A Passage to India Soundtrack (

A Passage to India Soundtrack (1984) cover

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Rating: 7.30/10 from 21000 votes
Alternate Names:
Title in Español:

Pasaje a la India

Title in Italiano:

Passaggio in India

Title in Português:

Passagem Para a Índia

Synopsis

A Passage to India

It's the early 1920s. Britons Adela Quested (Judy Davis) and her probable future mother-in-law Mrs. Moore (Peggy Ashcroft) have just arrived in Chandrapore in British India to visit Adela's unofficial betrothed, Ronny Heaslop (Nigel Havers), who works there as the city's magistrate.

Adela and Mrs. Moore, who long for "an adventure" in experiencing all India has to offer, are dismayed to learn upon their arrival that the ruling British do not socialize, let alone associate, with the native population. Such people as the Turtons, Mr. Turton (Richard Wilson) being Ronny's superior, who openly thumb their noses at the idea in their belief that the Indians are an inferior people.

They are further dismayed to see that Ronny adheres to that custom in not wanting to jeopardize his career. At the local white only club, Adela and Mrs. Moore find a like-minded Brit in the form of Richard Fielding (James Fox), the school master at government college, he who offers to organize a small, but truly inclusive, social gathering with some natives for them, unlike the large party the Turtons organize, where the natives are treated poorly, and are used more as window dressing for Adela and Mrs. Moore's benefit.

In addition to Fielding's colleague, eccentric Brahmin scholar Professor Narayan Godbole (Sir Alec Guinness), Adela, and Mrs. Moore would like to invite Aziz Ahmed (Victor Banerjee), a young, widowed local physician with whom Mrs. Moore had a chance encounter. As Mrs. Moore is the first Brit who has ever treated him with kindness as she did at that encounter, Aziz is happy to attend.

As Aziz wants to impress them by being what he thinks they want him to be, which is more western, he offers to organize an outing for this small collective to the Marabar Caves, which has some renown. The outing is despite Aziz never having been to the caves himself, and despite the expense to himself, that sum of money which he really can ill afford.

Something that happens at the caves has the potential to bring the British-Indian bridge that has been forged within this small collective come crumbling down, that something which also threatens Aziz and Adela's lives in the process.

Download and play the Soundtrack list

Play Title Artist
A Passage to India
Tea For Two
Freely Maisie
In a Monastery Garden
God Save the King
Roses of Picardy
The Sun, whose Rays are All Ablaze
THE COMPLETE SCORE: A Passage to India
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The Marabar Caves*
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The Bombay March**
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Ghosts
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The Temple**
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Frangipani* / Original Main Title*
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Chandrapore*
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Adela**
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Expectations*
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Bicycle Ride*
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Climbing the Cliffs**
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Nightmare*
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Kashmir
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Back to England
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BONUS TRACKS: Colonial Club Orchestra**
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Himalayan Mountain Horns
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Punjaub March (Charles Payne)
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Procession 1**
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Procession 2*
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Procession 3*
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Procession 4*
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Procession 5*
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A Passage To India
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The Marabar Caves
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Bombay March
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The Temple
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Frangipani
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Chandrapore
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Adela
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Expectations
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Bicycle Ride
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Climbing To The Caves
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Dances from NOTRE DAME DE PARIS: Prelude
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Fete de fous (The Feast of Fools)
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Grimace de Quasimodo (Entrance of Quasimodo)
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Marche du roi – Le Tour de la ville (The King's March)
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La Belle et la Bête – Pas de deux (Beauty and the Beast)
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La Cour des miracles (The Court of Miracles)
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ORIENT SUITE: TAI PAN – Overture
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SHOGUN – Mariko's Theme
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SHOGUN – Tea and Jealousy
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THE PALANQUIN OF TEARS
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THE MESSAGE – Concert Suite: The Declaration
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The Hegira and Expulsion
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Building the First Mosque
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The Prayer and The Spread of Islam
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Entry into Mecca
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THE BLACK MARBLE: True Romance (Dark Eyes) and End Titles
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Disc Time:
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A PASSAGE TO INDIA: Bombay March
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THE PRINCE AND THE PAUPER (CROSSED SWORDS): Main Title and The Prince and The Pauper
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MOURIR A MADRID: To Die in Madrid
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BEHOLD A PALE HORSE: Spain Regained
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March from Behold a Pale Horse
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THE COLLECTOR – Concert Suite: The Collector / The Catch / End Titles Music
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A WALK IN THE CLOUDS: The Harvest
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UPRISING – Concert Suite: Out of the Sewers / Uprising / I Am Lucky
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POPE JOAN: Overture
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TWO BITS (unused score): Two Bits
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THE NIGHT OF THE GENERALS: Lieutenant General Tanz / On the Terrace at Versailles
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THE BRIDE: THE BRIDE
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GIUBELIO – Cantata for Orchestra & Chorus: Heri (Yesterday)
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Hodie (Today)
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Semper (Always)
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Lawrence of Arabia: Overture
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Jesus of Nazareth: Birth of Christ
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A Passage to India: Adela's Theme
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Mad Max Beyond Thunderdome: Fanfare
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Is Paris Burning: Main Title
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Ghost: End Credits
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The Man Who Would Be King: Main Title
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Witness: Building the Barn
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Ryan's Daughter: Suite
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Doctor Zhivago: Lara's Theme
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Welcoming Fanfare of the Théatre National Populaire (Popular National Theater of Paris)
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Grand Prix - Overture
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Witness - Building the Barn
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The Tin Drum - Suite
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Ghost - End Credits
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Gorillas in the Mist - End Credits
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Dead Poets Society - Keating's Triumph
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Sunshine - Sunshine
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Villa Rides - Main Title
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Doctor Zhivago - Suite
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The Man Who Would Be King - Suite
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A Passage to India - Suite
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The Year of Living Dangerously - Suite
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Shadow of the Wolf - The White Wolf
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Fatal Attraction - Suite
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A Walk in the Clouds - A Walk in the Clouds
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Ryan's Daughter - Suite
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Uprising - Main Title
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Jacob's Ladder - End Credits
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Lawrence of Arabia - Suite
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Is Paris Burning? - Paris en Colere
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Overture (from Lawrence Of Arabia)
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Suite (from Doctor Zhivago)
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Adela's Theme (from A Passage To India)
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Suite (from Jesus Of Nazareth)
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End Credits (from Ghost)
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Main Theme (from Villa Rides)
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Suite (from The Fixer)
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Fanfare / "I Ain't Captain Walker" (from Mad Max:Beyond Thunderdome)
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Main Title / The Samurai (from Red Sun)
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March (from Topaz)
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Allie's Theme (from The Mosquito Coast)
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Kwan's Sacrifice (from The Year Of Living Dangerously)
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Building The Barn (from Witness)
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The Paris Waltz (from Is Paris Burning?)
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Lara's Theme (from Doctor Zhivago)
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Suite (from Ryan's Daughter)
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Overture (from The Professionals)
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Theme (from Fatal Attraction)
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Suite (from The Tin Drum)
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Main Title (from No Way Out)
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Suite (from Enemy Mine)
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The Night Of The Generals
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Main Title (from El Condor)
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The Man Who Would Be King
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Building The Barn
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Suite (from Lawrence Of Arabia)
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Remembrance
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Ryan's Daughter Suite
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A Passage To India Suite
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Doctor Zhivago Suite
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Offering
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Lawrence Of Arabia Suite
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Fanfare From Mad Max-Beyond Thunderdome
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Suite Georges Franju-La Tet Contre Les Murs/Therese Desqueyrous/Les Yeux Sans
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Witness
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Shogun
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Lullaby From The Damned
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Ryan'S Daughter
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Doctor Zhivago
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Lawrence Of Arabia
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JosÈ Nieto / The Night Of Spanish Film
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If You Are Told That I Died
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Jose Nieto / Two Love Themes: I. It Is Necessary To Kill B II. This Is My Land
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Captain Cook
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Jose Nieto / Teresa De Jesus: I. The Inside Castle II. Journey To Seville III. Priest Graci·n Iv. Teresa's Death-
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Walking Through Seville
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Jose Nieto / The Lord Of The Dragon: I. Main Titles-Themes Of "Ix" II. Dawn III. Duel In "Boca Del Infier
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Jose Nieto / Teresa De Jesus: I. The Inside Castle II. Journey To Seville III. Priest Graci·n Iv. Teresa's Death-
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Jose Nieto / The Lord Of The Dragon: I. Main Titles-Themes Of "Ix" II. Dawn III. Duel In "Boca Del Infier
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User reviews

