Bearn o la sala de las muñecas Soundtrack (

Bearn o la sala de las muñecas Soundtrack (1983) cover

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Rating: 6.00/10 from 91 votes
Alternate Names:
Title in Español:

Bearn o la sala de las muñecas
Title in Italiano:

Bearn o la sala de las muñecas
Title in Português:

Bearn o la sala de las muñecas

Synopsis

Bearn or the Doll Room is a novel written by Llorenç Villalonga. The story is set in Mallorca during the early 20th century and follows the life of Bearn, a wealthy and eccentric man who lives in a mansion filled with life-sized dolls.

Bearn's obsession with his dolls leads him to isolate himself from the outside world, living in a fantasy world of his own creation. However, his carefully constructed reality begins to crumble when he falls in love with a real woman, Cecilia, who disrupts the delicate balance of his doll-filled existence.

As Bearn's obsession with Cecilia grows, he becomes increasingly unhinged, leading to a series of tragic events that ultimately result in his downfall. The novel explores themes of obsession, madness, and the blurred line between reality and fantasy.

Download and play the Soundtrack list

Play Title Artist
Bearn o la sala de las muñecas
Mephisto Waltz
Charles Gounod: Composer
La Notte di Figaro
Wolfgang Amadeus Mozart: March composed
Cosi fan Tutti
Wolfgang Amadeus Mozart: Fragment composed
Minuetto
Luigi Boccherini: Composer
Divertimento in D Major
Wolfgang Amadeus Mozart: Minuetto composed
Masonic Funeral March

User reviews

Emily White
1/10

Overall, the music in Bearn or the Doll Room felt like an afterthought rather than a crucial element in enhancing the narrative. It missed the opportunity to elevate the emotional impact of the story and fell short of creating a truly immersive listening experience.

Linda Adams
5/10

The use of classical music in the soundtrack adds a layer of sophistication and elegance to the narrative, enhancing the contrast between Bearn's refined world of dolls and the harsh realities that threaten to unravel his carefully constructed facade.

Joseph Phillips
8/10

The emotional depth and complexity of the soundtrack mirrors the protagonist's descent into obsession and madness, effectively conveying the inner turmoil and conflict experienced by Bearn as his carefully constructed reality begins to unravel. Each musical piece resonates with the themes of the novel, creating a powerful and immersive listening experience that adds an extra layer of depth to the story.

Daniel Carter
6/10

The soundtrack of Bearn or the Doll Room successfully captures the eerie and unsettling atmosphere of the story, with haunting melodies and discordant tones that reflect Bearn's descent into madness as his obsession with Cecilia consumes him.

Ronald King
5/10

The soundtrack effectively conveys the emotional turmoil of the characters, with sweeping orchestral arrangements that mirror the tumultuous relationships and inner struggles depicted in the novel. The music intensifies the sense of impending tragedy that looms over Bearn's doomed infatuation with Cecilia.

Kenneth Anderson
1/10

The use of repetitive melodies and simplistic arrangements did not do justice to the complex and dark themes of the story. The soundtrack lacked depth and failed to evoke the psychological turmoil of Bearn's character as he spiraled into madness.

Melissa Phillips
6/10

Overall, the soundtrack of Bearn or the Doll Room enhances the immersive experience of the story, drawing listeners deeper into the psychological complexities of the characters and the dark themes of obsession and delusion that drive the narrative forward.

Mark Taylor
8/10

The soundtrack of Bearn or the Doll Room perfectly captures the eerie and haunting atmosphere of the novel's setting in early 20th century Mallorca. The music enhances the sense of mystery and intrigue, drawing the listener into Bearn's world of dolls and delusion.

Emily Jackson
2/10

The soundtrack of Bearn or the Doll Room failed to capture the haunting and eerie atmosphere of the novel. Instead of enhancing the sense of isolation and madness, the music felt generic and uninspired.