Oppenheimer Soundtrack (

Oppenheimer Soundtrack (2023) cover

Buy on Amazon Play and download Soundtracks

Rating: 8.40/10 from 653000 votes
Alternate Names:
Title in Español:

Oppenheimer

Title in Italiano:

Oppenheimer

Title in Português:

Oppenheimer

Title in Français:

Oppenheimer

Title in Türk:

Oppenheimer

Title in Deutsch:

Oppenheimer

Synopsis

In 1945, the first atomic bomb is successfully tested -- a triumph for J. Robert Oppenheimer, director of the Manhatten Project at Los Alamos. The politicians take further decisions about the use of the bomb away from Oppenheimer and the other scientists on the project. President Harry S. Truman orders the atomic bombings of Hiroshima and Nagasaki. Oppenheimer wanted Truman to brief Stalin before using it in Japan, but Truman does no such thing. The Soviets are threatened, and Oppenheimer believes that this started the nuclear arms race.

Though publicly praised, Oppenheimer is haunted by the mass destruction and fatalities. He later meets Truman, and after expressing his personal guilt, Truman berates Oppenheimer as he considers himself responsible for the decision to use the bomb. Oppenheimer urges restricting further nuclear weapons development, which Truman dismisses.

Rear Admiral Lewis Strauss is a retired Naval officer and high-ranking member of the U.S. Atomic Energy Commission (AEC). Strauss had recruited Oppenheimer as a scientific advisor to the AEC, after the war was over.

As an advisor to the United States Atomic Energy Commission (AEC), Oppenheimer's stance generates controversy, while Teller's hydrogen bomb receives renewed interest in the middle of the burgeoning Cold War. Oppenheimer says that a Hydrogen presented insurmountable technical difficulties and should not be pursued. He instead tries to convince the AEC to control the spread of nuclear weapons around the world.

AEC Chairman Lewis Strauss (Robert Downey Jr.) resents Oppenheimer for having publicly humiliated him by dismissing his concerns about exporting radioisotopes (which helped other nations build the Atomic bomb) and for recommending negotiations with the Soviet Union after they successfully detonated their own bomb. Oppenheimer suggested that US and Soviets should offer concessions to each other not to pursue a Hydrogen bomb as if US builds one, Soviets will have no choice to build one as well.

Despite Oppenheimer's objections, Truman green-lights the H-bomb program.

Strauss believed that Oppenheimer collaborated with the Russians during the Manhattan project, and this is how they were able to produce a bomb in such a short period after the war. Strauss also believes that Oppenheimer denigrated him during a conversation Oppenheimer had with Einstein in 1947.

In 1954, wanting to eliminate Oppenheimer's political influence, Strauss secretly orchestrates a private security hearing before a Personnel Security Board concerning Oppenheimer's Q clearance. However, it becomes clear that the hearing has a predetermined outcome. Strauss claims that he was the Chairman of the AEC, but the charges against Oppenheimer were brought by William L. Borden (David Dastmalchian), a lawyer and executive director of the JCAE who wrote to the FBI.

Strauss claims that Borden was a rabid anti-Communist and had access to Oppenheimer's security file on which he based his claims. It is strongly indicated that Strauss provided Oppenheimer's security file to Borden and used Borden to bring Oppenheimer down. Oppenheimer's past communist ties are exploited, and Groves' and other associates' testimony is twisted against him.

Oppenheimer brought his brother to work on the Manhattan project, and he was a known Communist. This also goes against Oppenheimer. Teller testifies that he lacks confidence in Oppenheimer and recommends revocation. Groves supports Oppenheimer. The entire review was done behind closed doors, as an administrative process, with no public hearing and no burden of proof on the prosecution. Roger Robb (Jason Clarke) served as special counsel to the AEC at Oppenheimer's security hearing and was appointed by Strauss. He had full access to Oppenheimer's file while Oppenheimer's attorney didn't have access to his client's file. The board revokes Oppenheimer's Q clearance, damaging his public image and limiting his influence on nuclear policy.

In 1959, during Strauss' Senate confirmation hearing for Secretary of Commerce, Hill testifies about Strauss' personal motives in engineering Oppenheimer's downfall, resulting in the Senate voting against his nomination.

