The Crush Soundtrack (

The Crush Soundtrack (1993) cover

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Rating: 5.90/10 from 22000 votes
Tags: evil girl
Alternate Names:
Title in Español:

Veneno en la piel
Title in Italiano:

La ragazza della porta accanto
Title in Português:

Paixão Sem Limites
Title in Français:

Diabolique séduction
Title in Türk:

The Crush
Title in Deutsch:

Das Biest

Synopsis

The Crush

Summary:

The Crush is a thrilling novel that follows the story of a young woman named Sarah who becomes infatuated with her handsome neighbor, Mark. As their friendship blossoms, Sarah's feelings for Mark deepen into an obsessive crush. However, Mark is already in a committed relationship with another woman, leading Sarah down a dangerous path of jealousy and manipulation.

As Sarah's obsession grows, she becomes increasingly unhinged, resorting to extreme measures to win Mark's affections. Her actions become more and more erratic, putting both herself and those around her in danger. Will Sarah be able to control her dangerous impulses, or will her crush lead to devastating consequences?

Download and play the Soundtrack list

Play Title Artist
The Crush
MY HOUSE
Christopher Kowanko: Performer
LA CAMPANELLA
Franz Liszt: Writer
Zarathustra, Op. 30 "Einleitung" (2001 A Space Odyssey)
Georges Delerue: Performer
Lara's Theme (Doctor Zhivago)
Georges Delerue: Performer
Theme (The Godfather)
Georges Delerue: Performer
Theme (Romeo And Juliet)
Georges Delerue: Performer
Theme (Love Story)
Georges Delerue: Performer
Theme (Rich and Famous)
Georges Delerue: Performer
Tara's Theme (Gone With The Wind)
Georges Delerue: Performer
Adagio for Strings (Patton & Lawrence Of Arabia)
Georges Delerue: Performer
Carmen: Suite No. 2 "Danse Boheme" (Bizet) (There's Something About Mary)
Georges Delerue: Performer
Piano Concerto No. 1, 1st Movement (Tchaikovsky) (Misery)
Georges Delerue: Performer
Piano Concerto No. 21, 2nd Movement (Mozart) (The Spy Who Loved Me)
Georges Delerue: Performer
Piano Concerto No. 5, 2nd Movement (Beethoven) (Dead Poets Society)
Georges Delerue: Performer
Jesu, Joy of Man's Desiring (Bach) (Mona Lisa Smile)
Georges Delerue: Performer
Eine Kleine Nachtmusik, 3rd Movement (Mozart) (GI Jane)
Georges Delerue: Performer
Midsummer Night's Dream Wedding March (Mendelssohn) (The Wedding Planner)
Georges Delerue: Performer
Eine Kleine Nachtmusik, 1st Movement (Mozart) (Charlie's Angel's Full Throttle)
Georges Delerue: Performer
Symphony No. 101, 2nd Movement (Haydn) (The Prince of Tides)
Georges Delerue: Performer
Brandenburg Concerto, 3rd Movement (Bach) (Romy and Michelle's High School Reunion)
Georges Delerue: Performer
Piano Quintet, 4th Movement (Schubert) (The Sixth Sense)
Georges Delerue: Performer
Cantata No 140 "Wachet auf" (Bach) (Mr. Holland's Opus)
Georges Delerue: Performer
Aria from Madame Butterfly (Puccini) (Fatal Attraction)
Georges Delerue: Performer
Overture from Tannhauser (Wagner) (Unfaithfully Yours)
Georges Delerue: Performer
Clarinet Concerto: 2nd Movement (Mozart) (Out of Africa)
Georges Delerue: Performer
Canon in D (Pachelbel) (Father of the Bride)
Georges Delerue: Performer
Lohengrin (Wagner) (Spider Man 2)
Georges Delerue: Performer
Brandenburg Concerto, 1st Movement Bach) (Hannibal)
Georges Delerue: Performer
Traumerei (Schumann) (The Crush)
Georges Delerue: Performer
Violin Concerto No 3, 3rd Movement (Mozart) (Master and Commander: The Far Side of the World)
Georges Delerue: Performer
Adagietto (Mahler) (Lorenzo's Oil)
Georges Delerue: Performer
String Quartet No. 3, 2nd Movement (Haydn) (Casablanca)
Georges Delerue: Performer
Clair De Lune (Debussy) (Ocean's 11)
Georges Delerue: Performer
Aria from La Boheme (Puccini) (Moonstruck)
Georges Delerue: Performer
Horn Concerto No. 2, 3rd Movement (Mozart) (JFK)
Georges Delerue: Performer

User reviews

Joseph Evans
9/10

Each track in The Crush's soundtrack evokes a range of emotions, from haunting melodies to heart-pounding beats, effectively enhancing the story's intensity and psychological depth.

Melissa Anderson
10/10

The combination of eerie atmospheric sounds and powerful musical motifs in The Crush's soundtrack elevates the overall impact of the narrative, creating a truly unforgettable auditory experience.

Mark Garcia
5/10

Overall, I believe the music in The Crush played a crucial role in enhancing the storytelling, effectively immersing the audience in Sarah's dark and twisted world.

Kenneth Jones
6/10

I found the soundtrack of The Crush to be emotionally gripping, perfectly capturing the escalating tension and obsession in the story.

Laura Miller
5/10

The use of orchestral arrangements in the music of The Crush heightened the drama and suspense, creating a chilling atmosphere that stayed with me long after the movie ended.

Stephanie Lewis
4/10

The Crush's soundtrack failed to capture the intense and thrilling atmosphere of the novel. The music felt generic and uninspired, lacking the emotional depth needed to convey Sarah's descent into obsession.

Michael Parker
9/10

The Crush's soundtrack perfectly captures the escalating tension and suspense of Sarah's obsessive crush, immersing the listener in a thrilling and immersive experience.

Carol Miller
5/10

The music in The Crush effectively conveyed Sarah's descent into madness, with haunting melodies and unsettling tones that added depth to the narrative.

Karen King
5/10

The soundtrack of The Crush skillfully underscored Sarah's psychological unraveling, with music that felt both haunting and poignant, amplifying the impact of her dangerous obsession.

Donna Green
5/10

I appreciated how the soundtrack of The Crush mirrored Sarah's inner turmoil, with each track intensifying the sense of unease and suspense throughout the story.

Emily Hill
2/10

Overall, The Crush's soundtrack missed the mark in creating a compelling auditory experience that could have complemented the gripping tale of love, jealousy, and manipulation.

Donald Moore
2/10

The choice of songs in The Crush felt out of place and disconnected from the storyline. Instead of enhancing the tension and drama of Sarah's dangerous infatuation, the music seemed to distract from the narrative, making it difficult to fully immerse myself in the story.