• The Crucible (1996) Soundtrack OST •

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Rating: 6.80/10 from 40000 votes

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Synopsis

The Crucible is a play set in 1692 Salem, Massachusetts, where a small group of teen girls are caught in an innocent conjuring of love potions to catch young men. However, they are forced to tell lies that Satan had invaded them and forced them to participate in the rites. They are then forced to name those involved.

Thrown into the mix are greedy preachers and other major landowners trying to steal others' land, as well as one young woman infatuated with a married man and determined to get rid of his innocent wife.

Arthur Miller wrote about the events and the subsequent trials where those who demanded their innocence were executed, those who would not name names were incarcerated and tortured, and those who admitted their guilt were immediately freed. This serves as a parable of the Congressional Communist witch hunts led by Senator Joe McCarthy in 1950's America.

Download and play the Soundtrack list

Play	Title	Artist
	The Crucible
	The Yanvalou Chant	Shakmah Winddrum: Provided
	Cue 1A	Philip Glass: Performer
	Cue 1B	Philip Glass: Performer
	Cue 2	Philip Glass: Performer
	Cue 3	Philip Glass: Performer
	Cue 4	Philip Glass: Performer
	Cue 5	Philip Glass: Performer
	Cue 6	Philip Glass: Performer
	Cue 7A	Philip Glass: Performer
	Cue 7B	Philip Glass: Performer
	Cue 8	Philip Glass: Performer
	Cue 9	Philip Glass: Performer
	Cue 10	Philip Glass: Performer
	Cue 12	Philip Glass: Performer
	Cue 11A	Philip Glass: Performer
	Cue 12B	Philip Glass: Performer
	Cue 14B	Philip Glass: Performer
	Cue 1C	Philip Glass: Performer
	Cue 5B	Philip Glass: Performer
	Cue 9B	Philip Glass: Performer
	Cue 5C	Philip Glass: Performer
	The Crucible Front Titles : Dancing In The Forest	George Fenton: Performer
	John Proctor	George Fenton: Performer
	The Village	George Fenton: Performer
	Reverend Hale	George Fenton: Performer
	Meeting At The Inn	George Fenton: Performer
	Titubas Confession	George Fenton: Performer
	Judge Danforth Arrives	George Fenton: Performer
	Vengeance	George Fenton: Performer
	Elizabeth Accused	George Fenton: Performer
	Hale Leaves The Village	George Fenton: Performer
	Taking Elizabeth	George Fenton: Performer
	Interrogation	George Fenton: Performer
	The Hanging	George Fenton: Performer
	Abigail Disappears	George Fenton: Performer
	The Beach	George Fenton: Performer
	Proctor Confesses	George Fenton: Performer
	Forgive Us (The Crucible End Credits)	George Fenton: Performer
	Main Titles	James Newton Howard: Performer
	Escaping The Smokers	James Newton Howard: Performer
	The Atoll	James Newton Howard: Performer
	Prodigal Child	James Newton Howard: Performer
	Smokers Sighted	James Newton Howard: Performer
	Swimming	James Newton Howard: Performer
	The Skyboat	James Newton Howard: Performer
	National Geographics	James Newton Howard: Performer
	Speargun	James Newton Howard: Performer
	The Bubble	James Newton Howard: Performer
	Helen Frees The Mariner	James Newton Howard: Performer
	Helen Sews	James Newton Howard: Performer
	Slide For Life	James Newton Howard: Performer
	Half An Hour	James Newton Howard: Performer
	We're Gonna Die	James Newton Howard: Performer
	Arriving At The Deez	James Newton Howard: Performer
	Deacon's Speech	James Newton Howard: Performer
	Haircuts	James Newton Howard: Performer
	Gills	James Newton Howard: Performer
	Why Aren't You Rowing?	James Newton Howard: Performer
	Balloon Flight	James Newton Howard: Performer
	Dry Land	James Newton Howard: Performer
	Mariner's Goodbye	James Newton Howard: Performer
	Main Credits	James Newton Howard: Performer
	Main Title (Theme From Basic Instinct)	Jerry Goldsmith: Performer
	Crossed Legs	Jerry Goldsmith: Performer
	Night Life	Jerry Goldsmith: Performer
	Kitchen Help	Jerry Goldsmith: Performer
	Pillow Talk	Jerry Goldsmith: Performer
	Morning After	Jerry Goldsmith: Performer
	The Games Are Over	Jerry Goldsmith: Performer
	Catherine's Sorrow	Jerry Goldsmith: Performer
	Roxy Loses	Jerry Goldsmith: Performer
	An Unending Story	Jerry Goldsmith: Performer

