John Shaft, a private detective living in New York City, is informed that some gangsters are looking for him. Police Lt. Vic Androzzi meets Shaft and unsuccessfully tries to get information from him on the two gangsters. After Androzzi leaves, Shaft spots one of the men waiting for him in his office building. He commandeers the first gangster, forcing him into his office where the second gangster is waiting. After a quick fight, Shaft dodges one of them who goes out the window, while the other surrenders and reveals to him that Bumpy Jonas, the leader of a Harlem-based organized crime family, wanted Shaft brought uptown to Harlem for a meeting.
At the police station, Shaft lies to Lt. Androzzi and the detective assigned to the second gangster's death at Shaft's office, by saying that his friend was in an "accident". He is allowed to return to the streets for 48 hours before the police decide to question him again. Shaft arranges a meeting with Bumpy, the leader of these gangsters, in his office. It turns out Bumpy's daughter has been kidnapped, and Shaft is asked to ensure her safe return.
After tracking down Ben Buford as Bumpy suggested, a big shoot out ensues; Shaft is told by Vic after the shooting that Shaft himself, and not Ben, was the target, and that tensions brewing between the uptown hoods belonging to Bumpy Jonas and the downtown Mafiosi have culminated in a couple of murders. But the perception is black against white to the general public, with the possibility of an escalation into full-blown race war on the streets of the city. He also shows Shaft some pictures of two of the Mafia men who just arrived in New York. Vic begs Shaft to explain what's going on, although Vic already knew Bumpy was looking for Shaft.
Streetwise, Shaft surmises that mobsters are watching his pad from a local bar. Shaft pretends to be a barkeep and calls the police to have the mobsters arrested. Shaft later goes to the police station to set a meeting to find where Bumpy's daughter is being held captive.
Vic tells Shaft that the room that he was in at the station house was bugged and he is supposed to bring him in for questioning, but instead leaves. Ben and Shaft go to the apartment where Marcy Jonas is being held to make sure she's alive. Once there, a gunfight ensues during which two hoods get killed and Shaft takes a bullet in the shoulder.
Shaft goes home and receives medical attention from a doctor working underground with him. Shaft tells Ben to round up his men and meet him at the hotel where Marcy has been taken, to prepare to get her back. He also calls Bumpy to tell him his daughter is fine and he is going to need some taxicabs to meet him at the hotel for the getaway.
Shaft's plan resembles a military commando-style operation. That evening, Ben's men all dress as hotel workers to avoid arousing suspicion. Shaft and one of Ben's men go to the roof and prepare to enter the room where Marcy is being held captive. Shaft's plan is to cause a distraction with an explosive thrown through the window of Marcy's room while Ben and his men come down the hall and deal with the Mafia men as they leave their rooms.
The rescue plan is successful. Marcy is spirited out of the hotel into one of the waiting taxicabs. As the others get away in the remaining cabs, Shaft walks to a phone booth to call Vic. Shaft informs Vic as a result of the rescue there will be a huge mess to fix between the uptown crew and the mob in the near future. Vic says to close it for him, meaning he wants Shaft to fix the trouble. Shaft replies, "You're gonna have to close it yourself shitty" then hangs up the phone as he walks away laughing.
