The Innocents Soundtrack (

The Innocents Soundtrack (2016) cover

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Rating: 7.30/10 from 12000 votes
Tags: polish actor playing foreigner, soviet occupation of poland
Alternate Names:
Title in Español:

Las inocentes
Title in Italiano:

Agnus Dei
Title in Português:

Agnus Dei - As Inocentes

Synopsis

In the aftermath of WWII, right in the middle of the frozen December of 1945 in Poland, Mathilde Beaulieu is a dedicated and conscientious young French Red Cross doctor who looks after the wounded French soldiers unaware that her life is about to change, when unexpectedly, a desperate nun from the nearby Polish convent urgently pleads for her help. Reluctantly, Mathilde will visit the convent only to discover that when Poland was persecuted by the Germans, the Soviet liberators burst into the convent and indiscriminately ravished the defenceless nuns. Now, as a result, seven nuns in the last stages of their pregnancies are in need of a midwife, a rather unorthodox predicament, since the pregnancies must be kept secret otherwise the nunnery will be shut down and the nuns will be evicted and rejected as objects of shame. With her duty to protect the sinful secret, Mathilde and the kind-hearted Sister Maria must find a way to help the childless Brides of God reconcile faith with the horrible past regardless of their vow of chastity, however, as each day the nuns relive the harsh ordeal, can they find consolation only in praying?

Download and play the Soundtrack list

Play Title Artist
The Innocents
Vox clara ecce intonat
Vox clamantis
Deus in adjutorium meum intende
Vox ecce clara intonat
Deus in adjutorium (pièces grégoriennes)
Czardas Nr.1
12° étude, op. 10 n°6 en E Flat Mineur
Petite messe solennelle: XI. Preludio religioso
Csárdás Nr. 1
Ballada o Felku Zdankiewiczu
Zegnaj Marynarzu Pólnocy
Czerwone Jabluszko
Suite No. 2 in F Major, HWV 427: I. Adagio
Petite messe solennelle, preludio religioso
On the Nature of Daylight
O vis aeternitatis
L'abbaye
La ferme
Les tâches quotidiennes
Vox clamantis in deserto
Veni, Creator Spiritus
La Belle et la Bête (1946) Belle se rend au château (Roger Desormières)
Georges Auric: Performer
La Belle et la Bête (1946) Belle retourne auprès de La Bête (Roger Desormières)
Georges Auric: Performer
Orphée (1950) Suite (Serge Baudo)
Georges Auric: Performer
Moulin Rouge (1952) Main Title and Song (Percy Faith & Felicia Sanders)
Georges Auric: Performer
Roman Holiday (1953) Main Title (Georges Auric)
Georges Auric: Performer
Roman Holiday (1953) Suite 1 (Georges Auric)
Georges Auric: Performer
Roman Holiday (1953) Suite 2 (Georges Auric)
Georges Auric: Performer
Du rififi chez les hommes (1955) Thème principal (Jacques Météhen)
Georges Auric: Performer
Lola Montès (1955) Trailer (Jacques Météhen)
Georges Auric: Performer
Lola Montes (1955) Les roses perdues (Roger Roger)
Georges Auric: Performer
Le mystère Picasso (1956) Taureau dans l'arène (remastered 2019) (Jacques Météhen)
Georges Auric: Performer
Le mystère Picasso (1956) Femme lisant (remastered 2019) (Jacques Météhen)
Georges Auric: Performer
Gervaise (1956) Générique (Jacques Météhen)
Georges Auric: Performer
Gervaise (1956) La chanson de Gervaise (Juliette Gréco)
Georges Auric: Performer
Christine (1958) Générique (Jacques Météhen)
Georges Auric: Performer
Bonjour Tristesse (1958) Main Title (W. Lambert Williamson)
Georges Auric: Performer
Bonjour Tristesse (1958) Lost in the Woods (W. Lambert Williamson)
Georges Auric: Performer
Goodbye Again (Aimez-vous Brahms?) (1961) Main Title (W. Lambert Williamson)
Georges Auric: Performer
Goodbye Again (Aimez-vous Brahms?) (1961) Maximite (W. Lambert Williamson)
Georges Auric: Performer
Bridge to the Sun (1961) Main Title (Jacques Météhen)
Georges Auric: Performer
The Innocents (1961) Suite (W. Lambert Williamson)
Georges Auric: Performer
L'abbaye (Grégoire Hetzel)
Grégoire Hetzel: Performer
Conditor alme siderum (Elsa Papatanasios, Emmanuelle Huteau, Marie-George Monet, Nathalie Liess)
Grégoire Hetzel: Performer
Regem venturum Dominum (Elsa Papatanasios, Emmanuelle Huteau, Marie-George Monet, Nathalie Liess)
Grégoire Hetzel: Performer
Csárdás (Alyson Pfister, Heinz Kilburger)
Grégoire Hetzel: Performer
Excita, quaesumus, Domine (Elsa Papatanasios, Emmanuelle Huteau, Marie-George Monet, Nathalie Liess)
Grégoire Hetzel: Performer
Vox clamantis in deserto (Elsa Papatanasios, Emmanuelle Huteau, Marie-George Monet, Nathalie Liess)
Grégoire Hetzel: Performer
Le retour (Grégoire Hetzel)
Grégoire Hetzel: Performer
Deus in adjutorium meum intende (Elsa Papatanasios, Emmanuelle Huteau, Marie-George Monet, Nathalie Liess)
Grégoire Hetzel: Performer
Rorate caeli desuper (Elsa Papatanasios, Emmanuelle Huteau, Marie-George Monet, Nathalie Liess)
Grégoire Hetzel: Performer
Petite messe solennelle: XI. Preludio religioso (Ensemble vocal Michel Piquemal, Michel Piquemal, Raymond Alessandrini,
Grégoire Hetzel: Performer
Salvete flores Martyrum (Elsa Papatanasios, Emmanuelle Huteau, Marie-George Monet, Nathalie Liess)
Grégoire Hetzel: Performer
Nunc, Sancte, nobis Spiritus (Elsa Papatanasios, Emmanuelle Huteau, Marie-George Monet, Nathalie Liess)
Grégoire Hetzel: Performer
Suite No. 2 in F Major, HWV 427: I. Adagio (Sviatoslav Richter)
Grégoire Hetzel: Performer
O vis aeternitatis (Elsa Papatanasios, Emmanuelle Huteau, Marie-George Monet, Nathalie Liess)
Grégoire Hetzel: Performer
Vox clara ecce intonat (Elsa Papatanasios, Emmanuelle Huteau, Marie-George Monet, Nathalie Liess)
Grégoire Hetzel: Performer
La ferme (Grégoire Hetzel)
Grégoire Hetzel: Performer
Veni Creator Spiritus (Elsa Papatanasios, Emmanuelle Huteau, Marie-George Monet, Nathalie Liess)
Grégoire Hetzel: Performer
Les tâches quotidiennes (Grégoire Hetzel)
Grégoire Hetzel: Performer
On the Nature of Daylight (Max Richter Orchestra, Lorenz Dangel)
Grégoire Hetzel: Performer

