Phone Soundtrack (

Phone Soundtrack (2002) cover

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Rating: 6.20/10 from 5300 votes
Alternate Names:
Title in Español:

Phone

Title in Italiano:

Phone

Title in Português:

Phone

Synopsis

Phone

After writing a series of articles about pedophilia, the journalist Ji-won receives threatening calls on her cellular and she changes her number. Her close friend Ho-jung and her husband Chang-hoon invite Ji-won to move to their house in Bang Bae that is empty and closed. When the young daughter of her friends Young-Su answers a phone call in her mobile phone, the girl screams and changes her behavior, feeling a great attraction for her father and rejecting her mother. Meanwhile Ji-won receives weird phone calls and sees and listens to a teenager playing Beethoven's "Moonlight Sonata" on the piano. After investigating her phone number, Ji-won discovers that the original owner of the number, Jin-hee, had vanished and the two next owners of the number have mysteriously died in unusual circumstances. Her further investigation about Jin-hee discloses that the teenager was absolutely disturbed with her obsessive love for a man that had broken the relationship with her, and later she unravels dark and tragic secrets about the fate of Jin-hee.

Download and play the Soundtrack list

Play Title Artist
Phone
I Put A Spell On You
TSLAMP
Can't Keep Checking My Phone
Everything Now
Nameless, Faceless
Photoshop Handsome
Total Entertainment Forever
The Man Who Married A Robot / Love Theme
Doom Days
Host Body
Alexa
Check to Check
Wake-Up
Work in Progress
Laurent Aknin: Performer
Alone
Laurent Aknin: Performer
Things Went Down (Super Social Jeez)
Laurent Aknin: Performer
Oignons & échalotes
Laurent Aknin: Performer
Lads in Lame (Danny Baker)
Laurent Aknin: Performer
Mais non t'es pas toute seule
Laurent Aknin: Performer
Pas Hubert
Laurent Aknin: Performer
Simon
Laurent Aknin: Performer
Quiche Them All
Laurent Aknin: Performer
Un mal pour un bien
Laurent Aknin: Performer
Walking in the Rain (Tony Kinsey)
Laurent Aknin: Performer
De père en fils
Laurent Aknin: Performer
Putain de vin bio
Laurent Aknin: Performer
Juliette's Theme
Laurent Aknin: Performer
Le cœur de Juliette
Laurent Aknin: Performer
C'est compliqué l'amitié
Laurent Aknin: Performer
The Real Me (Paper Plane, Laurent Aknin)
Laurent Aknin: Performer
Catcher in the Rye (Elephanz)
Laurent Aknin: Performer
Loving You (Paper Plane, Laurent Aknin)
Laurent Aknin: Performer
The Real Me (Bonus Track) (Paper Plane, Laurent Aknin)
Laurent Aknin: Performer
As I Remember
Javier Navarrete: Performer
Mr. Harrigan
Javier Navarrete: Performer
My Mum's Death
Javier Navarrete: Performer
Research Mr Harrigan
Javier Navarrete: Performer
Red Devil
Javier Navarrete: Performer
They Shoot Horses
Javier Navarrete: Performer
Bully
Javier Navarrete: Performer
Harshly
Javier Navarrete: Performer
Tough to Beat
Javier Navarrete: Performer
I Settled Here
Javier Navarrete: Performer
Mr Harrigan's Death
Javier Navarrete: Performer
Mr Harrigan's Burial
Javier Navarrete: Performer
You May Be in the Will
Javier Navarrete: Performer
I Will Miss Our Afternoons Together
Javier Navarrete: Performer
Cemetery
Javier Navarrete: Performer
An Orchid Maybe
Javier Navarrete: Performer
I Did What I Promised to You
Javier Navarrete: Performer
Do You Believe in Ghosts
Javier Navarrete: Performer
You Did
Javier Navarrete: Performer
a a C C C
Javier Navarrete: Performer
Cut It Off
Javier Navarrete: Performer
Thank You, God
Javier Navarrete: Performer
Bad News
Javier Navarrete: Performer
He Did Get Awway
Javier Navarrete: Performer
I Want Him Dead
Javier Navarrete: Performer
You Can Rest Now
Javier Navarrete: Performer
The Ledges
Javier Navarrete: Performer
I Won't Miss Our Afternoons Together
Javier Navarrete: Performer
First Call
Trapped
NYPD
The Rifle
Confession
Times Square
Stu's Secret
Publicist Talk
Last Booth in NYC
It's Me You Want
Center Of Attention
Telephone Users
Is He Coming Out?
Phone vs. Gun
Just Say The Word
It Could Be Anyone
Prozac (Prozac Nation)
Nathan Larson: Performer
Boys (Boys Don't Cry)
Nathan Larson: Performer
Operator (Phone Booth)
Nathan Larson: Performer
Tigerland (Tigerland)
Nathan Larson: Performer
You Can Take What's Left of Me (Prozac Nation)
Nathan Larson: Performer
Night Basketball (Lilja 4-Ever)
Nathan Larson: Performer
Fiction (Storytelling)
Nathan Larson: Performer
A Softer Night (Boys Don't Cry)
Nathan Larson: Performer
I Want Someone Badly (bonus track)
Nathan Larson: Performer
The Fawn (Prozac Nation)
Nathan Larson: Performer
Small Town Jail (Boys Don't Cry)
Nathan Larson: Performer
Mommy, Are Angels Dead? (Lilja 4-Ever)
Nathan Larson: Performer
She Might Wake Up (High Art)
Nathan Larson: Performer
Le Pont de la Tristesse (The Chateau)
Nathan Larson: Performer
Mom's Mercedes (High Art)
Nathan Larson: Performer
Balcony (Prozac Nation)
Nathan Larson: Performer
Dirty Pretty Thing (Dirty Pretty Things)
Nathan Larson: Performer
Departure Lounge (Dirty Pretty Things)
Nathan Larson: Performer
Last Lines (High Art)
Nathan Larson: Performer
Walter (The Woodsman)
Nathan Larson: Performer
Something Like Love (Prozac Nation)
Nathan Larson: Performer
Rape and a Burning Polaroid (Boys Don't Cry)
Nathan Larson: Performer

