• The Head (1959) Soundtrack OST •

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Rating: 5.30/10 from 809 votes

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Synopsis

Irene Sanders visits Dr. Abel, the lead scientist of a medical team including her cousin Dr. Walter Burke, inquiring whether he can cure her hunchback with an operation. Dr. Abel is comforting, solicitous, and professional. But she has been spied upon by Dr. Ood, who followed her on his way to Abel's laboratory/home, and who takes a position in the team, insisting that all he cares about is work involving operations to save live tissues for ailing patients. Ood is a bit too sinister in his interest in Abel's "Serum Z," which has kept alive the decapitated head of a dog. When Dr. Abel informs his team that he himself needs a heart transplant and has a donor, they ready for operation. The donor dies, but Ood determines to carry on with the transplant. Dr. Walter Burke protests, and in a fight, Ood murders him, then buries him out back in the yard. The not-quite-right-because-of-his-own-brain-operation Bert assists, but informs Ood that the transplant is not taking. In a mad flurry, Ood severs Abel's head and hooks it up to the same device that kept the laboratory dog alive. Abel is horrified to awake and find himself bodiless.

Meanwhile, Lilly, a striptease dancer in a bar, flirts with and harangues sculptor Paul Lerner, who tries to improve her manners and outlook but is mainly concerned with finding customers for his quick sketches. When Dr. Ood enters the bar, he considers her the perfect body-transplant for Irene, whom he desires. He visits Lilly in her room and reveals that he knew her when she was "Stella," that she poisoned her husband, and that he changed her face so that she could flee and begin this new life, in which she drinks too much and wishes to party to forget her past. Ood persuades Irene through various cruel deceptions that she is to be operated upon by him. When she awakes, he informs her that she has "been in hibernation for 117 days" while he operated on her spine. However, Irene quickly realizes that the body her head sits upon feels strange, as she smokes a cigarette # she had never done that, but Lilly did # and her hands and feet are now different. Ood tries to seduce her, but she flees.

Irene goes to the Tam-Tam bar where Lilly danced, and Paul is at once attracted to her, strikes up a conversation and asks her to dance. Irene soon figures out, upon hearing that Lilly "died on the train tracks," what Ood has done. She bravely confronts him, while Paul plays the protector. Ood overpowers her sexually, but Paul brings in the police (who are not inclined to act until they hear that he is the son of a judge), and in a violent, fiery climax, Ood is defeated and all is set right.

Download and play the Soundtrack list

Play	Title	Artist
	The Head
	Main Title	Federico Jusid: Performer
	We Knew These People	Federico Jusid: Performer
	Find Me	Federico Jusid: Performer
	Fight	Federico Jusid: Performer
	We'll Make a Family	Federico Jusid: Performer
	I'm Sorry, Johan	Federico Jusid: Performer
	I Couldn't See His Face	Federico Jusid: Performer
	Everyone Feels Sad	Federico Jusid: Performer
	The Head	Federico Jusid: Performer
	This Is An SOS	Federico Jusid: Performer
	I Found Something	Federico Jusid: Performer
	Duel	Federico Jusid: Performer
	Polaris V	Federico Jusid: Performer
	Research	Federico Jusid: Performer
	This Is What They're Looking For	Federico Jusid: Performer
	There Is Something Else	Federico Jusid: Performer
	Solitude	Federico Jusid: Performer
	Hey!	Federico Jusid: Performer
	Go Get 'Em	Federico Jusid: Performer
	Coda	Federico Jusid: Performer
	(Love Is) The Tender Trap	Nelson Riddle: Performer
	From Here to Eternity	Nelson Riddle: Performer
	I Love Paris	Nelson Riddle: Performer
	How Deep is the Ocean	Nelson Riddle: Performer
	I Could Write a Book	Nelson Riddle: Performer
	All the Way	Nelson Riddle: Performer
	Young at Heart	Nelson Riddle: Performer
	Not As a Stranger	Nelson Riddle: Performer
	All of Me	Nelson Riddle: Performer
	High Hopes	Nelson Riddle: Performer
	The Lady is a Tramp	Nelson Riddle: Performer
	Monique	Nelson Riddle: Performer
	Chicago	Nelson Riddle: Performer
	Three Coins in the Fountain	Nelson Riddle: Performer
	I Believe	Nelson Riddle: Performer
	Wait for Me (Johnny Concho Theme)	Nelson Riddle: Performer
	C'est Magnifique	Nelson Riddle: Performer
	I Couldn't Sleep a Wink Last Night	Nelson Riddle: Performer
	Just One of Those Things	Nelson Riddle: Performer
	To Love and Be Loved	Nelson Riddle: Performer