Charles Hall
8/10

The emotional depth and complexity of the characters are skillfully underscored by the haunting melodies and evocative themes present in the soundtrack.

Mary Taylor
7/10

The use of traditional Indian instruments in the music enhances the authenticity of the setting and creates a rich and immersive listening experience.

James Wilson
7/10

The music perfectly conveys the sense of adventure and curiosity felt by Adela and Mrs. Moore as they explore the culture and society of India.

Donna Young
5/10

The emotional depth of the music enhances the audience's connection to the characters and their struggles.

Deborah White
6/10

The soundtrack effectively conveys the sense of adventure and exploration felt by the characters as they navigate the complex social dynamics of colonial India.

Mary Wilson
10/10

The music perfectly complements the emotional depth of the characters and the intricate relationships portrayed in the story, enhancing the audience's connection to the narrative and the unfolding drama.

Joseph Carter
5/10

The use of traditional Indian instruments in the score adds an authentic and immersive quality to the viewing experience.

Michael Mitchell
7/10

The soundtrack effectively reflects the tensions and contrasts between the British ruling class and the native Indian population, adding depth to the storytelling.

Charles Thompson
9/10

The use of traditional Indian instruments and melodies in the soundtrack adds an authentic and immersive layer to the film, transporting the viewers to the vibrant and diverse world of British India during that period.

Linda Jackson
5/10

The melodies are haunting and evocative, staying with the audience long after the film has ended.

Paul Parker
5/10

The music enhances the tension and cultural clashes depicted in the film, adding depth and emotion to the storytelling.

Betty Parker
6/10

The orchestration is skillfully crafted, blending Western and Indian musical elements seamlessly.

Anthony Wilson
5/10

The soundtrack of A Passage to India beautifully captures the exotic and mysterious atmosphere of British India in the 1920s.

Thomas Brown
5/10

Overall, the soundtrack of A Passage to India is a standout element of the film, elevating the viewing experience and immersing the audience in its rich and vibrant world.

Mark Jackson
5/10

The score's dynamic range, from tender moments to intense drama, mirrors the highs and lows of the characters' journey.

Joshua White
9/10

The soundtrack of A Passage to India beautifully captures the essence of the early 1920s British-Indian setting, setting the tone for the cultural clash and tensions portrayed in the film.

Donald Gonzalez
8/10

Overall, the soundtrack of A Passage to India is a masterful accompaniment to the film, enhancing the narrative and enriching the viewer's experience.

William Taylor
7/10

The soundtrack of A Passage to India beautifully captures the essence of the early 1920s British India setting.