User reviews

Lisa Carter
8/10

The orchestral arrangements in the soundtrack create a sense of tension and suspense, effectively building the atmosphere of uncertainty and vulnerability that permeates the film.

Melissa Lopez
10/10

The use of traditional Polish folk music in the soundtrack adds an authentic and immersive layer to the film, transporting the audience to the post-war setting and enhancing the cultural richness of the story. The music becomes a character in itself, embodying the resilience and sorrow of the nuns as they navigate their complex predicament.

Lisa Allen
3/10

Furthermore, the choice of instruments and musical motifs in the soundtrack often felt jarring and out of place, detracting from the overall immersion of the film. The score failed to create a cohesive atmosphere that complemented the harrowing narrative of the nuns' plight.

Daniel Anderson
9/10

The soundtrack of The Innocents perfectly captures the emotional depth and intensity of the story, enhancing every scene with its hauntingly beautiful melodies and evocative compositions.

Dorothy Wilson
6/10

The evocative use of vocal harmonies and atmospheric textures in the music of The Innocents mirrors the spiritual journey of the characters, highlighting their struggles and eventual redemption.

George Jones
6/10

The emotive and evocative nature of the music in The Innocents lingers long after the film ends, leaving a lasting impression of the profound themes explored in the story.

Betty Mitchell
7/10

The use of traditional Polish folk music in the soundtrack adds an authentic and cultural layer to the narrative, enriching the storytelling and immersing the audience in the historical context of the film.

Anthony Robinson
6/10

The subtle incorporation of Eastern European folk influences in the score of The Innocents adds a layer of authenticity to the storytelling, grounding the film in its historical context.

Melissa Miller
5/10

The haunting and ethereal soundscapes in The Innocents perfectly capture the sense of despair and trauma experienced by the nuns during WWII, adding depth to the emotional impact of the story.

Laura Robinson
9/10

The orchestration and vocal performances in the soundtrack are truly exceptional, conveying the inner struggles and spiritual journey of the characters with a depth and nuance that is both moving and captivating. Each note and lyric seem to echo the pain and hope of the nuns, creating a profound connection between the audience and the story being told.

Donald Hill
6/10

The blending of traditional choral elements with modern orchestral techniques in the score of The Innocents adds a timeless quality to the music, enhancing the historical setting of the film.

Amanda Roberts
6/10

The soundtrack of The Innocents showcases a masterful combination of silence and sound, creating moments of tension and release that elevate the overall viewing experience.

Thomas Smith
5/10

The use of subtle piano melodies and delicate string arrangements in the soundtrack of The Innocents creates a somber atmosphere that resonates with the themes of loss and resilience portrayed in the film.

Ronald Parker
8/10

The soundtrack of The Innocents perfectly captures the emotional depth and complexity of the story, enhancing the viewer's experience with its haunting melodies and poignant themes.

Carol Martinez
2/10

The soundtrack of The Innocents failed to capture the emotional depth and complexity of the story. The music felt generic and uninspired, lacking the gravitas needed to enhance the dramatic scenes.

George King
6/10

The music in The Innocents effectively conveys the inner turmoil and conflict faced by the characters, enhancing the storytelling and immersing the audience in the poignant narrative.