To Be or Not to Be Soundtrack (

To Be or Not to Be Soundtrack (1983) cover

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Rating: 6.90/10 from 12000 votes
Alternate Names:
Title in Español:

Soy o no soy
Title in Italiano:

Essere o non essere
Title in Português:

Ser ou Não Ser
Title in Français:

To Be or Not to Be
Title in Türk:

To Be or Not to Be
Title in Deutsch:

To Be or Not to Be

Synopsis

To Be or Not to Be

A Polish actor (Frederick Bronski) and his wife (Anna) are renowned actors in Poland at the start of WWII. In the opening, Anna has been receiving flowers from a young pilot who always sits in the second row during the performances, so decides to meet with Lt. Sobinski backstage during her husband's rendition of the soliloquy "To Be, or Not to Be." It is during one of these interviews that word comes of invasion by the Nazis, and everything spins out of control.

Sobinski is in England with a band of Polish resisters when he is sent back to Poland on a mission to save the lives of all the Polish Underground. He goes to Anna after parachuting into the country, and the rest of the movie unfolds with a comedic air as Sobinski, the Bronskis, and the theater troupe try to get out of Poland alive.

Download and play the Soundtrack list

Play Title Artist
To Be or Not to Be
Ladies
Mel Brooks: Performer
A Little Peace
Mel Brooks: Performer
Sweet Georgia Brown
Ben Bernie: Writer
Mel Brooks: Performer
Tad Danielewski: Polish translation

User reviews

William Thomas
2/10

The soundtrack of To Be or Not to Be failed to capture the emotional depth and intensity of the WWII setting. The music felt generic and uninspired, missing an opportunity to enhance the dramatic moments in the film.

Anthony Wright
5/10

The musical cues in key moments of the film effectively heighten the suspense and keep viewers engaged throughout the unfolding events.

Timothy Miller
8/10

The composer's attention to detail in matching the music to the on-screen action is impressive, enhancing key moments and building tension effectively.

James Mitchell
6/10

Overall, the soundtrack of To Be or Not to Be is a vital element that enhances the storytelling, immersing the audience in the world of the film and enriching the viewing experience.

Carol Baker
5/10

The soundtrack of To Be or Not to Be perfectly captures the tension and drama of the WWII setting, enhancing the emotional impact of the story.

Karen Moore
6/10

The contrast between the lively, comedic music during the troupe's escape attempts and the somber, reflective melodies in moments of despair creates a dynamic range of emotions for the audience.

Donna Williams
1/10

The orchestration in the soundtrack often felt disconnected from the on-screen action, creating a jarring contrast between the visuals and the music. This lack of synchronization diminished the overall impact of the film and failed to create a cohesive audio-visual experience for the audience.

Michelle Hall
7/10

The main theme, which is woven throughout the film, is both haunting and uplifting, creating a memorable musical motif that stays with you long after the movie ends.

Sarah Evans
7/10

The soundtrack of To Be or Not to Be perfectly captures the tension and uncertainty of the WWII era with its blend of dramatic orchestral pieces and subtle, emotive melodies.

Charles Nelson
5/10

The incorporation of classical pieces such as the soliloquy To Be, or Not to Be adds a layer of sophistication to the soundtrack, elevating the overall viewing experience.

David Harris
6/10

The use of traditional Polish music in the soundtrack adds authenticity and depth to the film, immersing the audience in the historical context of the plot.

Donald Moore
10/10

The soundtrack of To Be or Not to Be perfectly captures the tension and drama of the WWII setting. The orchestral pieces blend seamlessly with the narrative, enhancing the emotional impact of key scenes.

John Garcia
5/10

The theme music that accompanies Lt. Sobinski's missions adds a sense of heroism and adventure to his character, making him a compelling figure in the story.

Michelle Moore
1/10

The use of repetitive motifs in the soundtrack became distracting and monotonous after a while. It felt like the same musical cues were being recycled throughout the movie, failing to provide a fresh and engaging auditory experience.

Daniel Evans
7/10

Overall, the soundtrack of To Be or Not to Be is a standout element of the film, elevating the viewing experience and contributing to its overall success as a captivating and engaging story set against the backdrop of WWII.

Ronald Gonzalez
8/10

The use of traditional Polish folk music in the soundtrack adds an authentic touch to the film, immersing the audience in the setting and culture of the story.

Laura Thomas
8/10

The music enhances the storytelling by seamlessly transitioning between moments of suspense, humor, and emotion, adding depth to the characters and the plot.

Steven Carter
7/10

The diversity of musical styles in the soundtrack reflects the range of emotions and experiences portrayed in the film, providing a rich and engaging audio experience for the audience.

Donald Scott
10/10

The music in To Be or Not to Be effectively conveys the sense of urgency and danger faced by the characters. The use of subtle melodies and powerful crescendos creates a gripping atmosphere that keeps the audience engaged throughout the film.