Lamentations a Monument for the Dead World Soundtrack (

Synopsis

Lamentations: A Monument to the Dead World belongs to a 35-hour film cycle, The Book of All the Dead, which comprises the bulk of Toronto-based Bruce Elder's filmmaking from 1975 to 1994. In ancient Egyptian culture, the Book of the Dead consisted of religious texts intended to help preserve the spirit of the departed in the afterlife - but in Elder's reading, that comforting idea of continuity takes on a rather darker cast. Lamentations is comprised of a complex audio and visual patchwork: a philosophical meditation superimposed as text throughout the film; vignettes featuring a comical but disturbing Franz Liszt, a debate between Isaac Newton and George Berkeley, an angry, deranged man in an alley, and an arrogant psychiatrist; and a final search for salvation in the forests of British Columbia, the American Southwest, and Mexico's Yucatan.

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Lamentations a Monument for the Dead World

User reviews

Donald Roberts
9/10

The composition and arrangement of the soundtrack are truly remarkable, showcasing the talent and creativity of the composer. The way the music seamlessly integrates with the philosophical themes and visual elements of the film is a testament to the skill and vision of the artistic team behind this project.

Dorothy Turner
8/10

The soundtrack effectively enhances the emotional impact of the film, eliciting a wide range of feelings from melancholy to hope.

Joseph Davis
8/10

The diverse range of musical styles and instruments used in the soundtrack adds depth and complexity to the overall viewing experience.

Ashley Parker
4/10

The music in Lamentations feels disjointed and disconnected from the visuals, creating a jarring and unpleasant viewing experience that distracts from the film's intended impact.

Andrew Martinez
6/10

The incorporation of different musical styles and genres reflects the diverse themes and narratives explored in the film, adding depth and richness to the overall viewing experience.

Lisa Hall
8/10

The soundtrack's ability to transport listeners to different landscapes and environments through sound alone is truly remarkable.

Kenneth Walker
8/10

The soundtrack's intricate composition and arrangement demonstrate a high level of craftsmanship and attention to detail.

Donald Evans
8/10

The use of philosophical meditations in the music contributes to the intellectual engagement of the audience, inviting reflection on deeper existential questions.

Dorothy King
8/10

The incorporation of historical and cultural references in the music adds layers of meaning and significance to the film as a whole.

Melissa Martinez
6/10

The soundtrack effectively enhances the surreal and dreamlike quality of the film, creating an immersive experience for the audience.

Michelle Robinson
8/10

The seamless integration of audio and visual elements creates a truly immersive and atmospheric journey for the audience.

Andrew Jones
1/10

The soundtrack of Lamentations lacks emotional resonance and fails to enhance the atmospheric and philosophical elements of the film, resulting in a missed opportunity to create a truly immersive and captivating cinematic experience.

Charles Allen
9/10

The use of different musical styles and instruments in the soundtrack adds layers of depth and emotion to the film, enhancing the overall storytelling and creating a truly unique atmosphere. Each piece of music feels carefully curated to evoke specific feelings and enhance the narrative.

Ronald Roberts
7/10

The musical motifs and themes in Lamentations resonate long after the film has ended, leaving a lasting impression on the listener.

Anthony Parker
5/10

The soundtrack's ability to evoke a wide range of emotions, from melancholy to dread to hope, showcases the versatility and skill of the composers involved in creating the music for the film.

Ashley White
6/10

The interplay between the visuals and the music in Lamentations is masterfully done, creating a seamless and immersive audiovisual experience that stays with the viewer long after the film has ended.

Ashley Phillips
6/10

The use of classical music, particularly Franz Liszt's compositions, adds a sense of grandeur and unease to the overall atmosphere of the film.