User reviews

Jennifer Carter

6/10

The soundtrack of The Head effectively captures the suspense and tension of the plot, adding depth to the scenes involving Dr. Ood's sinister intentions.

Donna Perez

7/10

Overall, the soundtrack of The Head is a masterful work of art that elevates the film to new heights, showcasing the talent and creativity of the composers involved.

Betty Thomas

7/10

The soundtrack of The Head perfectly captures the eerie and suspenseful atmosphere of the film, enhancing the tension and drama of the storyline.

Ashley Johnson

5/10

The music during Irene's interactions with Dr. Abel conveys a sense of comfort and professionalism, enhancing the emotional impact of their conversations.

Sarah Mitchell

7/10

The music during the surgical scenes is intense and gripping, creating a sense of urgency and unease that keeps the audience on the edge of their seats.

Paul Jones

8/10

The use of haunting melodies and dissonant chords in the soundtrack effectively conveys the sinister intentions of the characters, especially Dr. Ood, adding depth to their portrayal.

John Gonzalez

8/10

The emotional depth of the score shines through in moments of tragedy and betrayal, evoking a strong sense of empathy for the characters and their struggles.

Andrew Moore

6/10

The use of music in the final confrontation scene between Irene, Paul, and Dr. Ood effectively builds up the climactic moment, adding a sense of triumph and resolution.

Timothy Hernandez

7/10

The thematic motifs woven throughout the music help to underscore key plot points and character developments, providing a cohesive and cohesive listening experience.

Carol Scott

5/10

The soundtrack's ability to shift between different moods, from suspenseful to heartfelt, showcases its versatility in complementing the diverse narrative elements of the film.

Karen Young

8/10

The climactic moments of the film are elevated by the powerful crescendos and dramatic swells in the soundtrack, intensifying the impact of the narrative twists and turns.

Joseph Turner

6/10

The soundtrack successfully enhances the character development of Lilly, giving her scenes a melancholic and mysterious tone that reflects her troubled past.

Karen Mitchell

6/10

Overall, the soundtrack of The Head plays a crucial role in immersing the audience in the story's twists and turns, enhancing the overall viewing experience.

Melissa Lopez

7/10

The seamless integration of the music with the on-screen action enhances the emotional resonance of key scenes, drawing the audience deeper into the story.

John King

8/10

The variety of musical styles and instruments used in the soundtrack adds richness and complexity to the overall sound design, making it a truly immersive experience.

Charles Johnson

3/10

The soundtrack of The Head failed to capture the tension and suspense of the storyline, lacking the necessary depth and intensity to enhance the emotional impact of key scenes.

Charles Phillips

6/10

The music during the confrontation between Irene and Dr. Ood adds a sense of urgency and drama, heightening the tension of the moment.

Emily Hall

10/10

The musical score of The Head skillfully reflects the emotional depth of the characters, from Irene's desperation to escape Dr. Ood's sinister plans to Paul's determination to protect her. The music serves as a powerful storytelling tool, adding layers of complexity to the narrative and immersing the viewers in the psychological struggles of the protagonists.

Betty Brown

4/10

The music choices felt disjointed and out of place, failing to create a cohesive atmosphere that would immerse the audience in the twisted world of the film. The jarring transitions between different musical styles detracted from the overall viewing experience, making it difficult to fully engage with the narrative.

Michael Rodriguez

6/10

The use of music in the scenes where Dr. Ood plans his unethical actions creates a chilling atmosphere that intensifies the sense of danger.

Dorothy Hall

9/10

The soundtrack of The Head perfectly captures the suspense and tension of the plot, enhancing every scene with its eerie and haunting melodies. The use of orchestral arrangements and electronic elements creates a unique atmosphere that keeps the audience on the edge of their seats throughout the film.

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