The Church Soundtrack (

The Church Soundtrack (1989) cover

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Rating: 6.20/10 from 8800 votes
Tags: mounted knight, wicker mask
Alternate Names:
Title in Español:

El engendro del diablo

Title in Italiano:

La chiesa

Title in Português:

A Catedral

Synopsis

In the Middle Ages, the Knights Templar invade a supposed coven of witches and they slaughter the community. They dig an unholy collective grave, bury the bodies, and build a church on the top of the corpses.

Centuries later, librarian Evan is hired the organize the church's books and meets Lisa, an archaeologist who is researching the church's catacombs. He accidentally unleashes, and is possessed by, an ancient demon. Sooner several visitors are trapped inside the church and possessed by demons.

Father Gus and teenage Lotte are the only persons that are not possessed, and Father Gus discovers a secret in the construction of the church that might be the last chance to save humanity.

Download and play the Soundtrack list

Play Title Artist
The Church
Floe
Philip Glass: Writer
Martin Goldray: Performer
Civil Wars
Philip Glass: Writer
Goblin: Performer
Imagination
Simon Boswell: Writer
Simon Boswell: Performer
The church (main theme) (Emerson)
Keith Emerson: Performer
La chiesa (Pignatelli)
Keith Emerson: Performer
Prelude 24 (Bach - arr. Emerson)
Keith Emerson: Performer
Possessione (Pignatelli)
Keith Emerson: Performer
La chiesa (suite) (Pignatelli)
Keith Emerson: Performer
The possession (Emerson)
Keith Emerson: Performer
Lotte (Pignatelli)
Keith Emerson: Performer
The church revisited (Emerson)
Keith Emerson: Performer
Suspence chiesa 1 (Pignatelli)
Keith Emerson: Performer
Suspence chiesa 2 (Pignatelli)
Keith Emerson: Performer
The Church (Main Theme) (Keith Emerson)
Keith Emerson: Performer
La Chiesa (Goblin)
Keith Emerson: Performer
Prelude and Fugue In B Minor, No. 24, BWV893 (Keith Emerson)
Keith Emerson: Performer
Possessione (Goblin)
Keith Emerson: Performer
The Possession (Keith Emerson)
Keith Emerson: Performer
Lotte (Goblin)
Keith Emerson: Performer
Go to Hell (Zooming On the Zoo)
Keith Emerson: Performer
The Wire Blaze (Definitive Gaze)
Keith Emerson: Performer
The Church (Revisited) (Keith Emerson)
Keith Emerson: Performer
The Church (Single Mix) (Keith Emerson)
Keith Emerson: Performer
La Chiesa (Suite) (Goblin)
Keith Emerson: Performer
Suspense Chiesa 1 (Goblin)
Keith Emerson: Performer
Suspense Chiesa 2 (Goblin)
Keith Emerson: Performer

User reviews

Betty Roberts
6/10

The recurring themes and motifs in the music help to unify the narrative and enhance the emotional impact of key moments.

Kimberly Taylor
5/10

Overall, the soundtrack of The Church is a crucial element in building tension and enhancing the horror experience for the audience.

Kenneth Hill
9/10

The haunting and atmospheric soundtrack of The Church perfectly captures the eerie and mysterious ambiance of the film. Each track immerses the listener in a sense of foreboding and suspense, adding an extra layer of tension to the already gripping storyline.

Karen Harris
9/10

The use of ominous chants, dissonant chords, and eerie sound effects creates a chilling backdrop that heightens the intensity of the demonic possession theme in the movie. The music seamlessly blends with the visuals, enhancing the overall sense of dread and unease throughout the film.

Richard Thompson
7/10

The use of ominous chants and whispers in the soundtrack creates a sense of foreboding and unease, enhancing the suspense and tension of the plot.

Laura Hill
5/10

The blend of ominous low tones and dissonant harmonies contributes to a sense of impending doom and dread.

Susan Jackson
6/10

The fusion of traditional instruments with modern electronic sounds creates a unique and unsettling auditory experience.

Carol Allen
5/10

The music's ability to shift from subtle whispers to thunderous crescendos mirrors the shifting dynamics of the plot.

Betty Perez
9/10

Overall, the soundtrack of The Church is a masterful piece of work that enhances the viewing experience and adds depth to the storytelling. It effectively sets the tone for the supernatural horror unfolding on screen, making it a standout feature of the film.

Joseph Jackson
8/10

The musical score effectively conveys the themes of betrayal, possession, and demonic forces at play, heightening the emotional impact of key scenes and character interactions.

George Thompson
6/10

The haunting and eerie tones in The Church soundtrack perfectly capture the dark and sinister atmosphere of the film.

Linda Mitchell
8/10

The dynamic range of the soundtrack, from subtle and atmospheric to powerful and dramatic, mirrors the escalating conflict and supernatural elements of the story, keeping viewers engaged and on edge throughout the film.

Carol Wilson
5/10

The intense and escalating orchestral arrangements heighten the tension and suspense throughout the movie.

Richard Wilson
5/10

The use of chants and choirs in the music adds a sense of ancient mysticism and foreboding to the story.

Jennifer Hernandez
6/10

The soundtrack effectively mirrors the descent into chaos and madness experienced by the characters in the film.

Margaret Harris
7/10

The incorporation of traditional instruments like Gregorian chants and medieval drums adds authenticity to the historical context of the film, immersing the audience in the world of The Church.

Susan Green
8/10

The haunting orchestral arrangements perfectly capture the eerie atmosphere of the medieval setting, adding depth and intensity to the storyline.