Play | Title | Artist |
---|---|---|
Shaft
|
||
Theme From Shaft
|
Isaac Hayes:
Performer
|
|
Bumpy's Lament
|
Isaac Hayes:
Performer
|
|
Walk From Regio's
|
Isaac Hayes:
Performer
|
|
Ellie's Love Theme
|
Isaac Hayes:
Performer
|
|
Shaft's Cab Ride
|
Isaac Hayes:
Performer
|
|
Café Regio's
|
Isaac Hayes:
Performer
|
|
Early Sunday Morning
|
Isaac Hayes:
Performer
|
|
Be Yourself
|
Isaac Hayes:
Performer
|
|
A Friend's Place
|
Isaac Hayes:
Performer
|
|
Soulsville
|
Isaac Hayes:
Performer
|
|
No Name Bar
|
Isaac Hayes:
Performer
|
|
Bumpy's Blues
|
Isaac Hayes:
Performer
|
|
Shaft Strikes Again
|
Isaac Hayes:
Performer
|
|
Do Your Thing
|
Isaac Hayes:
Performer
|
|
The End Theme
|
Isaac Hayes:
Performer
|
|
Disc Time:
|
Isaac Hayes:
Performer
|
|
Shaft's First Fight
|
Isaac Hayes:
Performer
|
|
Reel 2 Part 2 / Cat Oughta Be Here
|
Isaac Hayes:
Performer
|
|
I Can't Get Over Losin' You
|
Isaac Hayes:
Performer
|
|
Reel 4 Part 6
|
Isaac Hayes:
Performer
|
|
Reel 5 Part 1
|
Isaac Hayes:
Performer
|
|
Bumpy's Lament (Reprise)
|
Isaac Hayes:
Performer
|
|
Shaft's Pain
|
Isaac Hayes:
Performer
|
|
Rescue / The End Theme
|
Isaac Hayes:
Performer
|
|
Bumpy's Theme (Bumpy's Lament)
|
Isaac Hayes:
Performer
|
|
Harlem Montage (Soulsville)
|
Isaac Hayes:
Performer
|
|
Love Scene Ellie (Ellie's Love Theme)
|
Isaac Hayes:
Performer
|
|
Shaft's Cab Ride / Shaft Enters Building
|
Isaac Hayes:
Performer
|
|
I Can't Get Over Losing You
|
Isaac Hayes:
Performer
|
|
Reel 5 Part 2 (A Friend's Place)
|
Isaac Hayes:
Performer
|
|
Source No. 1 - 6m1a (Bumpy's Blues)
|
Isaac Hayes:
Performer
|
|
Source No. 1 - 6m1b (Bumpy's Lament)
|
Isaac Hayes:
Performer
|
|
Source No. 1 - 6m1c (Early Sunday Morning)
|
Isaac Hayes:
Performer
|
|
Source No. 2 - 7m1a (Do Your Thang)
|
Isaac Hayes:
Performer
|
|
Source No. 2 - 7m1b (Be Yourself)
|
Isaac Hayes:
Performer
|
|
Source No. 2 - 7m1c (No Name Bar)
|
Isaac Hayes:
Performer
|
|
Shaft Strikes Again / Return Of Shaft
|
Isaac Hayes:
Performer
|
|
Source No. 3 (Caffe Reggio)
|
Isaac Hayes:
Performer
|
|
Shaft's Walk To Hideout (Walk From Reggio)
|
Isaac Hayes:
Performer
|
|
Rescue / Roll Up
|
Isaac Hayes:
Performer
|
|
BONUS TRACK: Theme From The Men
|
Isaac Hayes:
Performer
|
|
SHAFT'S BIG SCORE!: Type Thing
|
Isaac Hayes:
Performer
|
|
SHAFT'S BIG SCORE!: Blowin' Your Mind (Main Title)
|
Isaac Hayes:
Performer
|
|
The Other Side
|
Isaac Hayes:
Performer
|
|
Smart Money
|
Isaac Hayes:
Performer
|
|
The Search / Sad Circles
|
Isaac Hayes:
Performer
|
|
Asby-Kelly Man
|
Isaac Hayes:
Performer
|
|
First Meeting
|
Isaac Hayes:
Performer
|
|
Don't Misunderstand
|
Isaac Hayes:
Performer
|
|
Fight Scene
|
Isaac Hayes:
Performer
|
|
Ike's Place
|
Isaac Hayes:
Performer
|
|
Move On In
|
Isaac Hayes:
Performer
|
|
8m1 / 8m2
|
Isaac Hayes:
Performer
|
|
Funeral Home
|
Isaac Hayes:
Performer
|
|
Don't Misunderstand (Instrumental)
|
Isaac Hayes:
Performer
|
|
9M3
|
Isaac Hayes:
Performer
|
|
