La favorite Soundtrack (

La favorite Soundtrack (2018) cover

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Rating: 7.50/10 from 235000 votes
Tags: female rivalry, aristocracy, dragged by a horse, british aristocracy
Alternate Names:
Title in Español:

La favorita
Title in Italiano:

La favorita
Title in Português:

A Favorita

Synopsis

In the early 18th century, England is at war with France; nevertheless, duck-racing and pineapple-eating are thriving.

A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne's ill health and mercurial temper.

When new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah.

Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots.

As the politics of war become quite time-consuming for Sarah, Abigail steps into the breach to fill in as the Queen's companion.

Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics, or rabbit stand in her way.

Download and play the Soundtrack list

Play Title Artist
La favorite
Concerto Grosso, Op. 6, No. 7 in B - Flat Major, I. Largo
Concerto No. 5 en La Mineur, Falk. 45 - Allegro Ma Non Molto
Brigitte Haudebourg: Performer
Concerto No. 1 en Ré Majeur, Falk. 41 - Andante
Brigitte Haudebourg: Performer
Didascalies
Luc Ferrari: Composer
Ow
Johnnie Burn: Writer
Agony
Johnnie Burn: Writer
Stop It
Johnnie Burn: Writer
Tea
Johnnie Burn: Writer
Whereami
Johnnie Burn: Writer
Tome
Johnnie Burn: Writer
End
Johnnie Burn: Writer
Jésus Accepte La Souffrance (from La Nativité du Seigneur)
Olivier Messiaen: Composer
Olivier Latry: Performer
Viola D'Amore Concerto in A Minor, RV 397
Antonio Vivaldi: Composer
Rachel Barton Pine: Performer
A Maggott
George Frideric Handel: Composer
Johnnie Burn: Remixer
William Lyons: Arrangement
Alexis Bennett: Performer
Les Bergers (from La Nativité du Seigneur)
Olivier Messiaen: Composer
Olivier Latry: Performer
Trumpet Sonata in D Major, Z. 850: II. Adagio
Henry Purcell: Composer
John Eliot Gardiner: Performer
Songs for M82
Anna Meredith: Writer
Songs for M85
Anna Meredith: Writer
Pastorale in F Major, BWV 590: III. Aria
Antonio Vivaldi: Composer
Fantazia Three Parts on a Ground
Henry Purcell: Composer
William Lyons: Arrangement
Sam Kemp: Performer
Il. In Modo D'Una Marcia. Un Poco Largamente - Agitato
Robert Schumann: Composer
Leonard Bernstein: Performer
Fantasia in C Minor, BWV 562
Johann Sebastian Bach: Composer
Peter Hurford: Performer
Fantasy
Johann Sebastian Bach: Composer
Simon Preston: Performer
Musick for a While
Henry Purcell: Composer
William Lyons: Arrangement
Angela Hicks: Performer
Violin Concerto in E Minor, Op. 11, No. 2, RV 277, Il Favorito
Antonio Vivaldi: Composer
Giuliano Carmignola: Performer
Adagio e Staccato
Schubert Sonata in B Flat D960 (24)
Skyline Pigeon (Harpsichord Version)
Viola D'Amore Concerto in A Minor, RV 397
Antonio Vivaldi: Performer
Il. In Modo D'Una Marcia. Un Poco Largamente - Agitato
Robert Schumann: Performer

User reviews

Robert Scott
3/10

The soundtrack of The Favourite felt disjointed and out of place, failing to capture the essence of the early 18th-century setting and the political intrigue of the story. The music did not enhance the emotional depth of the characters' relationships or the tension in the plot.

Mark Perez
5/10

The soundtrack of The Favourite perfectly captures the ambiance of early 18th century England, with its elegant orchestral arrangements and period-appropriate musical motifs. The music enhances the film's setting and helps transport the audience to the world of duck-racing and pineapple-eating, adding depth to the storytelling.

Elizabeth Wright
4/10

I found the musical choices in The Favourite to be distracting and overwhelming at times. Instead of complementing the visuals and dialogue, the soundtrack often overshadowed key moments, making it difficult to fully immerse myself in the film's world.

George Moore
5/10

On the other hand, while the soundtrack is well-composed and fits the film's setting, it may not be particularly memorable or stand out on its own. It serves its purpose in enhancing the scenes and mood of the film, but lacks the distinctiveness or innovation that would make it truly remarkable or leave a lasting impression on the audience.