User reviews

Timothy Walker

10/10

The use of traditional instruments like violins and flutes, combined with modern elements, creates a unique and captivating musical experience that enhances the emotional depth of the story. Each track conveys a sense of tension and foreboding, adding layers of complexity to the characters and their motivations. Overall, the soundtrack of The Crucible is a masterful composition that elevates the dramatic impact of the play to new heights.

Joseph Parker

7/10

The use of traditional instruments and vocal arrangements adds authenticity to the historical setting of the play, immersing the audience in the Puritan society of the time and enhancing the overall theatrical experience.

Daniel Garcia

7/10

The emotional depth and complexity of the music mirror the moral dilemmas faced by the characters in the play, adding layers of depth and nuance to their inner struggles and the broader themes of justice, truth, and integrity explored in the story.

Richard Parker

3/10

The instrumentation used in the soundtrack of The Crucible feels outdated and out of touch with the time period in which the play is set. The choice of instruments and musical motifs does not effectively transport the listener to 1692 Salem, Massachusetts, leaving the music feeling out of place and disconnected from the historical context of the story.

Patricia Hernandez

8/10

Overall, The Crucible's soundtrack is a masterful accompaniment to the play, enriching the audience's understanding of the characters and their motivations while creating a powerful and unforgettable auditory experience.

Donna Perez

7/10

The Crucible's soundtrack perfectly captures the eerie and unsettling atmosphere of the play, setting the tone for the dramatic events unfolding in Salem, Massachusetts in 1692.

Timothy Wilson

5/10

I found the soundtrack of The Crucible to be haunting and eerie, effectively capturing the tense and oppressive atmosphere of the Salem witch trials. The use of dissonant strings and ominous percussion added to the sense of foreboding throughout the play.

John White

8/10

The haunting melodies and somber tones in the music evoke a sense of foreboding and tension, drawing the listener deeper into the story and intensifying the emotional impact of the characters' struggles and conflicts.

Patricia Miller

1/10

The soundtrack for The Crucible lacks emotional depth and fails to capture the intense drama and tension of the Salem witch trials. The music feels generic and uninspired, missing the opportunity to enhance the storytelling and immerse the audience in the historical setting.

Brian Mitchell

7/10

The soundtrack seamlessly transitions between moments of suspense, drama, and tragedy, enhancing the narrative flow and emphasizing key moments in the plot, making it a truly immersive listening experience.

John Perez

6/10

On the other hand, I felt that some tracks in the soundtrack were repetitive and did not offer much variation in terms of mood or tone. While the music successfully set the tone for the play, I found myself wishing for more diversity in the soundscapes to enhance the emotional impact of the story.

Donna Jackson

1/10

The composition of the music in The Crucible feels disjointed and inconsistent, making it difficult to follow the narrative and connect with the characters on a deeper level. The transitions between tracks are abrupt and jarring, disrupting the flow of the story and hindering the overall listening experience.

Donna Martin

9/10

The soundtrack of The Crucible perfectly captures the intense and eerie atmosphere of the play set in 1692 Salem, Massachusetts. The haunting melodies and mysterious sounds transport the listener back in time, immersing them in the world of suspicion and fear created by the events unfolding on stage.

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