User reviews

Laura Martin
8/10

The use of Beethoven's Moonlight Sonata in the film adds a haunting and classical touch that is both captivating and chilling.

Andrew Turner
8/10

The haunting melodies and atmospheric sounds in the soundtrack of Phone contribute to the film's overall atmosphere of suspense and intrigue.

James Young
2/10

The musical score of Phone lacked creativity and originality. It relied heavily on generic horror movie tropes and failed to deliver a unique and memorable sound that could have elevated the film's overall impact.

Donald Perez
5/10

The piano pieces, especially Beethoven's Moonlight Sonata, were a standout in the soundtrack. They effectively conveyed the sense of mystery and tension in the film.

Deborah Scott
7/10

The sound design in the film, including the use of phone calls and piano music, creates a sense of unease and mystery that lingers long after the movie ends.

Karen Scott
3/10

The soundtrack of Phone felt disconnected from the suspenseful atmosphere of the movie. Instead of enhancing the tension and mystery, the music seemed out of place and failed to create a cohesive mood.

Joseph Clark
8/10

The musical choices in the film show a level of sophistication and thoughtfulness that elevates the overall quality of the movie.

Matthew Mitchell
8/10

The choice of music in pivotal moments of the movie amplifies the tension and keeps the audience on the edge of their seats.

Donna Roberts
6/10

The soundtrack of Phone was a perfect match for the suspenseful atmosphere of the movie. The use of eerie and haunting melodies added depth to the storyline.

Brian Taylor
6/10

Overall, the music in Phone was a crucial element in building suspense and keeping the audience engaged in the unfolding mystery.

Mary Thomas
7/10

The soundtrack of Phone demonstrates a keen understanding of how music can enhance the narrative and evoke strong emotions in the audience.

Margaret Taylor
7/10

The diversity of musical styles in the soundtrack, from classical to contemporary, adds depth and richness to the storytelling.

George Lewis
5/10

The soundtrack of Phone was memorable and added an extra layer of complexity to the characters and their emotional journey throughout the movie.

Joshua Green
8/10

The soundtrack of Phone perfectly sets the eerie and suspenseful tone of the movie, enhancing the overall viewing experience.

Margaret Baker
5/10

The music in Phone did a great job of setting the tone for the psychological thriller elements of the story. It enhanced the overall mood of the film.

Mark White
5/10

The sound design in Phone was exceptional, with the music seamlessly blending with the visuals to create a chilling experience for the audience.

Joshua Phillips
8/10

Each track in the soundtrack complements the emotional journey of the characters, adding layers of complexity to their experiences.

Margaret Adams
2/10

I found the use of the Moonlight Sonata by Beethoven in the soundtrack to be overused and cliché. It felt like a lazy choice to evoke a sense of eeriness and unease, without bringing anything new or original to the table.