• Our Lady of the Assassins (2000) Soundtrack OST •

Our Lady of the Assassins Soundtrack (2000) cover

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Rating: 6.80/10 from 4300 votes

Tags: anti natalism, antinatalism

Alternate Names:

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Synopsis

A middle-aged man, perhaps having a mid-life crisis or suffering from writers block, returns to the city of his birth, Medellin, Colombia, to occupy the vacant apartment he has inherited from his dead sister. He is appalled by the violence and the well-armed adolescent thugs who rule the streets, but quite attracted to teen-age male prostitutes, some of whom, amazingly, fulfill both roles.

Roaming the city, the writer discovers the old homosexual dream of true love with the fabled boy prostitute with a heart of gold -- and who is also an assassin. This unlikely scenario takes place not once, but twice, and predictably ends tragically.

The musical theme is the very appropriate classic, Senderito de Amor (Path of Love) which begins, one love abandoned me, another forgot me; I roam the world in pain.

Download and play the Soundtrack list

Play	Title	Artist
	Our Lady of the Assassins
	Amar y Vivir	Consuelo Velázquez: Writer Leo Marini: Performer
	Dulce Aventura	Leo Marini: Performer Javier Ruiz Rueda: Writer
	Fiesta de Negritos
	Senderito de Amor
	Cuntipotens Genitor Deus
	El Comejen
	El Campeon
	La Cuchara
	Tango Negro
	El Santo Cachon
	La Gota Fria

User reviews

Robert Harris

7/10

Overall, the soundtrack of Our Lady of the Assassins is a masterful composition that elevates the film to a higher level of artistry, enhancing its emotional depth and thematic richness.

Stephanie Martin

6/10

Each track immerses the listener in the atmosphere of Medellin, Colombia, with its blend of traditional and modern musical elements that perfectly reflect the city's complex character.

Mary Smith

8/10

The soundtrack effectively conveys the contrast between beauty and violence, highlighting the complexities of the characters and their relationships in a compelling way.

Timothy Williams

5/10

The soundtrack of Our Lady of the Assassins captures the raw intensity of the story with its haunting melodies and evocative instrumentation.

Laura Martin

6/10

Overall, the soundtrack of Our Lady of the Assassins is a masterful work of art that enriches the viewing experience and lingers in the mind long after the film has ended.

Daniel Scott

5/10

The music perfectly complements the visual storytelling, enhancing the emotional impact of key scenes and creating a powerful connection with the audience.

Dorothy Parker

10/10

The use of the classic song Senderito de Amor adds a layer of emotional depth to the story, enhancing the sense of longing and desperation experienced by the characters. The juxtaposition of the melancholic lyrics with the harsh realities of the city creates a powerful and memorable musical experience that stays with the audience long after the film ends.

George Martinez

7/10

The soundtrack of Our Lady of the Assassins creates a haunting atmosphere that perfectly captures the dark and complex themes of the movie. The use of classical music, especially the song Senderito de Amor, adds depth and emotion to the story.

Lisa Roberts

6/10

The use of Senderito de Amor as a recurring motif throughout the soundtrack creates a sense of continuity and emotional depth that resonates with the themes of love, loss, and violence in the film.

Lisa Williams

5/10

The music enhances the storytelling by underscoring the protagonist's inner turmoil and the bleak reality of the world he finds himself in, adding layers of complexity to the narrative.

Paul Hall

5/10

The soundtrack succeeds in creating a sense of unease and tension, mirroring the volatile and dangerous environment of Medellin portrayed in the film.

Charles Mitchell

4/10

The soundtrack of Our Lady of the Assassins did not resonate with me for a couple of reasons. Firstly, I found the constant use of the classic song Senderito de Amor to be repetitive and monotonous. It lacked variety and failed to capture the complexity of the storyline and emotions portrayed in the film.

Michael Hill

5/10

The musical choices in Our Lady of the Assassins demonstrate a deep understanding of the story's themes and characters, enhancing the film's impact on the audience.

Richard Allen

10/10

The soundtrack of Our Lady of the Assassins perfectly captures the gritty and intense atmosphere of Medellin, Colombia. The haunting melodies and evocative instrumentals immerse the listener in the chaotic and dangerous world portrayed in the film.

Linda Harris

6/10

The soundtrack's emotional depth and complexity make it a standout element of the film, elevating the overall viewing experience to a new level.

Betty Rodriguez

6/10

The fusion of different musical styles in the soundtrack mirrors the cultural melting pot of the city, adding richness and authenticity to the overall experience.

Sarah Allen

7/10

The musical score enhances the tension and suspense of the film, creating a gripping and immersive viewing experience for the audience.

Joseph Moore

8/10

The use of music in key emotional moments adds poignancy and resonance to the narrative, allowing the audience to connect deeply with the characters and their struggles.

Patricia Hernandez

2/10

Secondly, I felt that the music did not effectively enhance the scenes or evoke the intended emotions. Instead of adding depth and intensity to the narrative, the soundtrack often felt disconnected and out of place, failing to create a cohesive atmosphere that would immerse the audience fully in the story.

Dorothy Carter

8/10

The soundtrack's seamless integration with the visuals enhances the overall cinematic experience, drawing viewers further into the world of the film.

Michelle Clark

8/10

The melancholic tones of the soundtrack evoke a sense of longing and despair, mirroring the protagonist's inner turmoil and the harsh reality of the city of Medellin.

Daniel Rodriguez

8/10

The musical themes in Our Lady of the Assassins linger long after the movie ends, leaving a lasting impact and contributing to the film's powerful storytelling.

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