In 1963, President Lyndon B. Johnson (Hap Lawrence) presents Oppenheimer with the Enrico Fermi Award as a gesture of political rehabilitation. A flashback reveals Oppenheimer and Einstein's 1947 conversation never mentioned Strauss. Oppenheimer instead expressed his belief that they had indeed started a chain reaction-a nuclear arms race-that would one day destroy the world.

Download and play the Soundtrack list

Play Title Artist
Oppenheimer
Fission
Ludwig Göransson: Performer
Can You Hear the Music
Ludwig Göransson: Performer
A Lowly Shoe Salesman
Ludwig Göransson: Performer
Quantum Mechanics
Ludwig Göransson: Performer
Gravity Swallows Light
Ludwig Göransson: Performer
Meeting Kitty
Ludwig Göransson: Performer
Groves
Ludwig Göransson: Performer
Manhattan Project
Ludwig Göransson: Performer
American Prometheus
Ludwig Göransson: Performer
Atmospheric Ignition
Ludwig Göransson: Performer
Los Alamos
Ludwig Göransson: Performer
Fusion
Ludwig Göransson: Performer
Colonel Pash
Ludwig Göransson: Performer
Disc Time:
Ludwig Göransson: Performer
Theorists
Ludwig Göransson: Performer
Ground Zero
Ludwig Göransson: Performer
Trinity
Ludwig Göransson: Performer
What We Have Done
Ludwig Göransson: Performer
Power Stays in the Shadows
Ludwig Göransson: Performer
The Trial
Ludwig Göransson: Performer
Dr. Hill
Ludwig Göransson: Performer
Kitty Comes to Testify
Ludwig Göransson: Performer
Something More Important
Ludwig Göransson: Performer
Destroyer of Worlds
Ludwig Göransson: Performer
Oppenheimer
Ludwig Göransson: Performer

User reviews

Emily Johnson
9/10

The score's ability to evoke a wide range of emotions, from guilt and regret to determination and defiance, showcases the depth and complexity of Oppenheimer's character arc, making the soundtrack a standout element of the film that truly elevates its storytelling.

Lisa Miller
9/10

The use of haunting melodies and tense orchestrations in the soundtrack enhances the sense of unease and tension present in Oppenheimer's journey, creating a truly immersive viewing experience for the audience.

Kenneth Roberts
6/10

The soundtrack enhances the emotional impact of Oppenheimer's interactions with Truman, adding layers of complexity to their relationship.

Lisa Gonzalez
6/10

The music effectively conveys the weight of the decisions made regarding the atomic bomb, adding depth to Oppenheimer's internal struggles.

David Wright
6/10

The music sets the tone for the escalating tensions between Oppenheimer and Strauss, underscoring the political intrigue and personal animosity.

James Parker
10/10

The Oppenheimer soundtrack perfectly captures the emotional turmoil and ethical dilemmas faced by J. Robert Oppenheimer throughout the course of the film. Each musical piece resonates with the internal struggles and moral complexities depicted in the story.

Nancy Campbell
5/10

The use of subtle motifs and variations throughout the soundtrack helps to connect different moments in Oppenheimer's story, creating a cohesive musical narrative.

Melissa Johnson
6/10

The use of instruments like strings and piano creates a haunting and somber atmosphere that reflects the ethical concerns and consequences of nuclear weapons.

Kenneth Turner
5/10

The score effectively underscores Oppenheimer's sense of isolation and betrayal as he faces accusations and challenges to his reputation.

George Moore
4/10

The soundtrack of Oppenheimer fails to capture the emotional complexity and moral dilemmas faced by J. Robert Oppenheimer, resulting in a lack of depth and resonance with the storyline.

David Brown
2/10

The music choices feel generic and uninspired, failing to enhance the tension and drama of the historical events depicted in the film. The lack of a distinctive musical identity undermines the overall impact of the movie, leaving the audience disconnected from the narrative.

Jennifer Walker
6/10

The soundtrack skillfully reflects the shifting dynamics of power and influence within the AEC, emphasizing the high stakes and personal vendettas at play.

Betty Garcia
5/10

The soundtrack of Oppenheimer perfectly captures the tension and moral dilemmas faced by J. Robert Oppenheimer throughout the film.

Thomas Carter
6/10

Overall, the soundtrack of Oppenheimer is a powerful and evocative accompaniment to the film, enhancing the storytelling and emotional depth of the characters.