening experience.

Emily Perez

10/10

The composer's skillful blending of traditional orchestral elements with modern electronic sounds gives the soundtrack a unique and contemporary flair. This fusion of styles adds a fresh and innovative touch to the music, making it stand out in the world of horror film soundtracks.

Donald Scott

4/10

Overall, I was disappointed with the soundtrack of Psycho II as it failed to live up to the high expectations set by its predecessor. The music felt like a missed opportunity to elevate the suspense and horror of the film, leaving me feeling unsatisfied with the overall audio experience.

Emily Anderson

7/10

The use of haunting melodies and dissonant chords effectively enhances the psychological tension throughout the film.

Michael Adams

8/10

The memorable leitmotifs woven into the score help to build a sense of continuity and connection with the original Psycho film.

Emily Lewis

5/10

The soundtrack of Psycho II perfectly captures the eerie atmosphere of Norman Bates' return to his home after 22 years, setting a suspenseful tone that keeps you on edge throughout the movie.