• The Captor (2018) Soundtrack OST •

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Rating: 6.10/10 from 15000 votes

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Synopsis

Stockholm is a semi-fictional account, including most of the names of the players being changed, of the event that resulted in the creation of the term Stockholm Syndrome to describe people who feel empathy and sometimes more for their captor(s) is presented.

In 1973, a lone armed man, thought to be American, storms the downtown Stockholm branch of Kreditbanken. Ultimately the authorities, led by Chief of Police Mattsson learn of his at-gunpoint demand: $1 million US, the release of convicted bank robber and murderer Gunnar Sorensson, and a Mustang Boss 302 like the one Steve McQueen drove in Bullitt (1968) as a getaway vehicle for the two of them.

By the time Mattsson gets Sorensson to the bank - unknown to the gunman, who is thought to be well known robber Kaj Hansson, Sorenson having made a plea deal with Mattsson for his cooperation against the gunman - there are three hostages at the bank, all the others that were in the bank at the time let go.

Arguably the most lucid of the three is bank clerk Bianca Lind, a wife and mother of two preschool aged children. Ultimately she is able to figure out that the gunman is not Hansson as Mattsson suspects, but rather Lars Nystrom, what she knowing of his past crimes chief being his humane treatment of people he held at gunpoint.

Beyond what Sorensson decides to do with his ultimate goal not to go back to prison, what happens largely depends on Lind, who begins to trust Nystrom more than either Mattsson or Prime Minister Olof Palme whose actions and decisions she believes from what she can see are more of a potential physical detriment to her and her fellow two hostages than that of Nystrom.

Download and play the Soundtrack list

Play	Title	Artist
	The Captor
	New Morning	Bob Dylan: Performer Bob Dylan: Writer
	Tomorrow Is A Long Time	Bob Dylan: Performer Bob Dylan: Writer
	Tonight I'll Be Staying Here With You	Bob Dylan: Performer Bob Dylan: Writer
	To Be Alone With You	Bob Dylan: Performer Bob Dylan: Writer

User reviews

Patricia Hall

8/10

The incorporation of different musical styles and instruments in the score reflects the changing dynamics and shifting power dynamics between the characters, creating a captivating auditory experience for the viewers.

Emily Rodriguez

4/10

The musical choices in The Captor did not effectively convey the psychological complexity of Stockholm Syndrome and the relationships between the characters. The score felt disconnected from the narrative, failing to immerse the audience in the unfolding drama of the story.

Linda Lee

7/10

The use of sound cues and motifs in the soundtrack adds depth to the characters' inner struggles and evolving relationships throughout the film.

Carol Taylor

1/10

The soundtrack of The Captor missed an opportunity to create a memorable and impactful auditory experience. The music felt forgettable and unremarkable, failing to leave a lasting impression on the viewer and adding little to the overall atmosphere of the film.

Timothy Lee

6/10

The soundtrack's ability to build tension and suspense is commendable, keeping the audience on the edge of their seats.

Kenneth Smith

6/10

The use of subtle, eerie tones in the music enhances the psychological aspect of the story.

George Lopez

5/10

The choice of instruments and melodies creates a sense of unease and anticipation throughout the movie.

Kimberly Lee

6/10

The soundtrack effectively conveys the emotional turmoil experienced by the characters in the film.

Ashley White

8/10

The music effectively enhances the suspenseful atmosphere of the bank robbery, keeping the audience on the edge of their seats.

Ashley Allen

6/10

Overall, the music in The Captor is an integral part of the storytelling, enhancing the viewing experience and leaving a lasting impression.

Anthony Clark

3/10

The soundtrack of The Captor failed to capture the tension and intensity of the hostage situation depicted in the film. The music felt generic and uninspired, lacking the emotional depth needed to enhance the viewer's experience.