• The New Statesman (1987) Soundtrack OST •

The New Statesman Soundtrack (1987) cover

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Rating: 7.90/10 from 2800 votes

Tags: selfish, megalomaniac

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Synopsis

The New Statesman tells the adventures of Conservative MP Alan B'Stard, a man who doesn't have any morals at all. He stops at nothing to make himself richer and more powerful in the party and is involved in drugs, adult films, fraud (making up charities with the initials C.A.S.H when writing on cheques) and even murder but believes that he will never be caught as he is a Conservative MP and therefore all powerful. He has almost complete power over another MP - Piers Fletcher-Dervish who is nearly completely brainless. His wife Sarah B'Stard has very loose morals (both of them have affairs mostly every day) and has hated her husband from five minutes after they got married and tries to use Alan to get anything she wants.

Each episode contains recent news items and Alan moves with the times with things like the end of the cold war, the Nazi hunt in the late 80's as well as the Animal Freedom Party. Keeping up with the huge amount of cash, Alan moves (in the 4th season) to the European Union to continue to make herself richer and to climb to the most powerful position he can reach...

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Play	Title	Artist
	The New Statesman

User reviews

Kimberly Thomas

4/10

The soundtrack of The New Statesman lacks depth and emotion, failing to capture the complex and morally bankrupt character of Alan B'Stard. The music feels generic and uninspired, missing the opportunity to enhance the storytelling and character development.

Nancy Miller

6/10

The use of music in The New Statesman effectively enhances the satirical elements of the show, adding layers of irony and wit to the storyline. The soundtrack cleverly mirrors the absurdity of the political world portrayed in the series.

Patricia Lewis

6/10

The soundtrack of The New Statesman perfectly captures the dark and corrupt nature of the main character, Alan B'Stard. The music sets the tone for his immoral actions and manipulative schemes, creating a sense of unease throughout the series.

Andrew Allen

6/10

The musical cues in The New Statesman are cleverly timed and executed, heightening the impact of key scenes and character interactions. The soundtrack successfully amplifies the tension and drama unfolding on screen, keeping viewers engaged and intrigued.

John Moore

6/10

The soundtrack of The New Statesman skillfully blends different musical genres to reflect the diverse themes and plotlines of the show. From suspenseful orchestral pieces to cheeky jazz tunes, the music adds depth and variety to the viewing experience.

Paul Lewis

5/10

Overall, the soundtrack of The New Statesman contributes significantly to the overall atmosphere and tone of the show. The music enhances the viewing experience, adding depth, emotion, and a sense of sophistication to the satirical narrative.

Dorothy Miller

2/10

The repetitive use of certain musical motifs in the soundtrack becomes tiresome and predictable, diminishing the impact of key moments in the series. The lack of variety and creativity in the music choices detracts from the overall viewing experience, making it difficult to fully engage with the narrative.

Joshua Martinez

6/10

The use of recurring motifs and themes in the soundtrack of The New Statesman creates a sense of continuity and cohesion throughout the series. The music ties together different episodes and story arcs, providing a sense of familiarity for the audience.

Thomas Roberts

4/10

The soundtrack of The New Statesman often feels disconnected from the tone and themes of the show, failing to create a cohesive atmosphere that complements the dark humor and satirical elements. The music choices seem out of place at times, undermining the overall coherence of the series and hindering the audience's immersion in the story.

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