Symphony For Shafted Souls (Take Off / Dance Of The Cars / Water Ballet / Call And Response / The Last Amen)
|
Isaac Hayes:
Performer
|
|
End Title
|
Isaac Hayes:
Performer
|
|
Don't Misunderstand - Demo
|
Isaac Hayes:
Performer
|
|
TV SERIES - THE EXECUTIONERS: Courtroom / Leaving Court
|
Isaac Hayes:
Performer
|
|
Dawson's Trial
|
Isaac Hayes:
Performer
|
|
Shaft Leaves Barbara / East River / He's Dead, Barb / Cunningham's Breakfast
|
Isaac Hayes:
Performer
|
|
Visiting Jane / Act End / Jury Meets
|
Isaac Hayes:
Performer
|
|
Cars And Bridge
|
Isaac Hayes:
Performer
|
|
Leaving Airfield / Shaft Checks Hospital
|
Isaac Hayes:
Performer
|
|
Shaft Gets Shot / Shaft In Car
|
Isaac Hayes:
Performer
|
|
Night Blues
|
Isaac Hayes:
Performer
|
|
Day Blues
|
Isaac Hayes:
Performer
|
|
Pimp Gets Shot
|
Isaac Hayes:
Performer
|
|
Handle It / Follow Cunningham
|
Isaac Hayes:
Performer
|
|
Shaft Escapes / Stalking Menace
|
Isaac Hayes:
Performer
|
|
End Theme
|
Isaac Hayes:
Performer
|
|
TV SERIES - THE KILLING: Opening
|
Isaac Hayes:
Performer
|
|
Diana In Hospital
|
Isaac Hayes:
Performer
|
|
Window Shop / Leaving Hospital / Ciao
|
Isaac Hayes:
Performer
|
|
Restaurant Scene / Punchin' Sonny
|
Isaac Hayes:
Performer
|
|
Hotel Room
|
Isaac Hayes:
Performer
|
|
Diana Splits / Booking Shaft
|
Isaac Hayes:
Performer
|
|
Shaft Gets Sprung / Searchin'
|
Isaac Hayes:
Performer
|
|
Pimps / Lick Her Store / Wettin' His Hand / Diana Ducks Out
|
Isaac Hayes:
Performer
|
|
Juke Box / Hands In The Box
|
Isaac Hayes:
Performer
|
|
Shaft
|
Isaac Hayes:
Performer
|
|
Iggie's Tail
|
Isaac Hayes:
Performer
|
|
Kyle Goes Down / Case Dismissed
|
Isaac Hayes:
Performer
|
|
TV SERIES - HIT-RUN: Opening
|
Isaac Hayes:
Performer
|
|
He's The Best / Reenact / Good Day
|
Isaac Hayes:
Performer
|
|
Travel Shaft
|
Isaac Hayes:
Performer
|
|
Coffin Time
|
Isaac Hayes:
Performer
|
|
To The Club
|
Isaac Hayes:
Performer
|
|
Ann Appears / Shaft Gets It
|
Isaac Hayes:
Performer
|
|
Jacquard
|
Isaac Hayes:
Performer
|
|
Dart Board / Kissin' Time
|
Isaac Hayes:
Performer
|
|
Omelette
|
Isaac Hayes:
Performer
|
|
Cheek Pat / Don't Shoot / Shaft's Move
|
Isaac Hayes:
Performer
|
|
Funny Time
|
Isaac Hayes:
Performer
|
|
At The Club
|
Isaac Hayes:
Performer
|
|
Ending
|
Isaac Hayes:
Performer
|
|
TV SERIES - THE KIDNAPPING: Chasin' Shaft
|
Isaac Hayes:
Performer
|
|
Sleep, Dog, Sleep
|
Isaac Hayes:
Performer
|
|
Here Comes The Fuzz
|
Isaac Hayes:
Performer
|
|
I Said Goodnight / Walkie Talkie
|
Isaac Hayes:
Performer
|
|
Shoot Out
|
Isaac Hayes:
Performer
|
|
TV SERIES - THE COP KILLERS: Rossi Gets It / Hospital / Who The Hell Are You
|
Isaac Hayes:
Performer
|
|
Honky Horn
|
Isaac Hayes:
Performer
|
|
Sleeping Pigs
|
Isaac Hayes:
Performer
|
|
Splash Time
|
Isaac Hayes:
Performer
|
|
Shaft Gets It
|
Isaac Hayes:
Performer
|
|
Vacate The Van
|
Isaac Hayes:
Performer
|
|
Fork Lift
|
Isaac Hayes:
Performer
|
|
Shaft Theme (End Credit Version)
|
Isaac Hayes:
Performer
|
|
Cafe Regio's
|
Isaac Hayes:
Performer
|
|